This will be the background for a certain painting that I will upload in the future. Surprisingly I kept having trouble with something so simple. I kept painting and repainting both this background and the actual subject. All I’ll say is that I’ve come to really like the sponge brush.
It seems like Miyabi is vacationing in Okinawa. There are a lot of beautiful photos of her trip but this one of her in the aquarium really called out to me. There’s just something magical with this whole composition. The beautiful Miyabi with the clear water in the background is just… I know I’m essentially just copying the photo (I did take off the face mask though so I could show Miyabi’s face), but I really wanted to study it. I’ve mainly worked with warm colors but have had problems with the cool spectrum. This painting really taught me a lot. Painting Miyabi’s face was actually the only section that had me struggling since the first iterations just didn’t look like her.
Reference image can be seen here at Miyabi’s instagram:
This whole painting was made using Anato Finnstark’s brushes. They are quite versatile. They will come in handy along with Toko Suzuki’s brushes whenever I use Photoshop to paint.
I finally got the chance to paint the Yane line art. I decided to go for a cool spring setting and color. Somehow, the leaves without a more solid form looked weird so ended up making some line work for some of the leaves as well.
Ahh finally, my favorite season has begun. Some days have already started to have lower temperatures but it’s still fluctuating quite a bit. Any way, things have been quite busy lately so I just made a quick painting to commomerate fall. Although I wish to make more. Oh wait Inktober starts tomorrow. I guess my time will be taken over by that for a month. The painting is a study of this photo of Sayu: https://www.instagram.com/p/CFE1mDOlsl4/
I really like painting Guts. I had another idea of painting him traversing through a forest covered in snow. But that idea might get changed when I work on it once the snowy season starts this year. In it’s stead I decided to work on a piece where Guts is travelling through a forest at night, trying to reach the end and seek the warm safety of the light.
This time I’m working with blue as the background which I have yet to fully understand. All the colors work differently here so I had some setbacks at times. What I did in some cases was putting top layers of different shades of blue and used multiply on guts and some of the surroundings to darken areas around the background. After I felt the colors looked good together I then added some other layers to try and mesh Guts with the background. On top of all of that I then added more paint to add highlights and shadows so that I could try and integrate it more as a whole painting. For the end result I wanted to have it look like it is both painted but still has some aspects of the original manga art style. Hopefully I accomplished that.
request by: Soul000Eater
For this weeks requests we have Mephisto and Amaimon from Blue Exorcist which is a really good series.
I wanted to give a simpler kind of drawing and yet make it a cross between realistic and manga styled. The result is not something extraordinary but it doesn’t look too bad either. I wonder if when I’ll be able to master this style? I’m sure I could accomplish it if I added more time to the drawing but I want to bring it out easily and swiftly.