I follow this cosplay photographer’s blog named CosplayJP. In this year’s “WONDER FESTIVAL WINTER 2022”, the photographer got some photos of a Shin Godzilla cosplayer. It’s a gijinka version, so of course the cosplayer had to be creative on how to portray Godzilla’s features. Godzillas tail being also a cape was a really great touch.
Here are the references (sadly the cosplayers name is nowhere to be found, If you know who it is let me know):
I want to do a couple black and white drawings for a while, but this time working with hatching or inking. The line art was done in pencil and darkened digitally after I isolated it from the white background. I was debating whether to hatch it traditionally or digitally. This time I decided to do it digitally using the g pen in Clip Studio Paint. That took a while. I know I can do this digitally but I wanted practice with different textures to differentiate between the clothes, the skin and the hair. It looked good, but I wanted to add a background. I started with the circle and the pattern screentone. But because I isolated the line art, the screentone became visible… So I had to paint it in within the line art. From there I felt it looked good, but I wanted to add a cityscape. I chose Shinjuku. I added a shadow below her to add more feeling. But with the black background, Godzilla blended in a bit too much so I added an outer glow to make her stand out more.
It surprisingly didn’t take me too long to paint Shining Gundam and Domon, along with their reflections and snow. Checking mountains in parts of Japan, there are actually quite a lot of types of shapes. Including the pointy ones that are common where I’m currently at. So I just modified them a bit.
Shining Gundam was the main focus and what took the longest for this segment of the painting. The main form and base colors were easy to choose From there I tried to make out the form to showcase the most prominent forms. But since I wanted to emphasize that the Gundam is far away, I made sure to use more muted colors and as little value changes as I thought were needed. Then came the snow. I felt a bit bad about covering some areas with snow and water, but I feel that really ties it all together. As for the reflections I used the same techniques as with the torii, but I made sure to add highlights to create waves moving away from Shining Gundam as it rises up.
There were a couple of ideas about where to place Domon. Walking in the frozen ground, atop a small boat or standing on the torii. But ultimately I came upon the idea to have him leaping towards it. This I feel really fits the fantastical elements of G Gundam after all.
I made two versions, one where it’s all quiet and peaceful and another where snow is falling. Although I do like the snow, I think it looks better where it isn’t present.
This is my second entry for the “XP Pen Reconstructed Masterpiece” contest. While looking for famous masterpieces I had seen the Napoleon painting before I had decided to paint the Van Gogh painting I made prior. I know I wanted to do something with this recreation, but I didn’t have an idea until this past weekend. I started with the motorcycle first which took the longest since I was mashing different motorcycles together until I arrived at this design. Next came Napoleon which went faster than I thought. I debated whether to have his face uncovered or at least his eyes, but decided to go with a closed helmet in the end. When I finally finished the background I was about to call it done but felt it needed something more when I was looking at the soldiers in the background. After some thought I decided to add a jet which fit perfectly in the blank space and to top it off, also merged well with Napoleon’s hand gesture.
I drew this way back in May of this year as a tribute to Kentaro Miura. Looking at it again though, I wasn’t too happy with how thin Guts looked. So I fixed that digitally with Photoshop. I ten added some more hatching and some screentone.
I was caught off guard when my brother told me the news of Kentaro Miura. I remember people joking that this could happen before the story ended, but I guess that’s just how life is. Ever fleeting and unpredictable. His art, story telling and characters were truly inspiring to me. They were a level that I hope to reach someday. Thank your for all these years, allowing us to see and learn from your work. Although you may be physically gone, your legacy will forever be remembered.
This is based on a drawing I did way back in (at least from a quick search) 2016. At the time I was completely new to digital painting or using colors really. I was more into drawing and was really struggling with color. I seriously thought I could bypass that issue by focusing on the values using my pencil and then hoping that Photoshop would deal with the colors on it’s own. Of course, nothing is ever that easy.
I can proudly say I have made some progress in the last 4 years.
I used the line art as a quick map of how I wanted to set up the painting, but overall the line art would be left out. Once I had some reference photos of how castles and the sky could look like I began painting. I started with the castle first and that took me a while since I kept working with the way I believed the shadows would look in my scenario. But I made the mistake of not painting the sky so I could figure out what colors I would eventually end up using. With a bit more experience I should be able to figure this out in a couple of minutes but setting up the lighting for the background took me a couple of hours. Once I was satisfied with what I had, I then began working on Lelouch. But since the colors for the background were dealt with, getting his colors was much easier. Dealing with him did have to be finished today though. I want to be fast enough to paint something like this in at least one day, but for now it is taking about two days. For this painting I decided to use the spray paint for the sun’s lighting and in some sections of the clouds and the castle. I seriously should use it more since it made the effect I wanted much easier.
My brother has recently started watching Code Geass for the first time, so when I asked him for a suggestion of course Code Geass would be the option. I figured that would be a good excuse to retry doing this painting.
I really like painting Guts. I had another idea of painting him traversing through a forest covered in snow. But that idea might get changed when I work on it once the snowy season starts this year. In it’s stead I decided to work on a piece where Guts is travelling through a forest at night, trying to reach the end and seek the warm safety of the light.
This time I’m working with blue as the background which I have yet to fully understand. All the colors work differently here so I had some setbacks at times. What I did in some cases was putting top layers of different shades of blue and used multiply on guts and some of the surroundings to darken areas around the background. After I felt the colors looked good together I then added some other layers to try and mesh Guts with the background. On top of all of that I then added more paint to add highlights and shadows so that I could try and integrate it more as a whole painting. For the end result I wanted to have it look like it is both painted but still has some aspects of the original manga art style. Hopefully I accomplished that.
This is another piece piece from Inktober that I wanted to do more work on (it can be seen here). I originally was thinking of inking it all traditionally but when I finished the lineart and was erasing my pencil marks, I was a bit careless which led me to fold it and rip the paper. Having done that I thought it was a great chance to work with Krita again.
I had already inked the berserker armor before, but having done the full armor (minus the left leg) took quite a long time. I can’t even imagine how much it takes to do this for a whole chapter. Specially when drawing multiple characters or detailed backgrounds. After inking and hatching Guts and his armor I decided to use the texture brushes for the background which made the work go much faster. It looked good by the end but I decided to darken the whole piece which I think made it look better.
One thing I wasn’t planning on doing was the helmet. But when looking through the manga I came upon the section when Guts was being consumed by the armor and you could see the head of his inner beast taking form from the cape. I am surprised I don’t remember this scene since it is quite remarkable and stunningly drawn. I’m really glad I found out about it because I feel the overall piece I drew looks much better.