The painting of Ranma was solely based on a photo of Harumi Inoue. Here’s the link.
Rumiko Takahashi had a very distintive way of drawing her female characters and making them look petite and cute. The proportions are actually amazing really.
For this painting I decided to make it more 80s anime style.
Seeing as Kill la Kill was influenced by series like Sukeban Deka I wanted to make a painting depicting that connection. I also wanted to make as many summer paintings as I can before the season ends (finally). This is an homage to Yuki Saito’s photo. Which can be seen here.
Using references from the anime it self, I did have to make various changes to the body type and the hair a bit so that it would look more like Ryuko. Seriously, Ryuko has a tiny waist. As for the hair I wasn’t sure if I should have left it down or pull it up into a ponytail like in the reference photo. In the end I decided to try and figure out how it would look if Ryuko decided to put it up.
Was looking at my Japanese vintage ads folder and came across one for Grace Jones advertising the New Celica. After that I learned that she was not only a model but also an actor (quickly found out about her role in the Conan movie) and a singer. My favorite song of hers is “I’ve Seen That Face Before”. I’ve never worked with such dark skin tones before so I really wanted to give it a try. There are more blue tones in the reference photo but since I used a red background I changed the tones accordingly. While I was at it I also changed the pose a bit.
I attempted doing an ink drawing of Sayu with her short hair back in 2018 for inktober but wasn’t satisfied with the end result, so I decided to draw her again. This time I used a combination of both ink and digital hatching and some small manipulations to the diamonds below the table which were done in the wrong perspective.
Really love the way short hair compliments Sayumi.
Really like Miyabi’s pink jumpsuit. And the way it matches with her mask really gives her a yankii look. When I was painting the drawing I decided to slightly change the background a bit so it looked more like a dance studio.
It’s a bit late when I’m posting this so I will keep it short but this is based on the ad campaign called Yes Coke Yes. The reference used is one of the ads that Hayami Yu. I’ve been wanting to do some summer artwork and also utilize the 80s ads that I have. It has also been a while since I’ve done a simpler painting. It was a lot of fun painting this piece, luckily I managed to finish it in time.
Wasn’t too sure what direction I was going to take on this painting. At first I was thinking of doing an anime style piece but as I was working on it, it started to morph more towards a realistic style but still with a painterly style. As I kept working on it I just came to love with what I was able to do so I kept going at it. The idea of doing a Godzilla painting with Miki Saegusa the psychic from the Heisei era of the films (my favorite era). I wanted to do a painting where I superimpose Miki over the whole painting like in some anime transition or ending scenes. If you have seen anime especially those done in the 80s and 90s you probably know what I’m talking about. You can see an example here.
I quite like the way it came out. Some sections can be refined a bit more but that loose application of strokes I think helps point the attention more to Miki then to Godzilla.I do wonder if I should have added some psychic waves emanating from Miki, though I really don’t know how I would go about it and make it look good.
One of the fun things of seeing original Dragon Ball are the references to other stories or media that Akira Toriyama likes. And now that my exposure to more media has expanded I can now see more of it whenever I rewatch Dragon Ball. One such character is the Robot Pirate that is a really cool reference to the Xenomorph from Alien. What I really like about the design is the obvious inspiration to Alien while still making an original and cool design. I knew that when I rewatched Dragon Ball about two years ago I wanted to make a parody painting. It took me two years to finally do it, but that’s just the way things work out sometimes. The scene is of course in reference to the iconic scene with Newt, moments before she was abducted by a Xenomorph.
This one as done using both Corel Painter and Photoshop. I was quite busy last week so I wasn’t able to really work on it last week. Today I finally had a chance to finish it. The scene itself is somewhat based on the fight Kira had with Shin in the ocean (although I just remembered that he was using the Freedom at that time…
Background based on a photo by MGMoscatello found here.
Drunken Master II is definitely one of my favorite Jackie Chan films, I’m just really sad I haven’t been able to see the undedited version. I hope to get the Japanese release sometime soon since they always tend to get the better versions of his films.
The idea for this piece came from the berserk modes that come from animes and games like Evangelion (Eva Berserker Mode), G Gundam (Super Mode – anger fueled), King of Fighters (Riot of the Blood), and some ques from Metal Slug (zombie mode). Heck, even in the film there is a scene where Jackie exhales steam like Iori/Leona and Eva unit 01.
For some reason Pixiv stopped working with WordPress, hopefully it will be fixed soon. For now I will use Twitter as well just in case.
I was a bit worried that I wouldn’t be able to finish these presents in time but I was somehow able to do it. I thought I would also try out a new technique (for me) emulating Ichiro Tsuruta’s artwork that was used for the Noevir Cosmetic Renaissance ads. I would classify it as Japanese 80s Art Deco but of course I could be wrong.
Thank you for all these years of bringing happiness to your fans Sayu, I always look forward to checking out what you bring us.