I came upon a photo of Yane wearing a yukata which I feel fits the spring quite well. I’m still not too sure how I will go about the next stage for this drawing, will I ink it, hatch it, or paint it? I haven’t quite decided that yet. I did add a bit of hatching already, but if I decide to do something different I could always edit it out later on.
You can see Yane here.
Reference picture used:
Hasta la proxima,
-NUBE
This is the painted version of my drawing of Isako Washio. I can’t quite read the kanji for what the actual campaign she was modeling for in the reference picture I used, if you know what it is do let me know.
reference picture:
I quite liked the tan and shadows that compliment the lighting. I decided to have her in a beach as opposed to being indoors, so of course the lighting changed slightly to a brighter one. It’s been raining where I live quite often these past days so I was tempted to make it rainy in this painting as well. But I should do all types of weather types. Seeing as the temperature is also rising, going to the beach is not that out of place.
Line art can be seen here:
Isako Washio Campaign Girl ’85 line art
Hasta la proxima,
-NUBE
I wasn’t paying too much attention but Isako was wearing a bikini underneath, because the reference picture I have is a bit too pixelated I thought it was lace underwear.
Reference picture used of Isako Washio:
Here is the line art:
Hasta la proxima,
-NUBE
There was something very comforting seeing Rei doing some farm work. It gave some really strong Ghibli vibes. I wanted a dreamlike aesthetic so I used really vibrant colors for this painting. Rei looks quite peaceful. In a way, this piece is the opposite of Asuka’s winter painting.
This painting was done using Corel Painter’s Sargent Brush and tapered oil brush.
Hasta la proxima,
-NUBE
This piece was much easier to paint now that I had the colors thought out with the Asuka painting. Where applicable I just used the eyedrop tool.
If paired with the previous Asuka piece, than I would think that Rei could care less about Asuka’s provocation and would have her mind in an entirely different place.
Posing and setting was inspired by Momoko Tsugunaga’s Rei cosplay done back in Hello Channel.
I just saw the trailer with Rei planting crops, now all that fan art I saw makes sense. I want to paint her in that scenario as well…
Hasta la proxima,
-NUBE
The second line art part to the Evangelion set. This time it’s Rei Ayanami.
Hasta la proxima,
-NUBE
I wanted to do a really simple painting of Momoko today. Keep warm and safe out there.
Hasta la proxima,
-NUBE
An anime version of Naoko Kawai’s UNbalance cover of her 1983 single (if you get the chance check it out).
For this painting I again went for a flat painting style but added in color variations that dealt with shadows and translucence. I still wonder if I should add highlights? will have to try it out at some point. The metallic arch was surprisingly simple to paint.
Hasta la proxima,
-NUBE
The line art for Naoko Kawai’s UNbalance cd cover. Will be colored at a later date.
Hasta la proxima,
-NUBE
Yesterday night I learned about the Clip Studio contest, with the theme “The Best Smile”. I only had a couple of hours to work on it today since I had some obligations I had to take care of so I didn’t really have any real plans and just started painting. Although not required I decided to use Clip Studio Paint and was amazed at how good it felt to use their oil paint option. I think I may actually like it more than Corel Painter since the oil paint size is controlled by the pen pressure. I’ll have to play around with it more.
Hasta la proxima,
-NUBE
