I love the scene where Shin Godzill first uses his atomic breath and other beams. I won’t lie, the first time I saw it on theaters I was surprised and wasn’t too sure about that change. But everytime I saw the movie again I fell in love with this new design and the new abilities. This scene in particular was very touching. The purple color is also a nice touch to differentiate it from other Godzillas.
Hasta la proxima,
-NUBE
The original idea was to have Guts in a frozen scenery, but as I was painting the background I decided to add in Casca and Puck. This scene would be taking place right after their encounter with Griffith and Zodd, I was wondering if adding more layers would slow down my tablet but it had no problems what so ever. I guess it was just the canvas size that was giving me problems…
Hasta la proxima,
-NUBE
Currently working on a painting that I had thought up last year. It’s still a bit rough at the moment, but the main idea has pretty much been painted out using my Surface Pro 5.
So I had bought a used Surface Pro so that I could paint on the go but rarely used it because it couldn’t keep up with the settings I use on my desktop. The canvas size was too large I found out. When I halved the size to around 2500 to 3500 the Surface is actually quite capable. I can’t believe that was all I need to do so that I could use it…
Hasta la proxima,
-NUBE
Life sure is unexpected…
Hasta la proxima,
-NUBE
line art:
https://darkcloudxero.com/2022/10/12/inktober-2022-12-jackie-chan/
Line art originally drawn for Inktober 2022 day 12. The original drawing wasn’t showing the movement and power of Jackie and Wei’s fight so I made some slight changes. Can you guys tell what they were?
Hasta la proxima,
-NUBE
This is a study of Airi Suzuki. I want to do more artwork of her to celebrate her 20th anniversary. For this drawing I want to practice different coloring styles. For the line art, I went for thin lines which I liked how it looked when doing Inktober this year. The inking in the hair is too dark, it doesn’t give the image of it being a lighter brown. Perhaps I should just make lighter hatching. Perhaps at a later date.
Hasta la proxima,
-NUBE
I’m finally uploading the inked version of the third Michiko Nishiwaki drawing. Looking at it now I feel the hatching looks a bit messy. I’ll have to study why that is before October starts.
Hasta la proxima,
-Nube
Some fan art of a fan dubber on Youtube. She’s hilarious.
Felicitaciones en aggarrar el papel de Momomon.
Youtube channel:
https://www.youtube.com/c/LaAnawliet11/videos
Hasta la proxima,
-NUBE
I wasn’t really sure how I would merge these two paintings. I know I wanted them to be back to back, so I flipped them accordingly. The colors were also not where I wanted them, so I adjusted them to their current form. When I put them on the same canvas there was a gap between them which had me stumped. At first I filled it in with some solid colors that made a clear separation between them. But that was just too simple and boring. Then I finally figured out that I could just merge them and have them interact with each other. I first had the backgrounds blend with each other. As I kept working I finally came to the realization that I could have both versions of Akemi back to back with their clothes appearing on each other’s side of the canvas. Then the idea of having hair strands move from the shy Akemi to the hardened Akemi came to my mind. Luckily the idea worked out. There was still something I felt was missing though. That’s why I decided to add the soul gem between the two Akemis. Behind the soul gem I wanted light to be emanating from it, but when I darkened the left side it looked a lot like feathers so I changed the original concept to be a wing motif. I think this version of both of them together looks much better.
Hasta la proxima,
-NUBE
It’s been a while since I last worked and uploaded one of the three drawings (inked) of Michiko Nishiwaki from the movie My Lucky Stars. Once I learned how inking works, I can just jump in and draw without much thought. Even more so doing it digitally since I can undo any sections that I don’t think quite work. It’s actually quite therapeutic.
Hasta la proxima,
-Nube
I’ve had these inked and hatched Momochi drawings waiting for over a month, it is now time to finally upload them. Working with the line art, I also wanted the line art and inking to compliment each other. Somehow, less facial features works better. Once the details get too close to realism, certain facial features have to be drawn in a more realistic way otherwise it can make the face look off. I think playing with the line thicknesses can either help or hurt as well. I’ll have to experiment more to find out what works at certain times and what doesn’t.
Luckily there’s plenty of Momochi drawings I want to draw so I can practice more.
Hasta la proxima,
-NUBE
The counterpart to my previous painting of Akemi. This time it’s of her after getting in the time loop. I pondered a bit about the background and decided to go with the scene of her fighting against Walpurgisnacht. I wanted a darker background though so made it with twilight colors. The floating buildings are such a stunning visual that I wanted them present.
Since this will be a pairing for the last painting, I have modified the previous painting. I’ll add them both together at a later date.
Hasta la proxima,
-NUBE
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