Suiryu Cat’s Claw Copic

I wanted to do another copic piece, but this time I wanted a more manga styled one with a more simplistic coloring scheme. I’ve been drawing a lot of girls lately so I wanted to draw a guy this time. For today’s subject I drew Suiryu again. I just barely had a chance to see the second season of One Punch Man. The animation is not bad, but it truly has degraded compared to the first season. I also noticed that they rushed some scenes quite a bit, but it’s not too bad (specially compared to what they did to To Aru Majutsu no Index III). It was really fun seeing Suiryu get animated, I just hoped to see more of him.

As for this piece, I wanted to have Suiryu actually training after the tournament incident but I still wanted a bit of humor. So for this drawing I used the pose of the Cat’s Claw from the Jackie Chan movie Snake in the Eagle’s Shadow. It’s a powerful but hilarious style. You can see it here.

Hasta la proxima,

-NUBE

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Sayumi Michishige Copic

Continuing on with traditional work, I next moved on to using Copics. It’s been a couple of months since I last used them. I usually have trouble using darker colors because I’m afraid I will mess up in a way that I can’t reverse but this time I decided to push it woth some darker colors in the skin right from the start. Since I have been working with colors more I know how they will react once I add darker values such as with the hair so I felt a bit more at ease once I started working. I’m still not as fast as I would like to be though. This took me a couple of hours but I feel if I can probably do this in a bout an hour once I have a bit more experience. Looking at the reference photo and my version I could have added a bit more of the red tones on her skin but the overall idea was still portrayed which is good. The lips reacted with the ink since I might have overworked it a bit too much so I wasn’t able to portray a more natural lip color, I’ll have to be more careful next time.

Hasta la proxima,

-NUBE

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Airi Suzuki Color pencil

The plan was to try out the other color pencil set I had but the colors weren’t right for the drawing I decided to do. But my Prismacolor set did have the right colors so I decided to use those instead. I was surprised at how amazing they were. I was having a lot of problems with them back in the day I remember, but I guess that was just my inexperience. Having said that, I’m nowhere near as good as the artists that specialize in color pencils. I was recently looking at the artwork of michaelfreemanpastelartist. He specializes in using pastel pencils it seems, and his art is photo realistic. It’s really amazing. I guess if I practice for a bit I should be able to improve a great deal my self, but my plan is to focus more on watercolors when it comes to traditional art. Instead I will use my color pencils as support. This has been the plan for a good bit, but I’ve never really used them together before. Maybe I’ll make that my next project.

Hasta la proxima,

-NUBE

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Momoko Tsugunaga Pastel pencil

It’s actually been a couple of years since I last used color pencils. I actually had bought two different types of color pencil sets before I guess I decided to move over to Copics. Now understanding colors more, but being out of practice with color pencils I was curious to see if I could even use them.

So for this drawing I used the Faber-Castell Pastel pencils >>Pitt<<. They are quite amazing, they apply to the paper quite easily and spread out quite evenly. But they also smeared quite easily and were quite chalky. Plus they didn’t really like getting layered. But if I planned things out correctly they worked out quite well. I like them, but they smear far too easily.

Hasta la proxima,

-NUBE

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Momoko Tsugunaga ink painting colorized

I recently saw a video of this other artist using photoshop’s color balance ability to change the color of a black and white painting. So I wanted to try it out. I’ve been craving to do another Momoko art piece so I used this chance to do so. I first painted Momoko using ink and my brushes. When I was content with the final painting I then went ahead and tried out this method. It definitely works, although maybe my painting wasn’t defined as well since some sections were too light and I had to add some more layers to get the right values. Overall I’m quite impressed, although I much prefer to just paint in colors right from the start so I can learn the process better for when I make future paintings later on. But at least now I know new technique just in case.

You can see both versions if you click on either pixiv or twitter.

Hasta la proxima,

-NUBE

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Luke vs Vader Corel

This is a repaint of the original color pencil drawing I did in 2018. This newer version was painted in June 2019. I really don’t know why I decided to wait this long to upload it though. Thinking about it, I still have some more I haven’t showcased yet.

The tagline I had in mind when I first created this piece was rebellious (yankii) son vs stern (military) father.

Hasta la proxima,

-NUBE

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Misaka level 6 shift

I’m currently watching the To Aru Kagaku no Railgun T anime. I’m really pleased with it. Unlike with To Aru majutsu season 3, they didn’t rush the series and the animation looks really beautiful. There were a couple of shots that used cgi that were moving a bit too fast and weird at the beginning but it seems they got used to it in the later episodes.

I really like Sogiita Gunha’s character so seeing him fight right next to Touma is amazing. Because this is one of my favourite scenes I decided to paint it.

Surprisingly this piece only took me three days to do. I guess I have been improving…

Hasta la proxima,

-NUBE

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Misaka-Chu

This drawing was done on the 29th day of inktober 2019. I really like Shiho So‘s artwork. I first discovered it when Night Tempo was using it for his cassette releases. With the linework done it was now just a matter of coloring it in. I really like playing around with these bright pastel colors. Although it looked good just painting Misaka, I wanted to make a background for it that fit. After playing around I started to get different ideas like making it like a manga page with panels. Then I thought I would put in a perverse beastly Kuroko ready to attack. And then things started to flow from there. I used Clip Studio for the manga effects like the screentone and effect lines (what were they called again?). Just when I was about to call it finished I decided to write Misakachu with magenta, and luckily it worked out quite well. The painting it self didn’t take too long to do, it was just the small details and ideas that I came up with along the way that added a couple of hours. Still though, overall it was around 5 hours I think. Not bad. Once I have more practice with this style I should be able to work faster. Which I will do at some point since I really like it.

Hasta la proxima,

-NUBE

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Suzuki Airi Red Hat Painter 2020

It’s kind of a shame I didn’t do this one for Airi’s birthday but I was quite busy so it couldn’t be helped. This drawing was done in April 17 of 2019. I tried painting it on the 23rd using the reference picture as a guide for the colors as well. But it didn’t end well. The line art was just not working correctly with the painting. So over all it looked quite unnatural and weird. I then tried again on the 25th after I got frustrated and made the colors simpler and more anime like in an effort to make the lineart work better. But the result wasn’t much better. I just had too much trouble trying to blend them together. Well, after a year of countless hours of painting I decided to give it another try. I won’t lie, I still had that trauma of not being able to paint it correctly but the only way to find out is to just go ahead and do it. Annoyingly I did have some problems when I started painting it. Seeing as the line work was pretty dark and plentiful (when it came to the hatching) it just didn’t look right. I tried flat colors thinking that would work but after three tries I had to stop and rethink everything. The next day though I finally decided to paint it the way I have been painting lately. But this time I decided to make the linework lighter, I left it at around 65% of the darkness. Also, this time I decided to try and not look at the reference photo and just paint it the way I believed would work. Also, since most of my paintings have been coming out quite light (in terms of color and values), I decided to go for a more vibrant and deeper color pallette. And well, I really like the result.

I have noticed I have been working mainly with the warm colors in the yellow and red range, but whenever I try to do another color scheme I mess it up or it just doesn’t look right. I want to try cool colors for my next piece.

Hasta la proxima,

-NUBE

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Sayu Spring 1st Corel Painter 2020

I recently bought the Corel Painter 2020 upgrade. After running the brush accelerator but was bummed out that my computers’ cpu was lacking. Despite not being able to use the full potential of the program I did see an improvement. My score happened to be 5111 (if I’m remembering it correctly). Looking at parts to upgrade my pc will come to be quite expensive if I want it to last me a couple of years so that’s probably something I will aim to do next year. Anyway despite that it was definitely smoother. So far I have only tested the oily bristle brush, I know I had problems with watercolors with Corel 2018 so I will try that out next time.

For the first painting I have done with this version of Painter I decided to do another painting of Sayu. Wasn’t too sure what style I would be painting her in but I ended up with this one, somewhat realistic, somewhat animeish. I wanted it to be simplistic and yet have a good amount of color. I also wanted to start off some spring paintings. It’s funny the year I decide to finally star making seasonal painting we all get stuck inside. I used a photo from her instagram as a reference, but I decided to have her pointing Tokyo sky tree.

Hasta la proxima,

-NUBE

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Emil 10th anniversary Celebration

Me and my brothers were waiting for this moment for a while now, and after ten years a remastered edition has now been confirmed in the Nier 10th anniversary event. So to celebrate I wanted to paint a quick piece. I’ve only drawn Emil once before for the Initial D drawing, but I wanted to do another one. Next time I want to do one of him using his magic or something, we’ll see.

I think this only took me a little over an hour to do. I played around with Photoshops blending brush again.  I really wish Corel Painter wasn’t as clunky and slow, Photoshop is beating it in this way as well. Corel 2020 is supposed to have fixed that but haven’t tried it out yet.

Hasta la proxima,

-NUBE

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Nube vs. Corona V.

As the whole world is trying to deal with the Corona Virus pandemic I felt I should at least make one piece about it. I just sketched some ideas and began painting as soon as I felt the idea was close enough. I really wanted to make another piece with ガしガし‘s style again. I was debating whether to make Corona’s image more closely related to the virus itself or make one up based on the name Corona. So I did the latter. Just after finishing it, I decided to add some saliva and dark shadows to Corona V.

Stay inside everyone, let’s end this virus together.

Hasta la proxima,

-NUBE

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