I finally finished. I guess because there’s so many details it took quite a bit of time. But overal I like the way it turned out. The Holbein Watercolors do exactly what I want them to do, I don’t think I can go back to any other watercolors at this point. And this is using Master’s Touch watercolor paper which isn’t really that good quality (although I highly recommend it since it’s the best paper at the price range). At some point I should try painting on some higher quality paper which I tend to neglect since they are, you know, quite expensive. But I feel confident enough to try it now. Once I again I am using watered down ink for the outlines which works really good when applying color on top of it since it’s also translucent and reacts with the color one applies on top. This leaves it open to apply more color to the outline or ink to make it darker. Although I did add some shadows to give the background some 3dimentinality, I decided to make Miyabi’s colors flat so as to not overwork the painting which I tend to do. Doing so gives the finished painting a much cleaner look that pops out quite nicely (Thank you Little Thunder for showcasing your artwork! I always learn so much looking at it.).
I really love the colors that Miyabi chose for her kimono and her makeup. They really fit well with the background colors. I was planning to add the color variations to the kimono. But as I was playing around with the way Mars Violet interacted with the yellow mixture I used for the Kimono base color, I decided it would look best as a simple color. Hopefully I managed to replicate Miyabi’s beauty through my brush.
We are well into the New Year now, so I will now focus on some winter drawings/paintings before the season ends.
I really loved Miyabi’s New Years photos. She looks really beautiful with her kimono. She mentioned it was a retro look, so I’m guessing this is a Showa era style? It really suits her. She looks so ａｅｓｔｈｅｔｉｃ with the shrine in the background. I think an 80s/90s anime style would look good but I feel it will also look good in watercolor. Just recently on her Twitter she mentioned that she has been getting nostalgic for Berryz Koubou. She also gave the impression that there might be a reunion of some kind. ･:*+.(( °ω° ))/.:+
Thank you so much for this past year Miyabi, hopefully this year will be great for you.
For the first drawing of 2021 I drew Momochi. My original plan was to paint it with watercolors but I decided to make two versions of it, an inked version and a painted one. The painted version I plan to do next. As I thought, the DVD Magazines had plenty of references for me. The upward glance she gave while travelling up the mountain was killer. It’s probably even more potent if she did that in person.
I used a mix of ink and in some sections a more diluted ink for sections I wanted to keep light but still give shadows to. This time I made sure to hatch it slower so that the end result would look cleaner. My plan is to continue doing that from now on. The process didn’t take that much longer anyway. I got really lucky that Momochi’s face wasn’t ruined actually, a huge blob of ink just poured out of my pen below her chin. Luckily that section was supposed to be blacked out and the ink didn’t spread to her face. I won’t lie, it was an agonizing 25-30 seconds while I tried to find some tissue paper to soak up the ink before it began going everywhere. I feel like the drawing wasn’t complete until I added some blush lines, I really like the end result.
Hope you guys had a great start to the year. Here’s hoping for the best.
The idea I originally had was of Goku returning to Mexico but I decided to to have Bulma tag along this time. In fact, she was the first one to be painted. Well, her car was, then her. The car is from the first chapter of Dragon Ball. Looking online, it seems the car is a Renault 5 Turbo. I’m always amazed at how compact and round Toriyama draws his cars, they look extra cute. The background was painted first which was done very roughly but I wanted the focus on Bulma and Goku so that’s fine.
About 1 or 2 years ago I wanted to make a painting of a Testarossa at night, when I didn’t quite get color theory and how it interacts with each other. So of course that didn’t go very well. But to my surprise, only using the manga panel for reference I managed to paint a good rendition of a car in a night scene with lighting effects and all. Maybe I should give that Testarossa piece another try at some point.
The Renault was apparently meant to be a rally car before it was released as a consumer car so I wanted Bulma to dress like she is travelling across Mexico. I really liked her outfit from chapter 5 (when they first met Oolong). Looking at more panels, there are a couple of details that I could have added but since she is kind of far away it should be fine. As for Goku, I had to think for a while about what he would wear, and I decided to give him a jacket reminicent of Jackie Chan’s jacket from Police Story 4. Looking at Jackies jacket they aren’t really that similar except in the color but I still think it looks good on Goku. As for what Goku is eating, I had him eating some Churros and buñuelos.