Rin Shima Freezing

Originally drawn for Inktober 2022 day 23.

I had to modify some of the lineart but for the most part it all worked out. I know the anime uses blue hair, but I quite like the more purple hue she has in the manga illustrations. the outfit and colors I got from a figure of Rin on her Yamaha Vino. It really helped out a lot.

https://cdn.shopify.com/s/files/1/0318/2649/files/000206181_03_grande.jpg?v=1561539260

Hasta la proxima,

-NUBE

Freezing Background WIP

This week has been something… Somehow I was able to make progress on this painting though. Here is the background for now. We have been having waves of strong winter storms lately where I live, and it seems like more are coming on the way. Winter this year has been living up to it’s name (and the end of the last).

I’ll upload the finished painting on Monday if all goes well.

Hasta la proxima,

-NUBE

Guts Frozen Quest

The original idea was to have Guts in a frozen scenery, but as I was painting the background I decided to add in Casca and Puck. This scene would be taking place right after their encounter with Griffith and Zodd, I was wondering if adding more layers would slow down my tablet but it had no problems what so ever. I guess it was just the canvas size that was giving me problems…

Hasta la proxima,

-NUBE

Guts Frozen Quest Background WIP

Currently working on a painting that I had thought up last year. It’s still a bit rough at the moment, but the main idea has pretty much been painted out using my Surface Pro 5.

So I had bought a used Surface Pro so that I could paint on the go but rarely used it because it couldn’t keep up with the settings I use on my desktop. The canvas size was too large I found out. When I halved the size to around 2500 to 3500 the Surface is actually quite capable. I can’t believe that was all I need to do so that I could use it…

Hasta la proxima,

-NUBE

Domon Winter

It surprisingly didn’t take me too long to paint Shining Gundam and Domon, along with their reflections and snow. Checking mountains in parts of Japan, there are actually quite a lot of types of shapes. Including the pointy ones that are common where I’m currently at. So I just modified them a bit.

Shining Gundam was the main focus and what took the longest for this segment of the painting. The main form and base colors were easy to choose From there I tried to make out the form to showcase the most prominent forms. But since I wanted to emphasize that the Gundam is far away, I made sure to use more muted colors and as little value changes as I thought were needed. Then came the snow. I felt a bit bad about covering some areas with snow and water, but I feel that really ties it all together. As for the reflections I used the same techniques as with the torii, but I made sure to add highlights to create waves moving away from Shining Gundam as it rises up.

There were a couple of ideas about where to place Domon. Walking in the frozen ground, atop a small boat or standing on the torii. But ultimately I came upon the idea to have him leaping towards it. This I feel really fits the fantastical elements of G Gundam after all.

I made two versions, one where it’s all quiet and peaceful and another where snow is falling. Although I do like the snow, I think it looks better where it isn’t present.

Hasta la proxima,

-NUBE

Work in Progress I D Mountains

I’m currently working on a new painting before I try to make one or two for Valentines. I’ve actually been planning to make a painting of this sort for… damn. A couple of years now. I’m surprised it took me this long to finally give it a shot. The background is mostly done. I’m actually quite a bit ahead of this but I quite like the atmosphere of where the painting is at this point. Although I can render the painting further, I wonder if that will detract from the focal subjects. So for now, I will leave it mostly as it is.

This is the reference photo of the background, modified to have snow of course:

I just did an image search to find the original creator and it seems to be from a photo manipulator that put different assets together to create this. I found it strange that the pine trees and mountains looked somewhat Western. Now I know why.

With that in mind, I will go back and edit a couple of the trees so that they fit Japanese ones. Among other changes. I wonder if there is a place in Japan that will actually fit this scenery?

The Toori is actually painted already, along with the reflection. I’m surprised at how easy it was to emulate. You guys will have to wait till next time to be the judges though. Luckily I won’t have to edit that part of the painting.

Hasta la proxima,

-NUBE

Sayu-Mask

Despite the end of last year being quite dry, the start of this year has given us quite a bit of snow. I quite like the athmosphere this creates which is why I decided to use it for the painting this time around. The line art was done for Inktober 2021 day 27 which can be seen here:

The model for this painting is Sayumi Michishige. I really love the outfit and colors. I debated on how I wanted Sayu’s colors to be overall. Light and faded, or darker, affected by the scenery. I opted for the darker route.

Reference photo of Sayu can be seen here (7th Photo):

Hasta la proxima,

-NUBE

Airi Sweater

There was this photo recently uploaded by Airi Suzuki wearing a comfy looking brown sweater that I just had to draw/paint.

It was also a bonus that her hairstyle was specially cut for her end of the year °C-ute concert. I was just about finished yesterday painting Airi when my brother walked in and asked when I would make a painting that took longer. I was wondering if he meant that I was rushing through this painting and was leaving it too rough. But it seems he just meant that lately I have only been doing line art which takes only a couple of hours (Airi as well). That’s when I decided to add a background. Using the wall background would not do so I decided to make a winter scenery. I ended up mashing up a couple of reference photos (including some from Airi’s photobooks). It looks like the road crossing the train tracks is heading straight to the sea huh? I guess the idea is that there is a ramp for people to drive towards the beach.

I was a bit apprehensive about the details in the sweater when I was just about to start, but luckily with my current experience I know that it’s just a matter of painting and now stopping. Once that flow starts, it doesn’t take that long to finish. Once I added the background, I did have to tweak the saturation and values on Airi though.

I kinda wanna animate this painitng…

Hasta la proxima,

-NUBE

Yuri Tamura Listening in the snow

Today’s Pixiv theme was earphones, I wanted to make a winter painting. So I combined both ideas. The subject is Yuri Tamura. She is often seen wearing her earbuds so I felt this was a great fit. Although I can’t really tell since the manga is black and white, but her earbuds are most likely white huh? I felt black would fit better in this painting though. I wasted more time coming up with the concept than actually painting it feels like.

I added some snow to the platform but that’s probably cleaned up properly before it get’s piled up in big cities right? Oh well, let’s just call it artistic liberty.

Just when I was about to finish most of the painting I decided to add Yuri’s hand holding one of her earbuds. I think it adds more to the scene. One other thing to note is that when I do full digital paintings I feel they look good without outlines, but when I add them in they look better somehow. I’ll have to keep experimenting with this.

Hasta la proxima,

-NUBE

Airi Jacket

We are actually still getting snow where I live, so that inspired me to finally give this painting a try before the weather finally changes to a warmer one. I really love the colors of Airi in this cold weather and wanted to give it a try for a while now. It’s also been a while since I did a realistic painting so I opted to go for that. There are so many more photos I want to try painting so we’ll see when I get another chance.

This painting is based on Airi’s digital photobook vol. 92. I only used the real tapered wet flat brush for the whole piece. I like the brush but it can be hard to use because when I try to use the same paint color, I can’t quite get it back using the eyedrop tool since each bristle stroke is different and mixes together. I already have a number of paintings lined up where I kept trying out this brush and a new one that I believe is my new main brush, to be used with the oily bristle and tapered oils brush.

Hasta la proxima,

-NUBE