"A Hopeless Dream Chaser"
This is a study of Airi Suzuki. I want to do more artwork of her to celebrate her 20th anniversary. For this drawing I want to practice different coloring styles. For the line art, I went for thin lines which I liked how it looked when doing Inktober this year. The inking in the hair is too dark, it doesn’t give the image of it being a lighter brown. Perhaps I should just make lighter hatching. Perhaps at a later date.
Hasta la proxima,
-NUBE
I’m finally uploading the inked version of the third Michiko Nishiwaki drawing. Looking at it now I feel the hatching looks a bit messy. I’ll have to study why that is before October starts.
Hasta la proxima,
-Nube
Some fan art of a fan dubber on Youtube. She’s hilarious.
Felicitaciones en aggarrar el papel de Momomon.
Youtube channel:
https://www.youtube.com/c/LaAnawliet11/videos
Hasta la proxima,
-NUBE
I wasn’t really sure how I would merge these two paintings. I know I wanted them to be back to back, so I flipped them accordingly. The colors were also not where I wanted them, so I adjusted them to their current form. When I put them on the same canvas there was a gap between them which had me stumped. At first I filled it in with some solid colors that made a clear separation between them. But that was just too simple and boring. Then I finally figured out that I could just merge them and have them interact with each other. I first had the backgrounds blend with each other. As I kept working I finally came to the realization that I could have both versions of Akemi back to back with their clothes appearing on each other’s side of the canvas. Then the idea of having hair strands move from the shy Akemi to the hardened Akemi came to my mind. Luckily the idea worked out. There was still something I felt was missing though. That’s why I decided to add the soul gem between the two Akemis. Behind the soul gem I wanted light to be emanating from it, but when I darkened the left side it looked a lot like feathers so I changed the original concept to be a wing motif. I think this version of both of them together looks much better.
Hasta la proxima,
-NUBE
It’s been a while since I last worked and uploaded one of the three drawings (inked) of Michiko Nishiwaki from the movie My Lucky Stars. Once I learned how inking works, I can just jump in and draw without much thought. Even more so doing it digitally since I can undo any sections that I don’t think quite work. It’s actually quite therapeutic.
Hasta la proxima,
-Nube
I’ve had these inked and hatched Momochi drawings waiting for over a month, it is now time to finally upload them. Working with the line art, I also wanted the line art and inking to compliment each other. Somehow, less facial features works better. Once the details get too close to realism, certain facial features have to be drawn in a more realistic way otherwise it can make the face look off. I think playing with the line thicknesses can either help or hurt as well. I’ll have to experiment more to find out what works at certain times and what doesn’t.
Luckily there’s plenty of Momochi drawings I want to draw so I can practice more.
Hasta la proxima,
-NUBE
The counterpart to my previous painting of Akemi. This time it’s of her after getting in the time loop. I pondered a bit about the background and decided to go with the scene of her fighting against Walpurgisnacht. I wanted a darker background though so made it with twilight colors. The floating buildings are such a stunning visual that I wanted them present.
Since this will be a pairing for the last painting, I have modified the previous painting. I’ll add them both together at a later date.
Hasta la proxima,
-NUBE
I was having a hard time deciding what to do with the background for this piece. After a couple of failed attempts I played around with a cloud background inspired by the official summer artwork by Tatsuya Endo. Although that was only as a placeholder for the painting process of Yor, I ended up liking it. But it felt empty so I decided to add something else. In the end I ended up painting the city hall building. Manga or anime only showcased one angle of the building though, but luckily it was enough to make out most of the features. Though most of it ended up being covered by Yor. Pretty much all of the painting was done with Toko Suzuki’s brushes.
https://tokosuzuki.gumroad.com/
Hasta la proxima,
-NUBE
The first line art of Akemi Homura has now been painted. I wasn’t too sure about what to do with the background since I want to differentiate them from the timid Homura before becoming a magical girl and the new bitter version after having to live her nightmare over and over. I edited the line art a bit before painting.
Hasta la proxima,
-NUBE
Took me about three weeks… but I finally have the first pass of animating my drawing of Momochi in her “Ai no Dangan” outfit. There are a couple of things I need to still edit, I also feel that making it twice as fast will help. Then there is the whole stretching and compressing when Momochi moves to make it more dynamic. There’s still so much I have to learn.
Hasta la proxima,
-NUBE
Style 1
Style 2
Style 3
Style 4
I’ve had the idea of drawing a piece in different styles. After telling myself that I finally did it. It’s amazing how a couple of details can change the whole drawing. This is a good exercise to increase my skills and develop my style.
Hasta la proxima,
-NUBE
The Void siblings are now inked and screen toned.
Hasta la proxima,
-Nube
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