Line arts can be seen here:
The first of those drawings has been inked. I did this digitally using Clip Studio. Now that I have used Clip Studio a bit more, it is quite intuitive.
Hasta la proxima,
-Nube
Line arts can be seen here:
The first of those drawings has been inked. I did this digitally using Clip Studio. Now that I have used Clip Studio a bit more, it is quite intuitive.
Hasta la proxima,
-Nube
A little late to the party, but here’s a fun little drawing of the slap that shook the world. The whole scene gave me strong Jojo vibes.
Hasta la proxima,
-Nube
I follow this cosplay photographer’s blog named CosplayJP. In this year’s “WONDER FESTIVAL WINTER 2022”, the photographer got some photos of a Shin Godzilla cosplayer. It’s a gijinka version, so of course the cosplayer had to be creative on how to portray Godzilla’s features. Godzillas tail being also a cape was a really great touch.
Here are the references (sadly the cosplayers name is nowhere to be found, If you know who it is let me know):
I want to do a couple black and white drawings for a while, but this time working with hatching or inking. The line art was done in pencil and darkened digitally after I isolated it from the white background. I was debating whether to hatch it traditionally or digitally. This time I decided to do it digitally using the g pen in Clip Studio Paint. That took a while. I know I can do this digitally but I wanted practice with different textures to differentiate between the clothes, the skin and the hair. It looked good, but I wanted to add a background. I started with the circle and the pattern screentone. But because I isolated the line art, the screentone became visible… So I had to paint it in within the line art. From there I felt it looked good, but I wanted to add a cityscape. I chose Shinjuku. I added a shadow below her to add more feeling. But with the black background, Godzilla blended in a bit too much so I added an outer glow to make her stand out more.
Hasta la proxima,
-NUBE
For the Momochi Pose line art I decided to ink it and hatch it.
Yesterday I went to Meow Wolf. Inside was an art display by Future Fantasy Delight. The black and white art really popped and looked amazing. It was obvious that the artist had a lot of inspiration of anime/manga and Mexican culture (such as with the Mijo Miho character). I really need to make more black and white drawings.
There were a couple of areas that I did have to edit digitally and other areas that I had to clean up. Cheap Paper is cool to practice with, but I should seriously stop using it with my dip pens. The sharp tips lift up a lot of of the paper fibers. The areas that I inked were done using a brush. One thing I don’t like when I scan my artwork is that the light from the scanner exaggerates the dimples/texture in the paper. To the point where it creates blank spots. This happens as well with watercolors. I wonder if this is why some artists prefer to photograph instead of scan.
Hasta la proxima,
-NUBE
This drawing is based on the photo of Sayumi visiting the temple this year.
Assuming I translated it correctly, this was for a January photoshoot. Having drawn a fortune during this shoot, she drew “Daikishi” (Super Good Luck). I really do wish her the best. I’m also really enjoying her Uruma city videos. I hope more cities invite her to be showcased.
You can see them here:
Hasta la proxima,
-NUBE
For the painting of Miyabi in her maid outfit I used a couple of references for the pose, one of them happened to be of Miyabi in her outfit for the Hello Project Winter 2019 Concert. I really loved the pose, the dress and the crown working together to make Miyabi look so beautiful. This time I wanted to hatch and cross hatch. The line art itself was done with my g pen and the hatching was done with my maru pen.
reference used (3rd photo):
Hasta la proxima,
-NUBE
Today’s painting is of King Piccolo Sr.. While I had most of the painting done, it felt a bit empty or missing something. I remembered about the variation of the thickness of lines (I keep forgetting about that…). That I feel made it look better. After thinking about it for a while I came upon the idea that I should add his hands holding a dragon ball. But since this is now younger Piccolo it wouldn’t make sense to have him holding an active Dragon Ball so I made it into a stone version of it. I finished it off by adding some static at the end.
Hasta la proxima,
-NUBE
When I first starting hearing Akina Nakamori I was watching her music videos and quite vividly remembered a performance where there was a Hannya mask in the background. It took me a while to find the performance which I luckily managed to find. I wonder if I should have done something with the background…
Hasta la proxima,
-NUBE
Today’s model is Miyabi Natsuyaki. I had a couple of reference pictures to choose from her instagram, but I decided on this one:
It feels like we the viewers are sitting across from Miyabi. That little smile makes my heart skip a beat.
Hasta la proxima,
-Nube
I wanted to do a more frightening piece today since we are getting closer to Halloween. I was listening to the original Dragon Ball ost and remembered King Piccolo. It’s funny to remember that Piccolo was once an enemy and a scary one at that. He’s definitely one of my favorite villains in the series and truly love his more menacing facial features. What I like about King Piccolo. is that he is essentially the devil who has magical powers and self reproductive capabilities that create new life forms and also regrow lost limbs. And to top it all off, he is also a master of martial arts… If you guys ever get a chance, see the fight between him and Goku. It’s such an amazing one filled with martial arts and satisfying moments.
Hasta la proxima,
-NUBE