Man, this one is already about a year old now. I was planning on releasing it at some point but it never happened and ultimately I decided to release it when it got hot out again. And seeing as the weather has been getting hot lately (plus I haven’t uploaded in a while) I figure now would be a good time to upload it. The painting of Momoko is the same that was done a year ago but wasn’t pleased with the background so I tried out my new pc upgrades with this piece by painting a new beach background. There is no more stuttering or slowing down anymore (although the temps of the CPU are a bit worrisome). I tried out some of the other brushes that Corel Painter offers and saw no problems at all. Last time I tried it with my old components my pc couldn’t keep up. Although it could handle my favorite oil brush it tended to close up (Corel) on me from time to time. The last time when I was painting the Buono piece I lost half an hour’s worth of work which really sucked. I was going to wait on upgrading for a bit longer but after that happened I decided to pull the trigger. And I’m very happy I did.
I really like Momochii’s Yurushite Nyan pose so I went with that when I first drew her. My thought process at the time was to try out 80s/90s style painting which can look extremely beautiful if done right. But as mentioned when I was looking at the old background it just wasn’t up to par so I made a new one that would fit Momoko.
I’m planning on making more paintings throughout the summer ( I actually have had some ideas floating around for a while now). But work and my decision to make a desk computer will be keeping me busy for a bit longer. Hopefully the extra space in the desk will help cool down my cpu and gpu if not I’m going to have to invest in a new cooler…
It has also been a while since I’ve done some traditional watercolor paintings so I hope to get back into that as well.
This drawing was originally done for inktober 2019 on day 4. My first main goal was to make an anime painting with hard color changes. When I was done I noticed that it didn’t fit in at all with the texture background I had started. They didn’t fit together at all. So I was a bit disappointed. It looked amazing with a completely white background though. The colors were really vibrant and had really light and dark tones so I wondered what type of background would fit. After I was done painting Elsa in I thought about it for a while and decided to paint the background with Corel. I had absolutely no plan when painting but after just choosing a base color that would fit with Elsa’s color scheme I just started adding color till I eventually ended up with her sitting on a her comfy seat surrounded by some curtains (I believe that’s what they would be called). But Elsa still did not fully fit in with the background. It didn’t look back bad but the lights weren’t interacting with her at all. So I then put a gradient on her to darken the bottom half of her body and putting the layer on multiply.
This was first drawn from inktober 2019 day 3. This time I wanted to do a more simplistic coloring style more in the style of anime. If one uses the right colors it can really pop and look amazing. I really like the way it came out.
This drawing was done on the 29th day of inktober 2019. I really like Shiho So‘s artwork. I first discovered it when Night Tempo was using it for his cassette releases. With the linework done it was now just a matter of coloring it in. I really like playing around with these bright pastel colors. Although it looked good just painting Misaka, I wanted to make a background for it that fit. After playing around I started to get different ideas like making it like a manga page with panels. Then I thought I would put in a perverse beastly Kuroko ready to attack. And then things started to flow from there. I used Clip Studio for the manga effects like the screentone and effect lines (what were they called again?). Just when I was about to call it finished I decided to write Misakachu with magenta, and luckily it worked out quite well. The painting it self didn’t take too long to do, it was just the small details and ideas that I came up with along the way that added a couple of hours. Still though, overall it was around 5 hours I think. Not bad. Once I have more practice with this style I should be able to work faster. Which I will do at some point since I really like it.
It’s kind of a shame I didn’t do this one for Airi’s birthday but I was quite busy so it couldn’t be helped. This drawing was done in April 17 of 2019. I tried painting it on the 23rd using the reference picture as a guide for the colors as well. But it didn’t end well. The line art was just not working correctly with the painting. So over all it looked quite unnatural and weird. I then tried again on the 25th after I got frustrated and made the colors simpler and more anime like in an effort to make the lineart work better. But the result wasn’t much better. I just had too much trouble trying to blend them together. Well, after a year of countless hours of painting I decided to give it another try. I won’t lie, I still had that trauma of not being able to paint it correctly but the only way to find out is to just go ahead and do it. Annoyingly I did have some problems when I started painting it. Seeing as the line work was pretty dark and plentiful (when it came to the hatching) it just didn’t look right. I tried flat colors thinking that would work but after three tries I had to stop and rethink everything. The next day though I finally decided to paint it the way I have been painting lately. But this time I decided to make the linework lighter, I left it at around 65% of the darkness. Also, this time I decided to try and not look at the reference photo and just paint it the way I believed would work. Also, since most of my paintings have been coming out quite light (in terms of color and values), I decided to go for a more vibrant and deeper color pallette. And well, I really like the result.
I have noticed I have been working mainly with the warm colors in the yellow and red range, but whenever I try to do another color scheme I mess it up or it just doesn’t look right. I want to try cool colors for my next piece.
I’m amazed at just how much effort Yusuke Murata puts into both the characters created by ONE and the ones coming out (so far) in Murata’s version. One of the characters that really captured my eye is Ring Ring. It’s a shame she only came out for a couple of chapters. I was hoping that she would come out a bit more but the chances of that happening are slim. Maybe she will come back with Suiryu after training to become heroes. One can hope. Another shame is that we didn’t get to see her techniques, she got defeated too quickly… While drawing her I noticed that her design is simple and yet very iconic and cute. The addition of the bells and her hairstyle is a really good touch.
Looking at the One punch man wiki, it seems that Lin Lin was supposed to be Suiryus sister, so I guess there were more plans for her…
This was a piece I started last year around June of 2019. I gave up when I couldn’t work out the background. But after doing a couple of pieces using Ranma’s backgrounds for references, I felt more comfortable. There are still areas in the background that can be made better, and the muscles can be defined more with a mixture of hatching and painting but I wanted to give a simple painting style that can be seen in an old anime from the late 80s or 90s. At first was thinking of putting him in a neighborhood but decided to have him walking on a lone road towards South town. I limited myself to three colors for each section of Terry. I could add more details if I added one more color level but I really wanted to see how it would look if I limited myself to just three.
Let’s keep doing our best guys.
Hasta la proxima,
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