Line art originally drawn on April 7th of this year.
My drawing of Naoko has finally been painted. I went for an 80s anime style. I didn’t quite liked the way the eyes looked so I decided to edit them. I was thinking of adding a fence in the background but I think I’ll leave it like this for now. Maybe I’ll add it at a later date.
This painting is done using the line art I made for the first day of Inktober 2021. I kinda wanted a winter setting but the class setting kinda limited that. Even so, I really like the lighting that came from the window. I erased some sections of the lineart on Yuri but overall it was left unedited. I’ve notice another increase in speed when painting. Here’s to painting more throughout the year.
I really want to paint Tomoko in her “land mind” makeup…
I wanted to just draw a quick brush painting because I was looking at Yoshitaka Amano’s artwork. There were these pictures that Airi posted where she was dressed in a happi and wrote a small stage. It’s a really fun subject. Line size variation was a bit tough to control when the ink is too watered down. I guess using a smaller brush would quickly fix this, but I’ve seen other artists do a lot with just one brush. I’ll have to practice this a bit more.
While looking at references for the drawings I have done so far, I felt like drawing some Sailor Moon art since the fashion there is so iconic. This time I decided to draw the titular character. I wanted a warm outfit so I combined different clothes from my references. I liked the original pose of the model arranging her hair, but since Usagi has a very peculiar style I had to accommodate for that.
I was going to have Usagi’s eyes partially opened but I liked the way they looked closed, it gives her a serene thoughtful aesthetic.
It’s been a while since I last made a painting of Macross. I came upon a reference picture of Akina Nakamori which I felt would translate well as a Lynn Minmey painting. I thought about changing the outfit but quite liked the aesthetic, so I decided to keep it. The reference picture I have didn’t allow me to find out what the car is, which made me decide to paint an MR2 in it’s stead.
I’ve been focusing on just trying to work with color, but it seems that my poses have been a little to stiff and static. This was brought to my attention by my brother. With that in mind, I think it might not be a bad idea to work with poses that are in motion or at the very least interesting. I’ve been having the urge to paint Rei Hino for some time now. So last Friday I finally decided to do so. It snowed quite hard so I chose an outfit fit the weather. Funnily enough, today it started snowing again. I also wanted to try out a more vibrant coloring style for the hair because I really liked the way it looked on this painting of Sayu I made and a reference of Sailor Saturn that was painted by @666pigeon
This is the colored version of my Sayu drawing done with Copics. It was painted with Corel Painter and then used the layer styles from PhotoShop. Each style changes different aspects of the painting when it interacts with the line art and the painting layer. I think each one has it’s appeal. Soft light gave it a pastel look which I really liked. Because the copic ink doesn’t completely cover the texture of the paper and it also doesn’t always completely cover an area (there are some patches that are lighter), these can give interesting effects when painted digitally and played with the layer options. This can be affected even further when playing with the layer transparency.