"A Hopeless Dream Chaser"
The reference image used for this drawing was from the Berryz Koubou Alo Hello in Hawaii photobook.
I wanted to try out different styles of drawing but didn’t quite liked the way the first drawing came out, but it was a good practice run for my second attempt.
In commemoration of Momochi’s graduation anniversary I will be doing a couple more artworks this month.
Hasta la proxima,
-NUBE
I was caught off guard when my brother told me the news of Kentaro Miura. I remember people joking that this could happen before the story ended, but I guess that’s just how life is. Ever fleeting and unpredictable. His art, story telling and characters were truly inspiring to me. They were a level that I hope to reach someday. Thank your for all these years, allowing us to see and learn from your work. Although you may be physically gone, your legacy will forever be remembered.
Hasta la proxima,
-NUBE
Main channel version:
Extended version:
Hasta la proxima,
-NUBE
Running a bit late again, but somehow managed to finish. This is the colored version of the ink drawing that I did for day 17 of Inktober 2020.
You can see it here: https://darkcloudxero.com/2020/10/17/inktober-2020-17-storm-tomoko-and-yuri/
While I was painting, I took that opportunity to also fix some issues regarding the sizes of hands, arms and head sizes (among other things). This time I didn’t use a reference for the colors aside from just looking at what the Kuroki residence looks like and modified the colors based on the color theme that I decided to go for. Looking at the cover art for chapter 183, it seems like the typhoon completely soaked Tomoko and Yuri. With that in mind, I decided to make Yuri have wet clothes as well. Rainy season will be starting soon or it has begun in some places, so I think this piece will fit that well.
Hasta la proxima,
-NUBE
The painted version of the inked drawing I made a year ago.
Inked version:
I had two options that I could use to color, the line art or the inked version. In this case, I went for the inked version. Because of this, I decided to go for a more flat style. I decided to have a red background, so the colors were based off of that. While I was painting, I was reminded of a problem that this drawing had. Her right eye (which is on our left). It was misaligned and a bit too low, which I feel was exemplified more when I painted Lin Lin.
Hasta la proxima,
-NUBE
This piece was much easier to paint now that I had the colors thought out with the Asuka painting. Where applicable I just used the eyedrop tool.
If paired with the previous Asuka piece, than I would think that Rei could care less about Asuka’s provocation and would have her mind in an entirely different place.
Posing and setting was inspired by Momoko Tsugunaga’s Rei cosplay done back in Hello Channel.
I just saw the trailer with Rei planting crops, now all that fan art I saw makes sense. I want to paint her in that scenario as well…
Hasta la proxima,
-NUBE
The base colors were painted using Photoshop so that I could separate each color segments so that I can add to them separately in a different layer. This time I used a different brush using Corel Painter. The brush in question is the real tapered wet flat brush. It has the blending abililties of the the oily brush that I tend to use, but it I can also control the brush size depending on the pressure applied. One other aspect of the brush is the bristle effects it leaves behind as I paint. This can come in real handy when I want to make textures. In this case, it was quite handy on the chalkboard. I was contemplating making the text in Japanese, but I really don’t know the correct way to phrase it. My brother suggested writing it in German but I really don’t think she would waste her time writing in German since she knows nobody would understand her. In the end I just decided to keep it in English. Although since I left the text and chalk drawing in a separate layer, I could always add any text or drawing in the future. I used the pastel brush from Photoshop for the writing/drawings by the way. The line art was complimented with some color ones using the digital brush.
To speed up the process of coming up with the colors for the lighter areas and the shadows I used the divide option for the light layer and the multiply option for the shadows layer.
Posing and setting was inspired by Reina Tanaka’s Asuka cosplay done back in Hello Channel.
Hasta la proxima,
-NUBE
The second line art part to the Evangelion set. This time it’s Rei Ayanami.
Hasta la proxima,
-NUBE
There are always plenty of reasons to do art of Evangelion. This drawing will actually be part of a set, both of which are now completed. But I will upload them later. This was drawn using my maru pen. I started using my flat pencil again for the rough draft, and it really reminded me of how fluid my lines come out compared to using a thin point like with my mechanical pencils which bring out my bad habit of being too rigid.
Hasta la proxima,
-NUBE
Originally drawn for inktober 2020 day 08.
It can be found here: https://darkcloudxero.com/2020/10/08/inktober-2020-08-airi-susuki/
I used the pastel brush for the background which gave it quite a bit of texture while still being rather loose. Airi was painted in flat colors using Photoshop before moving over to Corel Painter for the other color layers. I remembered that I had left the logo sections free which prompted me to add Suu-san and an A for Airi. For some reason it takes me longer to paint solid sections more than doing it freestyle using Corel Painter’s Oily Brush. Thinking about it now, it might be easier if I just rework the line art digitally and use the bucket tool like animators do. Aesthetically though, if the drawing itself isn’t good, I guess it won’t work either way. I also wonder if having solid black lines might be too much for this type of paintings. I’ll have to keep experimenting. I really want to do more studies of Airi, there are a couple of photos that I have had in mind.
Hasta la proxima,
-NUBE
Decided to add a spirit gun.
Hasta la proxima,
-NUBE
This is the painted version of the ink drawing I did a couple of days ago.
It can be seen here: https://darkcloudxero.com/2021/03/10/kojiro-vs-nezuko-soccer-battle-ink/
I had finished a prior version yesterday but decided to give it another look over this morning. I then started playing with the lighting and the background colors. Eventually I started adding textures which eventually reminded me of using Clip Studios burst functions to compliment the ink ones I had drawn beforehand. I then used the hardmix blending mode for my texture layer which gave it some interesting lighting effects that made the the shooting duel pop out that much more.
Hasta la proxima,
-NUBE
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