Sayumi Michishige Copic

Continuing on with traditional work, I next moved on to using Copics. It’s been a couple of months since I last used them. I usually have trouble using darker colors because I’m afraid I will mess up in a way that I can’t reverse but this time I decided to push it woth some darker colors in the skin right from the start. Since I have been working with colors more I know how they will react once I add darker values such as with the hair so I felt a bit more at ease once I started working. I’m still not as fast as I would like to be though. This took me a couple of hours but I feel if I can probably do this in a bout an hour once I have a bit more experience. Looking at the reference photo and my version I could have added a bit more of the red tones on her skin but the overall idea was still portrayed which is good. The lips reacted with the ink since I might have overworked it a bit too much so I wasn’t able to portray a more natural lip color, I’ll have to be more careful next time.

Hasta la proxima,

-NUBE

Misaka-Chu

This drawing was done on the 29th day of inktober 2019. I really like Shiho So‘s artwork. I first discovered it when Night Tempo was using it for his cassette releases. With the linework done it was now just a matter of coloring it in. I really like playing around with these bright pastel colors. Although it looked good just painting Misaka, I wanted to make a background for it that fit. After playing around I started to get different ideas like making it like a manga page with panels. Then I thought I would put in a perverse beastly Kuroko ready to attack. And then things started to flow from there. I used Clip Studio for the manga effects like the screentone and effect lines (what were they called again?). Just when I was about to call it finished I decided to write Misakachu with magenta, and luckily it worked out quite well. The painting it self didn’t take too long to do, it was just the small details and ideas that I came up with along the way that added a couple of hours. Still though, overall it was around 5 hours I think. Not bad. Once I have more practice with this style I should be able to work faster. Which I will do at some point since I really like it.

Hasta la proxima,

-NUBE

Suzuki Airi Red Hat Painter 2020

It’s kind of a shame I didn’t do this one for Airi’s birthday but I was quite busy so it couldn’t be helped. This drawing was done in April 17 of 2019. I tried painting it on the 23rd using the reference picture as a guide for the colors as well. But it didn’t end well. The line art was just not working correctly with the painting. So over all it looked quite unnatural and weird. I then tried again on the 25th after I got frustrated and made the colors simpler and more anime like in an effort to make the lineart work better. But the result wasn’t much better. I just had too much trouble trying to blend them together. Well, after a year of countless hours of painting I decided to give it another try. I won’t lie, I still had that trauma of not being able to paint it correctly but the only way to find out is to just go ahead and do it. Annoyingly I did have some problems when I started painting it. Seeing as the line work was pretty dark and plentiful (when it came to the hatching) it just didn’t look right. I tried flat colors thinking that would work but after three tries I had to stop and rethink everything. The next day though I finally decided to paint it the way I have been painting lately. But this time I decided to make the linework lighter, I left it at around 65% of the darkness. Also, this time I decided to try and not look at the reference photo and just paint it the way I believed would work. Also, since most of my paintings have been coming out quite light (in terms of color and values), I decided to go for a more vibrant and deeper color pallette. And well, I really like the result.

I have noticed I have been working mainly with the warm colors in the yellow and red range, but whenever I try to do another color scheme I mess it up or it just doesn’t look right. I want to try cool colors for my next piece.

Hasta la proxima,

-NUBE

Lin Lin China dress

I’m amazed at just how much effort Yusuke Murata puts into both the characters created by ONE and the ones coming out (so far) in Murata’s version. One of the characters that really captured my eye is Ring Ring. It’s a shame she only came out for a couple of chapters. I was hoping that she would come out a bit more but the chances of that happening are slim. Maybe she will come back with Suiryu after training to become heroes. One can hope. Another shame is that we didn’t get to see her techniques, she got defeated too quickly… While drawing her I noticed that her design is simple and yet very iconic and cute. The addition of the bells and her hairstyle is a really good touch.

Looking at the One punch man wiki, it seems that Lin Lin was supposed to be Suiryus sister, so I guess there were more plans for her…

Hasta la proxima,

-NUBE

Terry Bogard Hat Salute

This was a piece I started last year around June of 2019. I gave up when I couldn’t work out the background. But after doing a couple of pieces using Ranma’s backgrounds for references, I felt more comfortable. There are still areas in the background that can be made better, and the muscles can be defined more with a mixture of hatching and painting but I wanted to give a simple painting style that can be seen in an old anime from the late 80s or 90s. At first was thinking of putting him in a neighborhood but decided to have him walking on a lone road towards South town. I limited myself to three colors for each section of Terry. I could add more details if I added one more color level but I really wanted to see how it would look if I limited myself to just three.

Let’s keep doing our best guys.

Hasta la proxima,

-NUBE

Suzuki Airi Tirantes 80s Anime D

I had attempted to draw this and paint this for New Years but I didn’t really like the way it came out. So I attempted it again, but since I had already painted the original lineart I had no choice but to go at it digitally. I would say that the painting process isn’t taking that much time, but getting references does. I decided to use the coloring style from the movie Macross: Do you remember love. Aside from coloring it I also wanted to edit some other parts of the drawing it self. The first part was the mouth and lips. I decided to take out the linework of the upper and lower lip. I would form it wit color instead. Of course this and all the other changes were dictated by the references I got from the movie. For the mouth, I also resized it and made it smaller while also repositioning it. The Eyes were moved down a bit and I erased most of the eyelash strands. Eyelashes were also thined and shortened a bit. To my surprise, when I was screen capturing the final reference shots I came across a scene that is almost the same background like the Airi Suzuki picture that I’m using. I quite like the addition of the shadow. I feel like I could’ve added something on the left side of the painting. But this works. One thing I do know is that it looks quite good using a diluted ink linework so that the color influences it when applied.

 

Hasta la proxima,

-NUBE

Airi Suzuki 80s anime style 02 inked

I drew another ink drawing. I was looking through Sergey Orlov aka punksy‘s artwork and wanted to do another 80s style drawing. I want to paint it with a simple color scheme. But that will be later. I used both the g pen and the maru pen. I really love the thin lines I get from maru pens. The only reason I hadn’t used them for so long was because the ink didn’t flow out of the pen. But after thinning out the ink with water that solved the problem and man am I glad for that. One thing I wanted to try out was this set of Chinese watercolors, but to my surprise it didn’t contain black. After mixing blue, green and yellow I got an okay looking grey but instead I decided to water down the black ink. I quite like the way it worked out and will experiment with it more next time.

Hasta la proxima,

-NUBE

Drive Shoot vs Tiger Shoot Hyuga and Tsubasa

After working on the Nier piece I remembered how fun it was to draw using ink. I wanted to give the shooting battle between Hyuga’s tiger shot and Tsubasa’s drive shot a try. I drew Hyuga and Tsubasa using my g pen and maru pen then I added the power lines using Clip Studio. It took me a while to come up with the poses. If I were to redo it I would have Tsubasa bend his upper body further forward.

Hasta la proxima,

-NUBE

Pika-Mimikyu

This was originally drawn for day 26 of 2019 Inktober. Didn’t really have any plans for coloring it. First I started with the background and decided on using Mimikyu’s background from when he appeared in the game. I then started coloring in Pikachu but wasn’t too sure how I felt about it. When I finished painting it I started playing with the levels and other settings in Photoshop. After making another darker version and looking at it for a while I had the idea of maybe making it look like he was caught with a flashlight.  Doesn’t look bad.

Hasta la proxima,

-NUBE

Komi and Manbagi Snow school day

This was painted using the drawing I made for inktober 2019 on day 21. When I first drew this I was imagining fall but it of course wasn’t hard to change it to winter. I actually finished this about a week ago but since Valentines day was getting close I decided to hold on to it. Of course I decided to add the letters to fit in with Valentines day. I did think about adding some chocolate gifts but I think this will do fine this time.

I really like the path the manga decided to take in regards to Komi’s and Manbagi’s relationship. They are both really cute but in very different ways both in looks and personality.

Hope you guys like it:

There are three versions of it, but I still can’t post them here through Pixiv. Here’s some previews from Twitter:

Hasta la proxima,

-NUBE

Misaki Shokuhou Bloomers

This was originally drawn for Inktober 2019 on the 8th day.

I really like pretty much everything about Misaki. Her design, personality and story are great. Plus her relationship with Misaka makes for some great stories. I’m really glad they are finally giving her some screen time in the anime. I really like the way they make her life comedic because of the characters and situations she has to deal with. The way Sogiita Gunha stole the spotlight was hilarious and Misakis’ response made it even better.

Of course Misaki just oozes sexiness so I wanted to do a piece emphasizing that.

The whole painting was progressing smoothly, I was quite surprised. The background was done in just a couple of minutes and Misaki just a couple of hours. But the hair was… I need to practice more with blonde hair, it took way too long.

Hasta la proxima,

-NUBE

Asuka Kato miniskirt

I finally did a painting of Asuka Kato from Watamote. I really like the way she tries to get closer to Kuroki, even to the point of giving Kuroki’s weirdness a pass. I am a bit weary that she will get corrupted by her but I think there won’t be another Kii-chan incident (I’m sure Kuroki won’t let that happen again). She’s just such a nice genuine person. Plus she’s gorgeous.

The drawing was done for the 17th day of Inktober 2019. It was painted with Corel Painter except for the snow which was done with Photoshop using a combination of the scatter brush options and then using a special effects brush. I quite like how it turned out.

This painting has three versions. The original drawing painted of course. And then two versions of her holding an umbrella, one with snow and one without.

Hasta la proxima,

-NUBE

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