"A Hopeless Dream Chaser"
I wasn’t paying too much attention but Isako was wearing a bikini underneath, because the reference picture I have is a bit too pixelated I thought it was lace underwear.
Reference picture used of Isako Washio:
Here is the line art:
Hasta la proxima,
-NUBE
While looking through my references I came upon a picture that had Don Ramon (a character from “El Chavo Del 8”, my favorite one) and Fujiwara no Mokou. This picture compared both of their expressions and grins which I found very funny.
this is the picture that I’m talking about:
And here is the drawing:
On another note, it seems like posting Pixiv links here no longer shows the full image, but I just found out I can upload images to Pinterest and they do show fully here. So Just might start doing that from now on.
Hasta la proxima,
-NUBE
Running a bit late again, but somehow managed to finish. This is the colored version of the ink drawing that I did for day 17 of Inktober 2020.
You can see it here: https://darkcloudxero.com/2020/10/17/inktober-2020-17-storm-tomoko-and-yuri/
While I was painting, I took that opportunity to also fix some issues regarding the sizes of hands, arms and head sizes (among other things). This time I didn’t use a reference for the colors aside from just looking at what the Kuroki residence looks like and modified the colors based on the color theme that I decided to go for. Looking at the cover art for chapter 183, it seems like the typhoon completely soaked Tomoko and Yuri. With that in mind, I decided to make Yuri have wet clothes as well. Rainy season will be starting soon or it has begun in some places, so I think this piece will fit that well.
Hasta la proxima,
-NUBE
A painting that I painted last minute. Was a bit busy but I just barely made it. Hope you guys had a great Earth day. Hopefully everyone is still protecting her. I’ve had the idea that Master Asia from G Gundam and Earth chan would pair up nicely (those who have seen G Gundam know why). I don’t blame Master Asia for his decision to execute his plan. I mean, who wouldn’t want to protect her at all costs.
Hasta la proxima,
-NUBE
It’s been almost a month since I had painted this piece, I can’t believe I have been pushing it back by that much…
The reference comes from Momoko’s final photobook.
The ink painting used can be seen here:
This follows my current practice working with ink brushes, the translucence it contains and the application of paint and how it interacts with it. I have a couple of other pieces that I can use to continue this practice. It’s amazing, but it does have it’s limitations on what can be done (coloring wise). On the other hand, the effects and textures are really unique and interesting.
Hasta la proxima,
-NUBE
The painted version of the inked drawing I made a year ago.
Inked version:
I had two options that I could use to color, the line art or the inked version. In this case, I went for the inked version. Because of this, I decided to go for a more flat style. I decided to have a red background, so the colors were based off of that. While I was painting, I was reminded of a problem that this drawing had. Her right eye (which is on our left). It was misaligned and a bit too low, which I feel was exemplified more when I painted Lin Lin.
Hasta la proxima,
-NUBE
This is a double feature of sorts. I will be doing two types of painting on this drawing of Goku which has been drawn with ink. I first used watercolors to paint Goku and then I painted him again digitally using Corel Painter 2020. The time between each was very noticeable. The traditional painting took and the digital painting took me only . I really have to think about how I advance after every movement. Meanwhile with digital painting, I seem to have more experience and I can make as many mistakes as I want since I can undo right away. But I guess that doesn’t completely transfer over to traditional. Although I can go as detailed as I want, it might be better if I develop a simpler style like Little Thunders which can be so versatile but not overworked.
This painting has made it clear that I should practice more with watercolors. One other thing I remembered, don’t ink your drawing if you will be using watercolors on it (this is only if the inks aren’t waterproof). Otherwise they will smudge when painting. Instead, go over the lines by pressing hard on them using a pencil (I mean I know this, I don’t know why I didn’t remember). Then erase everything. If done correctly, the lines will be visible even when painting over them. One you are done painting, the line art process can finally be done. This can be done with ink, color pencils or more watercolors.
Hasta la proxima,
-NUBE
I just noticed, but this drawing was done almost a year ago. And it has been painted for almost a couple of weeks now. But I kept pushing it back. Maybe I should upload every day instead of only on weekdays. But I do plan on making videos on things beside the speed paints as well, so I’ll see how my schedule ends up looking before I make a decision.
I went for a flat colring style this time. Hmm… Metal Bat looks a bit like Dracula…
Hasta la proxima,
-NUBE
This piece was much easier to paint now that I had the colors thought out with the Asuka painting. Where applicable I just used the eyedrop tool.
If paired with the previous Asuka piece, than I would think that Rei could care less about Asuka’s provocation and would have her mind in an entirely different place.
Posing and setting was inspired by Momoko Tsugunaga’s Rei cosplay done back in Hello Channel.
I just saw the trailer with Rei planting crops, now all that fan art I saw makes sense. I want to paint her in that scenario as well…
Hasta la proxima,
-NUBE
The base colors were painted using Photoshop so that I could separate each color segments so that I can add to them separately in a different layer. This time I used a different brush using Corel Painter. The brush in question is the real tapered wet flat brush. It has the blending abililties of the the oily brush that I tend to use, but it I can also control the brush size depending on the pressure applied. One other aspect of the brush is the bristle effects it leaves behind as I paint. This can come in real handy when I want to make textures. In this case, it was quite handy on the chalkboard. I was contemplating making the text in Japanese, but I really don’t know the correct way to phrase it. My brother suggested writing it in German but I really don’t think she would waste her time writing in German since she knows nobody would understand her. In the end I just decided to keep it in English. Although since I left the text and chalk drawing in a separate layer, I could always add any text or drawing in the future. I used the pastel brush from Photoshop for the writing/drawings by the way. The line art was complimented with some color ones using the digital brush.
To speed up the process of coming up with the colors for the lighter areas and the shadows I used the divide option for the light layer and the multiply option for the shadows layer.
Posing and setting was inspired by Reina Tanaka’s Asuka cosplay done back in Hello Channel.
Hasta la proxima,
-NUBE
The second line art part to the Evangelion set. This time it’s Rei Ayanami.
Hasta la proxima,
-NUBE
There are always plenty of reasons to do art of Evangelion. This drawing will actually be part of a set, both of which are now completed. But I will upload them later. This was drawn using my maru pen. I started using my flat pencil again for the rough draft, and it really reminded me of how fluid my lines come out compared to using a thin point like with my mechanical pencils which bring out my bad habit of being too rigid.
Hasta la proxima,
-NUBE
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