This was painted a while ago. While I was looking through my references, I noticed that there was a photo of a sunny side egg within Karin Miyamoto’s first Photo book. Since I rarely just do drawings or paintings of objects, I figured that this would be a good subject. While I was working on it, I noticed that it would be a good idea to also paint the process of the cooking stages of the egg. Out of necessity for the video that I made for this painting, I also painted the pan with no egg, and a layer that contained an egg that was in the process of being cracked and un-cracked. Though that is only on the video.
Not all parts of the process will be showed here due to the limitations of posting the link. If interested see the video or check them out on Pixiv.
The Nagatoro anime has finally released. They did a good job animating it. The coloring style is also pretty good, although there are some instances that they want to add more details to Nagatoro’s hair but it looks a bit too digital? Although it’s 2D, it somehow looks cg. The hair effects to make it more detailed need some work or needs to be stylized differently, or maybe using different colors might look better? Other than that though, I’m loving the voices they chose, Nagatoro’s fits perfectly. Wonder what the opening is going to be like? I wonder if making those transition segments are going to be common place? What I mean by this, sometimes when they make a transition some cute Nagatoro cats and Nagatoro appear. The other anime that I have seen doing this was in Demon Slayer. If you guys know what I’m talking about, let me know if this is becoming a popular trend in other animes.
This was painted with Corel Painter 2020 using the Sargent Brush and oily brush. It took me 2 hours and 22 seconds.
This is the colored version of my Sayu drawing done with Copics. It was painted with Corel Painter and then used the layer styles from PhotoShop. Each style changes different aspects of the painting when it interacts with the line art and the painting layer. I think each one has it’s appeal. Soft light gave it a pastel look which I really liked. Because the copic ink doesn’t completely cover the texture of the paper and it also doesn’t always completely cover an area (there are some patches that are lighter), these can give interesting effects when painted digitally and played with the layer options. This can be affected even further when playing with the layer transparency.
A bit of a late upload. I was planning on uploading some of the work I had lined up but when I was on twitter I noticed that #HowToDrawMangaRedraw was trending. The one being redrawn is from a book done by Katy Coope. But the one I grew up with was by Ryo Toudo. Looking inside the book, the cover artist is Kazuaki Morita. I really love his style. Man, this cover really brings back memories of when I was first getting into anime and was amazed by the selection of media that our local library carried. I won’t lie, I didn’t quite get the contents of the book back in the day. I mainly got it for the cover and tried to draw them. Thinking about it now, I might have that drawing stored in backpack that contains all my old work. If I remember correctly, I put the thumbs in the wrong positions. I’ll upload it tomorrow. There was another cover that I really liked, maybe I’ll give that one a try as well (also tomorrow).
Update (4/9/21) – Couldn’t find that old drawing I was talking about, I did find a lot of rather embarrassing ones though… If I find it though I’ll post it here.
(Update 4/19/2021) – Found it, you can see it here: ( •̀ᄇ• ́)ﻭ✧
Just a quick painting that I was sketching till it turned into this. At some point it looked like a set of armor so I decided to go with it. The base was started with the Real Tapered Wet Flat Brush and at some point I went over it with the Tapered Oils brush.
When I first used the the Sargent brush I wanted to try out it’s full capabilities and the first painting I used this on was with Momoko Tsugunaga. One other thing I wanted to try out was a painting with water drops and condensation. With that in mind, I chose Momoko’s photo from the variety show (I believe it is London Hearts) where her entire look was given a complete overhaul. It seems that these were for a calendar where different talents were all given the same treatment. It’s a shame but I couldn’t find any recordings of this online, only some screengrabs (this means someone out there does have it/had it). Based on said screen grabs there were about three different photos that I could have used (maybe for a later painting). There’s no denying that Momoko looks really cute with this look, but I prefer her more natural look better.
I mentioned this before, but I think I am finally forming my favorite tools for painting digitally. I’ve been slacking on watercolors though, so I should do some more traditional paintings soon.
As can be seen above, this painting comes with two Youtube links. I already have a couple of paintings that have been recorded and another one that has been edited and will be live this Thursday. Aside from speed paints, I want to make instructional videos where I focus on one technique/topic and just some videos about things that interest me (although I haven’t figured out how I want to structure them yet). Luckily Youtube is allowing songs to be used as long as the owners are cool with it, of course this also means that these videos get no monetization capabilities. Which is a good trade. I actually lost a past channel because of the old methods that Youtube had implemented.
I didn’t really have any plans when I started painting Terry. I just started painting forms so that I could play with the Real Tapered Wet Flat Brush. Again, I was amazed by how the strokes came out but sampling the colors was a pain. Of course the solution is to have a separate layer with the colors readily available off in some corner. I was thinking of adding some power effects to Terry’s punch but I think keeping it simple this time should be fine. I just wanted to focus on the pose and movement.
There was something very comforting seeing Rei doing some farm work. It gave some really strong Ghibli vibes. I wanted a dreamlike aesthetic so I used really vibrant colors for this painting. Rei looks quite peaceful. In a way, this piece is the opposite of Asuka’s winter painting.
This painting was done using Corel Painter’s Sargent Brush and tapered oil brush.
I have been planning painting the other Eva units when they go berserk. This time though, I went for a complete digital painting. Rewatching the scene when Asuka activates the berserk mode is quite heart wrenching in all aspects. Specially since even then, she was completely overpowered and wrecked. Even now it’s hard watching her suffering that much. The end of Evangelion version is quite different from the rebuilds which I could also paint at some point, Although I would probably opt for a complete body since it has very interesting angles and poses. In this portrayal of the berserk scene in the End of Evangelion, I did a what if Asuka could over power the lance and destroy the mass produced Evas.
This painting was also done using the Real Tapered Wet Flat Brush, just as was done with Airi’s painting. Except for the background which was done using the Tapered Oils brush.
We are actually still getting snow where I live, so that inspired me to finally give this painting a try before the weather finally changes to a warmer one. I really love the colors of Airi in this cold weather and wanted to give it a try for a while now. It’s also been a while since I did a realistic painting so I opted to go for that. There are so many more photos I want to try painting so we’ll see when I get another chance.
This painting is based on Airi’s digital photobook vol. 92. I only used the real tapered wet flat brush for the whole piece. I like the brush but it can be hard to use because when I try to use the same paint color, I can’t quite get it back using the eyedrop tool since each bristle stroke is different and mixes together. I already have a number of paintings lined up where I kept trying out this brush and a new one that I believe is my new main brush, to be used with the oily bristle and tapered oils brush.
The base colors were painted using Photoshop so that I could separate each color segments so that I can add to them separately in a different layer. This time I used a different brush using Corel Painter. The brush in question is the real tapered wet flat brush. It has the blending abililties of the the oily brush that I tend to use, but it I can also control the brush size depending on the pressure applied. One other aspect of the brush is the bristle effects it leaves behind as I paint. This can come in real handy when I want to make textures. In this case, it was quite handy on the chalkboard. I was contemplating making the text in Japanese, but I really don’t know the correct way to phrase it. My brother suggested writing it in German but I really don’t think she would waste her time writing in German since she knows nobody would understand her. In the end I just decided to keep it in English. Although since I left the text and chalk drawing in a separate layer, I could always add any text or drawing in the future. I used the pastel brush from Photoshop for the writing/drawings by the way. The line art was complimented with some color ones using the digital brush.
To speed up the process of coming up with the colors for the lighter areas and the shadows I used the divide option for the light layer and the multiply option for the shadows layer.
Posing and setting was inspired by Reina Tanaka’s Asuka cosplay done back in Hello Channel.
I used the pastel brush for the background which gave it quite a bit of texture while still being rather loose. Airi was painted in flat colors using Photoshop before moving over to Corel Painter for the other color layers. I remembered that I had left the logo sections free which prompted me to add Suu-san and an A for Airi. For some reason it takes me longer to paint solid sections more than doing it freestyle using Corel Painter’s Oily Brush. Thinking about it now, it might be easier if I just rework the line art digitally and use the bucket tool like animators do. Aesthetically though, if the drawing itself isn’t good, I guess it won’t work either way. I also wonder if having solid black lines might be too much for this type of paintings. I’ll have to keep experimenting. I really want to do more studies of Airi, there are a couple of photos that I have had in mind.
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