I finally got the chance to paint the Yane line art. I decided to go for a cool spring setting and color. Somehow, the leaves without a more solid form looked weird so ended up making some line work for some of the leaves as well.
Line art can be seen here:
You can see Yane here.
Reference picture used:
Hasta la proxima,
-NUBE
The painted version of my Zoro drawing which can be seen here:
I was just playing around with colors in the background till I arrived with the current background. I think it fits the current Wano arc. I’m really coming to love the Sargent Brush in Corel Painter.
Hasta la proxima,
-NUBE
This is the painted version of the line art I drew before. It can be seen here:
I quite like her multicolored hair. I wasn’t too sure about the background so I made a simple swirling cloud patterns.
Hasta la proxima,
-NUBE
Main channel version:
Extended version:
Hasta la proxima,
-NUBE
This is the painted version of my drawing of Isako Washio. I can’t quite read the kanji for what the actual campaign she was modeling for in the reference picture I used, if you know what it is do let me know.
reference picture:
I quite liked the tan and shadows that compliment the lighting. I decided to have her in a beach as opposed to being indoors, so of course the lighting changed slightly to a brighter one. It’s been raining where I live quite often these past days so I was tempted to make it rainy in this painting as well. But I should do all types of weather types. Seeing as the temperature is also rising, going to the beach is not that out of place.
Line art can be seen here:
Isako Washio Campaign Girl ’85 line art
Hasta la proxima,
-NUBE
This is the colored version of the ink drawing I made of Rin Shima which can be seen here.
I decided to do something a bit different in that I wanted to see if I could just modify some reference pictures. I wanted to convey the feeling of accomplishing the goal of reaching a destination and embarking to the next one. As I was painting the raindrops, I decided to add a drop on Shima’s finger which I felt really fit. Because I decided to follow the reference picture a bit too closely, but I guess it was a happy mistake.
References used –
Rin Shima:
pose:
background:
Hasta la proxima,
-NUBE
This is the colored version of the line art I made for Don Ramon, a character of “El Chavo del 8”. Kind of looks like a Mexican version of Xehanort. I like the way the digital painting meshed with the ink hatching.
Here is the line art:
Here is the painted version:
Hasta la proxima,
-NUBE
Running a bit late again, but somehow managed to finish. This is the colored version of the ink drawing that I did for day 17 of Inktober 2020.
You can see it here: https://darkcloudxero.com/2020/10/17/inktober-2020-17-storm-tomoko-and-yuri/
While I was painting, I took that opportunity to also fix some issues regarding the sizes of hands, arms and head sizes (among other things). This time I didn’t use a reference for the colors aside from just looking at what the Kuroki residence looks like and modified the colors based on the color theme that I decided to go for. Looking at the cover art for chapter 183, it seems like the typhoon completely soaked Tomoko and Yuri. With that in mind, I decided to make Yuri have wet clothes as well. Rainy season will be starting soon or it has begun in some places, so I think this piece will fit that well.
Hasta la proxima,
-NUBE
A painting that I painted last minute. Was a bit busy but I just barely made it. Hope you guys had a great Earth day. Hopefully everyone is still protecting her. I’ve had the idea that Master Asia from G Gundam and Earth chan would pair up nicely (those who have seen G Gundam know why). I don’t blame Master Asia for his decision to execute his plan. I mean, who wouldn’t want to protect her at all costs.
Hasta la proxima,
-NUBE
It’s been almost a month since I had painted this piece, I can’t believe I have been pushing it back by that much…
The reference comes from Momoko’s final photobook.
The ink painting used can be seen here:
This follows my current practice working with ink brushes, the translucence it contains and the application of paint and how it interacts with it. I have a couple of other pieces that I can use to continue this practice. It’s amazing, but it does have it’s limitations on what can be done (coloring wise). On the other hand, the effects and textures are really unique and interesting.
Hasta la proxima,
-NUBE
