"A Hopeless Dream Chaser"
Just started to watch Oosama Ranking. In a way, I’m glad I started watching it late because I can just binge the episodes whenever I get the chance. All I’ll say for now is, Wow.
This is the line art for this piece. The plan is to make a traditional painting so that it looks like a picture book illustration.
Hasta la proxima,
-NUBE
It surprisingly didn’t take me too long to paint Shining Gundam and Domon, along with their reflections and snow. Checking mountains in parts of Japan, there are actually quite a lot of types of shapes. Including the pointy ones that are common where I’m currently at. So I just modified them a bit.
Shining Gundam was the main focus and what took the longest for this segment of the painting. The main form and base colors were easy to choose From there I tried to make out the form to showcase the most prominent forms. But since I wanted to emphasize that the Gundam is far away, I made sure to use more muted colors and as little value changes as I thought were needed. Then came the snow. I felt a bit bad about covering some areas with snow and water, but I feel that really ties it all together. As for the reflections I used the same techniques as with the torii, but I made sure to add highlights to create waves moving away from Shining Gundam as it rises up.
There were a couple of ideas about where to place Domon. Walking in the frozen ground, atop a small boat or standing on the torii. But ultimately I came upon the idea to have him leaping towards it. This I feel really fits the fantastical elements of G Gundam after all.
I made two versions, one where it’s all quiet and peaceful and another where snow is falling. Although I do like the snow, I think it looks better where it isn’t present.
Hasta la proxima,
-NUBE
I’m currently working on a new painting before I try to make one or two for Valentines. I’ve actually been planning to make a painting of this sort for… damn. A couple of years now. I’m surprised it took me this long to finally give it a shot. The background is mostly done. I’m actually quite a bit ahead of this but I quite like the atmosphere of where the painting is at this point. Although I can render the painting further, I wonder if that will detract from the focal subjects. So for now, I will leave it mostly as it is.
This is the reference photo of the background, modified to have snow of course:
I just did an image search to find the original creator and it seems to be from a photo manipulator that put different assets together to create this. I found it strange that the pine trees and mountains looked somewhat Western. Now I know why.
With that in mind, I will go back and edit a couple of the trees so that they fit Japanese ones. Among other changes. I wonder if there is a place in Japan that will actually fit this scenery?
The Toori is actually painted already, along with the reflection. I’m surprised at how easy it was to emulate. You guys will have to wait till next time to be the judges though. Luckily I won’t have to edit that part of the painting.
Hasta la proxima,
-NUBE
I started this painting back on Saturday and worked a bit on it Sunday morning but for some reason felt like I wasn’t making much progress. It started to become a slugfest, so I decided to take the rest of Sunday off and not work on it on Monday. I felt a bit guilty but when I continued working on it today I definitely felt more refreshed and the wall I was fighting before was suddenly non existent. Although the background and the poses were mostly left finished on Sunday, there was still quite a bit of work to do figuring out how I wanted the colors for Ranma and Akane. But once I got the base colors done, the work just flowed after that. It was just a matter of working and tweaking things. I’m trying to render things a bit more so that they don’t look too rough. I’m also gonna play around with the line art digitally. Doing so I can get a my style that I’m currently developing and traditional anime working together. Judging by how things tend to work out, I’ll be adjusting and hopefully refining it as I go along.
Background is a mismatch of different ideas and photos but the ice was from a photo I took a while ago:
The idea for this painting was mainly jus to have Akane skating when I saw this photo of Yū Hayami (I of course used the opportunity to change the K to an A):
But I felt like Akane would look too lonely so I added Ranma. I remembered that he had trouble skating in the first seasons (did he ever learn?) so I wanted to paint him struggling. That’s how I came upon this pose reference (Can’t find info on the model for some reason):
Ranma’s outfit:
I was pretty much done when I suddenly by the end felt it would look even better if I had Ryoga in his boar form jumping off of Ranma. Then I noticed that Akane looked too stiff so I decided to have her hair flutter as if she was in movement.
Hasta la proxima,
-NUBE
This is my second entry for the “XP Pen Reconstructed Masterpiece” contest. While looking for famous masterpieces I had seen the Napoleon painting before I had decided to paint the Van Gogh painting I made prior. I know I wanted to do something with this recreation, but I didn’t have an idea until this past weekend. I started with the motorcycle first which took the longest since I was mashing different motorcycles together until I arrived at this design. Next came Napoleon which went faster than I thought. I debated whether to have his face uncovered or at least his eyes, but decided to go with a closed helmet in the end. When I finally finished the background I was about to call it done but felt it needed something more when I was looking at the soldiers in the background. After some thought I decided to add a jet which fit perfectly in the blank space and to top it off, also merged well with Napoleon’s hand gesture.
Hasta la proxima,
-NUBE
This painting is influenced by the poster of “Maboroshi no mizuumi”, it reminded me of the first episode of Ranma where we were shown how diligent Akane was in her training. Looking at the plot of the movie though, it has a rather sad plot. That was a bummer. I wanted to do an 80s anime style where I try to replicate Ranma 1/2s look.
Poster used: https://www.imdb.com/title/tt0226998/mediaviewer/rm112027904/
Hasta la proxima,
-NUBE
This is the painted version of my drawing of Isako Washio. I can’t quite read the kanji for what the actual campaign she was modeling for in the reference picture I used, if you know what it is do let me know.
reference picture:
I quite liked the tan and shadows that compliment the lighting. I decided to have her in a beach as opposed to being indoors, so of course the lighting changed slightly to a brighter one. It’s been raining where I live quite often these past days so I was tempted to make it rainy in this painting as well. But I should do all types of weather types. Seeing as the temperature is also rising, going to the beach is not that out of place.
Line art can be seen here:
Isako Washio Campaign Girl ’85 line art
Hasta la proxima,
-NUBE
This is the colored version of the ink drawing I made of Rin Shima which can be seen here.
I decided to do something a bit different in that I wanted to see if I could just modify some reference pictures. I wanted to convey the feeling of accomplishing the goal of reaching a destination and embarking to the next one. As I was painting the raindrops, I decided to add a drop on Shima’s finger which I felt really fit. Because I decided to follow the reference picture a bit too closely, but I guess it was a happy mistake.
References used –
Rin Shima:
pose:
background:
Hasta la proxima,
-NUBE
I had been reading the manga for a while now, but was surprised to learn just how big Yuru Camp is in Japan. That makes me rather happy. I actually went camping last summer. I couldn’t help but remember Yuru Camp. For my first artwork of this series, I picked Rin Shima. I quite like how dependable and independent she is.
pose reference:
Rin Shima:
https://www.bigbadtoystore.com/Product/VariationDetails/96378
Hasta la proxima,
-NUBE
The videos for Goku Dodging Jump is now live.
Main channel version:
Extended version:
Hasta la proxima,
-NUBE
This is a double feature of sorts. I will be doing two types of painting on this drawing of Goku which has been drawn with ink. I first used watercolors to paint Goku and then I painted him again digitally using Corel Painter 2020. The time between each was very noticeable. The traditional painting took and the digital painting took me only . I really have to think about how I advance after every movement. Meanwhile with digital painting, I seem to have more experience and I can make as many mistakes as I want since I can undo right away. But I guess that doesn’t completely transfer over to traditional. Although I can go as detailed as I want, it might be better if I develop a simpler style like Little Thunders which can be so versatile but not overworked.
This painting has made it clear that I should practice more with watercolors. One other thing I remembered, don’t ink your drawing if you will be using watercolors on it (this is only if the inks aren’t waterproof). Otherwise they will smudge when painting. Instead, go over the lines by pressing hard on them using a pencil (I mean I know this, I don’t know why I didn’t remember). Then erase everything. If done correctly, the lines will be visible even when painting over them. One you are done painting, the line art process can finally be done. This can be done with ink, color pencils or more watercolors.
Hasta la proxima,
-NUBE
This painting was finished on August 15.
I’ve been wanting to learn how to add color to my pieces so the best way is to study photos and also see why other peoples paintings work by recreating them. Using the eyedropper tool is quite useful but I want to practice and learn how to choose color just by using my eyes and instincts. Doing it traditionally is easier since I’m limited to the colors I have in hand. But digitally I have to really focus and think about it since I have every color imaginable at my disposal so it can get a bit overwhelming and the chance of screwing up is quite a possibility.
At the time of this painting I had invested in upgrading my Corel version up to 2018. So this is the inaugural painting I did for it. Corel and Photoshop are quite different. Photoshop is quite versatile and one can do a lot of things with it quite easily when it comes to editing but I feel that Corel is the better program to paint. Something about it makes painting more intuitive. But I tend to switch from one to the other when creating new paintings regularly. Sometimes I hit a bump and for some reason seem to find it easier to do on the other program. (・∧‐)ゞ
In any case I of course chose Sayumi Michishige as the subject, as you can guess I really love her aesthetic and her photo books are filled with a lot of great pictures to choose from. As stated before I chose colors by eyeballing it and am surprised I wasn’t too far off. If you compare my painting to the photo of course there are a lot of differences but I feel like I managed to capture the essence and you can tell it’s Sayu right? (๑•̀ㅂ•́)و✧
This is the reference picture used from Sayu’s photobook “La”:
Here is the process:
The eyes were too big so I had to resize them.
And that should wrap it up for now. I really loved working on this painting and am glad I was able to get it to this point. It looks realistic but also like a painting which I really like.
Hope you guys like it.
Hasta la proxima,
-NUBE
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