Yesterday night I learned about the Clip Studio contest, with the theme “The Best Smile”. I only had a couple of hours to work on it today since I had some obligations I had to take care of so I didn’t really have any real plans and just started painting. Although not required I decided to use Clip Studio Paint and was amazed at how good it felt to use their oil paint option. I think I may actually like it more than Corel Painter since the oil paint size is controlled by the pen pressure. I’ll have to play around with it more.
You know, it’s a shame that Seven was pretty much forgotten after she was introduced. I really enjoyed the addition of her character and I would even go on to say she is my favorite character. They could have done some interesting stories with her and Legoshi but I guess things just end up that way sometimes. For this drawing I wanted to convey a melancholic scene but one of hope since despite Seven’s hardships she didn’t give up and continued to move forward. I drew and inked this drawing traditionally and then added the hatching and screentone using Clip Studio.
During this year’s Halloween, Miyabi cosplayed in different costumes. One of them was of a cute cat girl. For one of the photos she uploaded she had a really embarrassed and shy face that caught my attention and I wanted to try and draw/paint it. Looking at several clips of Miyabi it seems she has had various occasions like these where her shyness shows through. I really think that’s one of her charm points.
I went for a color pallet that fit in with Diamond is Unbreakable’s. Once I had the layer base down I started playing around with shadows using the multiply tool. Looking at the anime I decided t add some aura around Chavo and Quico as well as their stands Doña Florinda and El Chapulin Colorado. From there I played around with the outer glow and used the linear burn option. On top of that, I placed a new layer to add some white coloration to emphasize where energy was going to be at it’s highest. I’m glad I waited two years to paint it.
I attempted doing an ink drawing of Sayu with her short hair back in 2018 for inktober but wasn’t satisfied with the end result, so I decided to draw her again. This time I used a combination of both ink and digital hatching and some small manipulations to the diamonds below the table which were done in the wrong perspective.
Really love the way short hair compliments Sayumi.
This drawing was done on the 29th day of inktober 2019. I really like Shiho So‘s artwork. I first discovered it when Night Tempo was using it for his cassette releases. With the linework done it was now just a matter of coloring it in. I really like playing around with these bright pastel colors. Although it looked good just painting Misaka, I wanted to make a background for it that fit. After playing around I started to get different ideas like making it like a manga page with panels. Then I thought I would put in a perverse beastly Kuroko ready to attack. And then things started to flow from there. I used Clip Studio for the manga effects like the screentone and effect lines (what were they called again?). Just when I was about to call it finished I decided to write Misakachu with magenta, and luckily it worked out quite well. The painting it self didn’t take too long to do, it was just the small details and ideas that I came up with along the way that added a couple of hours. Still though, overall it was around 5 hours I think. Not bad. Once I have more practice with this style I should be able to work faster. Which I will do at some point since I really like it.
After working on the Nier piece I remembered how fun it was to draw using ink. I wanted to give the shooting battle between Hyuga’s tiger shot and Tsubasa’s drive shot a try. I drew Hyuga and Tsubasa using my g pen and maru pen then I added the power lines using Clip Studio. It took me a while to come up with the poses. If I were to redo it I would have Tsubasa bend his upper body further forward.
I’ve been playing with this idea for quite a while now when I played both Nier games and learned about the drift mechanic. It has also been a while since I have done a traditional piece so finally decided to give it a try. I first drew the boars since that would be the hardest (since I haven’t drawn one before. Once I saw a couple of videos of the boars from each game though it went smoothly. One major mistake was the size of Nier and 2B in terms of the boars (the boars are much bigger). but I decided to go ahead anyway. I knew for sure I wanted to draw Emil, Kaine, 9S and A2 but decided to add Grimoire Weiss and the Pods when I noticed the spaces on the sides. Grimoire Weiss had a lot of details and took quite a bit of effort.
When I had the line art finished, I contemplated what I would do regarding the inking process. I eventually decided on inking, and hatching certain parts and then adding screentone for the shading process. I have Clip Studio but haven’t really used it so I was a bit weary of it, but after playing around with it I got the hang of it. I absolutely love the screentone options. When I was satisfied with the screentones I was finally able to place draw in the sound effects. It wouldn’t be Initial D without it.
Hasta la proxima,
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