This is the colored version of the ink drawing I made of Rin Shima which can be seen here.
I decided to do something a bit different in that I wanted to see if I could just modify some reference pictures. I wanted to convey the feeling of accomplishing the goal of reaching a destination and embarking to the next one. As I was painting the raindrops, I decided to add a drop on Shima’s finger which I felt really fit. Because I decided to follow the reference picture a bit too closely, but I guess it was a happy mistake.
I had been reading the manga for a while now, but was surprised to learn just how big Yuru Camp is in Japan. That makes me rather happy. I actually went camping last summer. I couldn’t help but remember Yuru Camp. For my first artwork of this series, I picked Rin Shima. I quite like how dependable and independent she is.
The base colors were painted using Photoshop so that I could separate each color segments so that I can add to them separately in a different layer. This time I used a different brush using Corel Painter. The brush in question is the real tapered wet flat brush. It has the blending abililties of the the oily brush that I tend to use, but it I can also control the brush size depending on the pressure applied. One other aspect of the brush is the bristle effects it leaves behind as I paint. This can come in real handy when I want to make textures. In this case, it was quite handy on the chalkboard. I was contemplating making the text in Japanese, but I really don’t know the correct way to phrase it. My brother suggested writing it in German but I really don’t think she would waste her time writing in German since she knows nobody would understand her. In the end I just decided to keep it in English. Although since I left the text and chalk drawing in a separate layer, I could always add any text or drawing in the future. I used the pastel brush from Photoshop for the writing/drawings by the way. The line art was complimented with some color ones using the digital brush.
To speed up the process of coming up with the colors for the lighter areas and the shadows I used the divide option for the light layer and the multiply option for the shadows layer.
Posing and setting was inspired by Reina Tanaka’s Asuka cosplay done back in Hello Channel.
There are always plenty of reasons to do art of Evangelion. This drawing will actually be part of a set, both of which are now completed. But I will upload them later. This was drawn using my maru pen. I started using my flat pencil again for the rough draft, and it really reminded me of how fluid my lines come out compared to using a thin point like with my mechanical pencils which bring out my bad habit of being too rigid.
I recently bought the Corel Painter 2020 upgrade. After running the brush accelerator but was bummed out that my computers’ cpu was lacking. Despite not being able to use the full potential of the program I did see an improvement. My score happened to be 5111 (if I’m remembering it correctly). Looking at parts to upgrade my pc will come to be quite expensive if I want it to last me a couple of years so that’s probably something I will aim to do next year. Anyway despite that it was definitely smoother. So far I have only tested the oily bristle brush, I know I had problems with watercolors with Corel 2018 so I will try that out next time.
For the first painting I have done with this version of Painter I decided to do another painting of Sayu. Wasn’t too sure what style I would be painting her in but I ended up with this one, somewhat realistic, somewhat animeish. I wanted it to be simplistic and yet have a good amount of color. I also wanted to start off some spring paintings. It’s funny the year I decide to finally star making seasonal painting we all get stuck inside. I used a photo from her instagram as a reference, but I decided to have her pointing Tokyo sky tree.