"A Hopeless Dream Chaser"
I attempted doing an ink drawing of Sayu with her short hair back in 2018 for inktober but wasn’t satisfied with the end result, so I decided to draw her again. This time I used a combination of both ink and digital hatching and some small manipulations to the diamonds below the table which were done in the wrong perspective.
Really love the way short hair compliments Sayumi.
Hasta la proxima,
-NUBE
Really like Miyabi’s pink jumpsuit. And the way it matches with her mask really gives her a yankii look. When I was painting the drawing I decided to slightly change the background a bit so it looked more like a dance studio.
Hasta la proxima,
-NUBE
It’s a bit late when I’m posting this so I will keep it short but this is based on the ad campaign called Yes Coke Yes. The reference used is one of the ads that Hayami Yu. I’ve been wanting to do some summer artwork and also utilize the 80s ads that I have. It has also been a while since I’ve done a simpler painting. It was a lot of fun painting this piece, luckily I managed to finish it in time.
Hasta la proxima,
-NUBE
One of the fun things of seeing original Dragon Ball are the references to other stories or media that Akira Toriyama likes. And now that my exposure to more media has expanded I can now see more of it whenever I rewatch Dragon Ball. One such character is the Robot Pirate that is a really cool reference to the Xenomorph from Alien. What I really like about the design is the obvious inspiration to Alien while still making an original and cool design. I knew that when I rewatched Dragon Ball about two years ago I wanted to make a parody painting. It took me two years to finally do it, but that’s just the way things work out sometimes. The scene is of course in reference to the iconic scene with Newt, moments before she was abducted by a Xenomorph.
Hasta la proxima,
-NUBE
This one as done using both Corel Painter and Photoshop. I was quite busy last week so I wasn’t able to really work on it last week. Today I finally had a chance to finish it. The scene itself is somewhat based on the fight Kira had with Shin in the ocean (although I just remembered that he was using the Freedom at that time…
Background based on a photo by MGMoscatello found here.
Hasta la proxima,
-NUBE
Will write a description next time I have some time. This one had a lot of steps.
Hasta la proxima,
-NUBE
I was a bit worried that I wouldn’t be able to finish these presents in time but I was somehow able to do it. I thought I would also try out a new technique (for me) emulating Ichiro Tsuruta’s artwork that was used for the Noevir Cosmetic Renaissance ads. I would classify it as Japanese 80s Art Deco but of course I could be wrong.
Thank you for all these years of bringing happiness to your fans Sayu, I always look forward to checking out what you bring us.
Hasta la proxima,
-NUBE
Man, this one is already about a year old now. I was planning on releasing it at some point but it never happened and ultimately I decided to release it when it got hot out again. And seeing as the weather has been getting hot lately (plus I haven’t uploaded in a while) I figure now would be a good time to upload it. The painting of Momoko is the same that was done a year ago but wasn’t pleased with the background so I tried out my new pc upgrades with this piece by painting a new beach background. There is no more stuttering or slowing down anymore (although the temps of the CPU are a bit worrisome). I tried out some of the other brushes that Corel Painter offers and saw no problems at all. Last time I tried it with my old components my pc couldn’t keep up. Although it could handle my favorite oil brush it tended to close up (Corel) on me from time to time. The last time when I was painting the Buono piece I lost half an hour’s worth of work which really sucked. I was going to wait on upgrading for a bit longer but after that happened I decided to pull the trigger. And I’m very happy I did.
I really like Momochii’s Yurushite Nyan pose so I went with that when I first drew her. My thought process at the time was to try out 80s/90s style painting which can look extremely beautiful if done right. But as mentioned when I was looking at the old background it just wasn’t up to par so I made a new one that would fit Momoko.
I’m planning on making more paintings throughout the summer ( I actually have had some ideas floating around for a while now). But work and my decision to make a desk computer will be keeping me busy for a bit longer. Hopefully the extra space in the desk will help cool down my cpu and gpu if not I’m going to have to invest in a new cooler…
It has also been a while since I’ve done some traditional watercolor paintings so I hope to get back into that as well.
Hasta la proxima,
-NUBE
Let’s start off by saying that I really love Buono! There was just something magical about this formation. Such a shame I will never get to see them live in concert. I’m really jelly of those who got to experience it. Thankfully the concerts are now being released on Youtube for more people to experience them. This premiere that happened last week was the closest I could get to experiencing one of their concerts live. A shame I couldn’t enjoy it all the way through since it started at 3 am in the morning where I live and I had to get ready for work. I couldn’t even get to enjoy Airi’s live video about Buono!… On the bright side this was done on Youtube so I can at least rest easy knowing that it won’t disappear and I can watch it as many times as I want. Man I really wanted to have this painting done on time last week. I actually own the concert but I’m glad it’s on Youtube so that more people can get to watch it and interact amongst fans.
I was working on this since the beginning of last week in the hopes that I would be able to finish it in time for Youtube’s premiere of the Buono! Pienezza! concert. But my other job has been extremely busy so I only managed to get the background and the main outlines and colors of Momochi, Miyabi and Airi. I don’t know if it was because I was tired from overworking or if I just had no idea of how to continue with the painting process but I got stuck and couldn’t continue working on it when I had some free hours to work on it. I finally managed to get some time to work on it again on Tuesday and started to use a new technique (for me) using Photoshop. Which basically just consists of putting in the base colors on one layer, adding a multiply layer for the outlines and another multiply layer for the shadows on them. It took me a while to come up with a system so that I could work faster and more efficiently (although it took me a whole two days to really know what I was doing).
Thank you for the music and fun all these years. It really warms my heart to know that they are still remembered and loved.
Hasta la proxima,
-NUBE
This drawing was originally done for inktober 2019 on day 4. My first main goal was to make an anime painting with hard color changes. When I was done I noticed that it didn’t fit in at all with the texture background I had started. They didn’t fit together at all. So I was a bit disappointed. It looked amazing with a completely white background though. The colors were really vibrant and had really light and dark tones so I wondered what type of background would fit. After I was done painting Elsa in I thought about it for a while and decided to paint the background with Corel. I had absolutely no plan when painting but after just choosing a base color that would fit with Elsa’s color scheme I just started adding color till I eventually ended up with her sitting on a her comfy seat surrounded by some curtains (I believe that’s what they would be called). But Elsa still did not fully fit in with the background. It didn’t look back bad but the lights weren’t interacting with her at all. So I then put a gradient on her to darken the bottom half of her body and putting the layer on multiply.
Hasta la proxima,
-NUBE
This drawing was done on the 29th day of inktober 2019. I really like Shiho So‘s artwork. I first discovered it when Night Tempo was using it for his cassette releases. With the linework done it was now just a matter of coloring it in. I really like playing around with these bright pastel colors. Although it looked good just painting Misaka, I wanted to make a background for it that fit. After playing around I started to get different ideas like making it like a manga page with panels. Then I thought I would put in a perverse beastly Kuroko ready to attack. And then things started to flow from there. I used Clip Studio for the manga effects like the screentone and effect lines (what were they called again?). Just when I was about to call it finished I decided to write Misakachu with magenta, and luckily it worked out quite well. The painting it self didn’t take too long to do, it was just the small details and ideas that I came up with along the way that added a couple of hours. Still though, overall it was around 5 hours I think. Not bad. Once I have more practice with this style I should be able to work faster. Which I will do at some point since I really like it.
Hasta la proxima,
-NUBE
Me and my brothers were waiting for this moment for a while now, and after ten years a remastered edition has now been confirmed in the Nier 10th anniversary event. So to celebrate I wanted to paint a quick piece. I’ve only drawn Emil once before for the Initial D drawing, but I wanted to do another one. Next time I want to do one of him using his magic or something, we’ll see.
I think this only took me a little over an hour to do. I played around with Photoshops blending brush again. I really wish Corel Painter wasn’t as clunky and slow, Photoshop is beating it in this way as well. Corel 2020 is supposed to have fixed that but haven’t tried it out yet.
Hasta la proxima,
-NUBE
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