"A Hopeless Dream Chaser"
I just noticed, but this drawing was done almost a year ago. And it has been painted for almost a couple of weeks now. But I kept pushing it back. Maybe I should upload every day instead of only on weekdays. But I do plan on making videos on things beside the speed paints as well, so I’ll see how my schedule ends up looking before I make a decision.
I went for a flat colring style this time. Hmm… Metal Bat looks a bit like Dracula…
Hasta la proxima,
-NUBE
While looking through my references I found one that reminded me a lot of Nagatoro and the run training story:
https://www.pinterest.com/pin/256986722474598315/
The Nagatoro anime has finally released. They did a good job animating it. The coloring style is also pretty good, although there are some instances that they want to add more details to Nagatoro’s hair but it looks a bit too digital? Although it’s 2D, it somehow looks cg. The hair effects to make it more detailed need some work or needs to be stylized differently, or maybe using different colors might look better? Other than that though, I’m loving the voices they chose, Nagatoro’s fits perfectly. Wonder what the opening is going to be like? I wonder if making those transition segments are going to be common place? What I mean by this, sometimes when they make a transition some cute Nagatoro cats and Nagatoro appear. The other anime that I have seen doing this was in Demon Slayer. If you guys know what I’m talking about, let me know if this is becoming a popular trend in other animes.
This was painted with Corel Painter 2020 using the Sargent Brush and oily brush. It took me 2 hours and 22 seconds.
Hasta la proxima,
-NUBE
Link to the line art post: https://darkcloudxero.com/2021/04/07/sayumi-michishige-glancing-right-line-art/
This is the colored version of my Sayu drawing done with Copics. It was painted with Corel Painter and then used the layer styles from PhotoShop. Each style changes different aspects of the painting when it interacts with the line art and the painting layer. I think each one has it’s appeal. Soft light gave it a pastel look which I really liked. Because the copic ink doesn’t completely cover the texture of the paper and it also doesn’t always completely cover an area (there are some patches that are lighter), these can give interesting effects when painted digitally and played with the layer options. This can be affected even further when playing with the layer transparency.
Hasta la proxima,
-NUBE
A bit of a late upload. I was planning on uploading some of the work I had lined up but when I was on twitter I noticed that #HowToDrawMangaRedraw was trending. The one being redrawn is from a book done by Katy Coope. But the one I grew up with was by Ryo Toudo. Looking inside the book, the cover artist is Kazuaki Morita. I really love his style. Man, this cover really brings back memories of when I was first getting into anime and was amazed by the selection of media that our local library carried. I won’t lie, I didn’t quite get the contents of the book back in the day. I mainly got it for the cover and tried to draw them. Thinking about it now, I might have that drawing stored in backpack that contains all my old work. If I remember correctly, I put the thumbs in the wrong positions. I’ll upload it tomorrow. There was another cover that I really liked, maybe I’ll give that one a try as well (also tomorrow).
Update (4/9/21) – Couldn’t find that old drawing I was talking about, I did find a lot of rather embarrassing ones though… If I find it though I’ll post it here.
(Update 4/19/2021) – Found it, you can see it here: ( •̀ᄇ• ́)ﻭ✧
Hasta la proxima,
-NUBE
The video for this painting is now live:
Hasta la proxima,
-NUBE
It’s always fun when I draw Sayu. Recently she cut her hair down so I really want to do another piece with her new hair style.
I wanted to work with my Copic for the line art step. I have done this before and really like the effect that I can get out of it when I paint it digitally. Sadly it seems like my copic tips are getting worn out, they have this gummy feel to them now. I guess I’ll have to replace them soon.
Hasta la proxima,
-NUBE
Just a quick painting that I was sketching till it turned into this. At some point it looked like a set of armor so I decided to go with it. The base was started with the Real Tapered Wet Flat Brush and at some point I went over it with the Tapered Oils brush.
Hasta la proxima,
-NUBE
Main video:
Extended version:
When I first used the the Sargent brush I wanted to try out it’s full capabilities and the first painting I used this on was with Momoko Tsugunaga. One other thing I wanted to try out was a painting with water drops and condensation. With that in mind, I chose Momoko’s photo from the variety show (I believe it is London Hearts) where her entire look was given a complete overhaul. It seems that these were for a calendar where different talents were all given the same treatment. It’s a shame but I couldn’t find any recordings of this online, only some screengrabs (this means someone out there does have it/had it). Based on said screen grabs there were about three different photos that I could have used (maybe for a later painting). There’s no denying that Momoko looks really cute with this look, but I prefer her more natural look better.
I mentioned this before, but I think I am finally forming my favorite tools for painting digitally. I’ve been slacking on watercolors though, so I should do some more traditional paintings soon.
As can be seen above, this painting comes with two Youtube links. I already have a couple of paintings that have been recorded and another one that has been edited and will be live this Thursday. Aside from speed paints, I want to make instructional videos where I focus on one technique/topic and just some videos about things that interest me (although I haven’t figured out how I want to structure them yet). Luckily Youtube is allowing songs to be used as long as the owners are cool with it, of course this also means that these videos get no monetization capabilities. Which is a good trade. I actually lost a past channel because of the old methods that Youtube had implemented.
Hasta la proxima,
-NUBE
I didn’t really have any plans when I started painting Terry. I just started painting forms so that I could play with the Real Tapered Wet Flat Brush. Again, I was amazed by how the strokes came out but sampling the colors was a pain. Of course the solution is to have a separate layer with the colors readily available off in some corner. I was thinking of adding some power effects to Terry’s punch but I think keeping it simple this time should be fine. I just wanted to focus on the pose and movement.
Hasta la proxima,
-NUBE
There was something very comforting seeing Rei doing some farm work. It gave some really strong Ghibli vibes. I wanted a dreamlike aesthetic so I used really vibrant colors for this painting. Rei looks quite peaceful. In a way, this piece is the opposite of Asuka’s winter painting.
This painting was done using Corel Painter’s Sargent Brush and tapered oil brush.
Hasta la proxima,
-NUBE
Just yesterday we had some more snow, although it very well might be the last one of the season. That inspired me to paint who I believe is Asuka from the teaser trailers. Those living in Japan know for sure. I wonder when we’ll get a chance to see it over here in the States. I wonder what the rest of he outfit looks like? Seems like she has some type of a backpack. I quite liked the breath animation so I decided to include it in my painting.
Hasta la proxima,
-NUBE
I have been planning painting the other Eva units when they go berserk. This time though, I went for a complete digital painting. Rewatching the scene when Asuka activates the berserk mode is quite heart wrenching in all aspects. Specially since even then, she was completely overpowered and wrecked. Even now it’s hard watching her suffering that much. The end of Evangelion version is quite different from the rebuilds which I could also paint at some point, Although I would probably opt for a complete body since it has very interesting angles and poses. In this portrayal of the berserk scene in the End of Evangelion, I did a what if Asuka could over power the lance and destroy the mass produced Evas.
This painting was also done using the Real Tapered Wet Flat Brush, just as was done with Airi’s painting. Except for the background which was done using the Tapered Oils brush.
Hasta la proxima,
-NUBE
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