I finally got the chance to paint the Yane line art. I decided to go for a cool spring setting and color. Somehow, the leaves without a more solid form looked weird so ended up making some line work for some of the leaves as well.
Line art can be seen here:
You can see Yane here.
Reference picture used:
Hasta la proxima,
-NUBE
This is the painted version of the line art I drew before. It can be seen here:
I quite like her multicolored hair. I wasn’t too sure about the background so I made a simple swirling cloud patterns.
Hasta la proxima,
-NUBE
I really like the introduction of Yamato. The last chapter I read was when she was introduced, I really have to get back to it. I’m really hoping she becomes part of the straw hat crew.
Hasta la proxima,
-NUBE
I’m surprised I haven’t drawn Zoro before. Specially since he is my favorite One Piece character. Although to be fair, One Piece has so many good characters to choose from.
References used:
Hasta la proxima,
-NUBE
I came upon a photo of Yane wearing a yukata which I feel fits the spring quite well. I’m still not too sure how I will go about the next stage for this drawing, will I ink it, hatch it, or paint it? I haven’t quite decided that yet. I did add a bit of hatching already, but if I decide to do something different I could always edit it out later on.
You can see Yane here.
Reference picture used:
Hasta la proxima,
-NUBE
This is the colored version of the ink drawing I made of Rin Shima which can be seen here.
I decided to do something a bit different in that I wanted to see if I could just modify some reference pictures. I wanted to convey the feeling of accomplishing the goal of reaching a destination and embarking to the next one. As I was painting the raindrops, I decided to add a drop on Shima’s finger which I felt really fit. Because I decided to follow the reference picture a bit too closely, but I guess it was a happy mistake.
References used –
Rin Shima:
pose:
background:
Hasta la proxima,
-NUBE
I had been reading the manga for a while now, but was surprised to learn just how big Yuru Camp is in Japan. That makes me rather happy. I actually went camping last summer. I couldn’t help but remember Yuru Camp. For my first artwork of this series, I picked Rin Shima. I quite like how dependable and independent she is.
pose reference:
Rin Shima:
https://www.bigbadtoystore.com/Product/VariationDetails/96378
Hasta la proxima,
-NUBE
Link to the line art post: https://darkcloudxero.com/2021/04/07/sayumi-michishige-glancing-right-line-art/
This is the colored version of my Sayu drawing done with Copics. It was painted with Corel Painter and then used the layer styles from PhotoShop. Each style changes different aspects of the painting when it interacts with the line art and the painting layer. I think each one has it’s appeal. Soft light gave it a pastel look which I really liked. Because the copic ink doesn’t completely cover the texture of the paper and it also doesn’t always completely cover an area (there are some patches that are lighter), these can give interesting effects when painted digitally and played with the layer options. This can be affected even further when playing with the layer transparency.
Hasta la proxima,
-NUBE
It’s always fun when I draw Sayu. Recently she cut her hair down so I really want to do another piece with her new hair style.
I wanted to work with my Copic for the line art step. I have done this before and really like the effect that I can get out of it when I paint it digitally. Sadly it seems like my copic tips are getting worn out, they have this gummy feel to them now. I guess I’ll have to replace them soon.
Hasta la proxima,
-NUBE
The second line art part to the Evangelion set. This time it’s Rei Ayanami.
Hasta la proxima,
-NUBE
