Blood stained gift for her future

This is based on a drawing I did way back in (at least from a quick search) 2016. At the time I was completely new to digital painting or using colors really. I was more into drawing and was really struggling with color. I seriously thought I could bypass that issue by focusing on the values using my pencil and then hoping that Photoshop would deal with the colors on it’s own. Of course, nothing is ever that easy.

You can see my past attempt here:

I can proudly say I have made some progress in the last 4 years.

I used the line art as a quick map of how I wanted to set up the painting, but overall the line art would be left out. Once I had some reference photos of how castles and the sky could look like I began painting. I started with the castle first and that took me a while since I kept working with the way I believed the shadows would look in my scenario. But I made the mistake of not painting the sky so I could figure out what colors I would eventually end up using. With a bit more experience I should be able to figure this out in a couple of minutes but setting up the lighting for the background took me a couple of hours. Once I was satisfied with what I had, I then began working on Lelouch. But since the colors for the background were dealt with, getting his colors was much easier. Dealing with him did have to be finished today though. I want to be fast enough to paint something like this in at least one day, but for now it is taking about two days. For this painting I decided to use the spray paint for the sun’s lighting and in some sections of the clouds and the castle. I seriously should use it more since it made the effect I wanted much easier.

My brother has recently started watching Code Geass for the first time, so when I asked him for a suggestion of course Code Geass would be the option. I figured that would be a good excuse to retry doing this painting.

Hasta la proxima,


Actual Lelouch final

So after taking a small break from the Lelouch drawing I decided to go at it again to make a couple of little tweaks. But before that, here is how the drawing looks without the original drawing:

Lelouch no drawing resize

It looks really funny.

But any way here is the actual final piece:

Blood stained gift for her future darker resize

I just eased the blood lighting, darkened some areas especially on Lelouch and I also added the Geass. I don’t really want to spend too much time on this so I will leave it as is. This was a good test of what is possible.

Hasta la proxima,


Traditional X Digital (Color) IV II Final

It, took longer than I expected…

I really thought I would have been able to finish this one quite easily, but in the end as usual it took quite some time to go about modifying areas over and over as I went along. Luckily that doesn’t surprise me anymore and can work on that as I go along. Color theory is still a bit of a pain, but I feel like I am getting the hang of it. The great thing about coloring digitally is that I can make as many mistakes as I want and I can always go back and fix it. On top of that I don’t have to redo my whole work either, I can just change the hue of the layer and modify it so that it fits with the overall picture.

This one was quite technical. Digital art isn’t as straightforward as traditional (although traditional is harder and requires quite a bit of thinking beforehand, in essence it requires a lot of skill and concentration). With that in mind I made sure to use every technique I have picked up so far using digital color to acquire a good image. It is still lacking compared to the pro digital artist, but I feel like I have gotten one step closer. This image had numerous layers that allowed me to get the feel and effects I was imagining.

There is one revelation that became quite clear as I was working on this piece though, and it’s a really important one. Coloring pencil artwork might not be such a great idea. It’s quite tough when they actually have a background. Because there is only so much one can do to smooth things out and have as little areas that aren’t uniformly shaded, this create areas that are very… rough, uneven, grainy, etc. These defects get passed on to the digital artwork. And although I can probably use this to my advantage in some artwork, it won’t work for most of it. For this piece I spent quite a bit of time just trying to downplay the amount of grainyness from the pencil shading that gave it a “dirty” look when colored. This is quite disappointing…

Of course I have thought of other ways to use these same shadings to my advantage on some future projects, but as explained before, it won’t work with everything. It seems that this technique will work best with simple drawings with no background, but will work even better with using artwork that only focuses on the outlines for me to color in digitally.

Hmmm…. I do have one more drawing I wan’t to try coloring though, it is also done with pencil but this one is done on a much higher quality paper that I managed to pour all of my skills onto (well, at least at the time). So I wan’t to see just how big the difference is.

In any case I do want to finally show what I managed to make. Don’t know if I want to add it to the gallery though… What do you guys think? (for now here is the final piece, I’ll upload pictures showing the process tomorrow on this same post. It’s quite late right now and I really want to take a break and rest for a bit):

Here are some pictures of the process, will add the “whole” process later in video form (something new I want to try out):

So from where we left off last time, here I went over it and shaded the drawing a bit closer to bring out more details. Doing that had some collateral damage though, now there are even more rips on the paper.

Lelouch III cropped resize

And as expected the longer I worked on it the worse the rips became, it was really annoying but luckily I have some experience dealing with rips.

Lelouch rips not fixed resize

Rips fixed! I went ahead and started repairing it digitally using the clone tool which took me quite some time to understand… make sure to right click the area you want to clone as you hold the Alt button if you which to copy the right area instead of struggling to find out why the clone tool is painting something you don’t want. In the end I found that the best tool for the job was the healing brush tool since it blended in the area according to the surroundings. Of course it also had it’s quirks so you have to pay attention and do small areas as you go, but it’s quite easy to use and made repairing the rips quite easy.

Lelouch rips fixed resize.jpg

From here I just started to add color using the method mentioned on my other posts of Traditional X Digital.


Lelouch IV resizeLelouch V resizeLelouch VI resizeLelouch VII resizeLelouch VIII resizeLelouch X resizeLelouch XI resizeLelouch XII resizeLelouch XIII resize

Lelouch - Blood stained gift for her future resize

I did the best that I could digitally on this one. I have a ways to go, but I feel it look much better than it would have looked had I tried this even just a month ago. I’m no longer afraid of digital, I’ll make sure to understand it more as I continue to polish my skills in all areas!

That is all for now (Aside from adding that video I mentioned above).

Hasta la proxima,


Traditional X Digital (Color) IV

Here is the next project for the Traditional X Digital series. This one is different in that it is a somewhat recent piece. I had it originally as a rough draft, but I guess at some point I forgot that and added way too many details to it. It was also originally going to be a drawing that I would make for a Youtube video as a request. But if I remember correctly I ended up drawing a simpler drawing with no background for that. I wonder if the requester even saw that video…

In any case, as I was working on some other work, I remembered I had this piece that just needed a couple of detailing and shading to bring it back to live so that I could color it digitally. This was specially important because the sketchbook I use is a really cheap one that has very sensitive paper. Since I only make rough drafts on it I don’t mind, but since it does contain this one piece that I don’t feel like redrawing since it looks quite good and has a lot of detail, I decided to just finish shading and polishing this piece.

Despite taking some care, as expected I did end up creating some rips all around the drawing. Which kinda sucks, but I should be able to revive it digitally. For now i should just focus on shading and finishing this piece. Since this one actually is an original piece I should be able to put it on my gallery (assuming it comes out great). So please look forward to that.

Here are some scans:

Lelouch I resize

If you look around the drawing you should be able to see the rips I sadly made on the paper as I was working on it.

Lelouch II resize

Well, that’s it for today. I will keep working on it, and hopefully will be done soon.

Hasta la proxima,