This is a double feature of sorts. I will be doing two types of painting on this drawing of Goku which has been drawn with ink. I first used watercolors to paint Goku and then I painted him again digitally using Corel Painter 2020. The time between each was very noticeable. The traditional painting took and the digital painting took me only . I really have to think about how I advance after every movement. Meanwhile with digital painting, I seem to have more experience and I can make as many mistakes as I want since I can undo right away. But I guess that doesn’t completely transfer over to traditional. Although I can go as detailed as I want, it might be better if I develop a simpler style like Little Thunders which can be so versatile but not overworked.
This painting has made it clear that I should practice more with watercolors. One other thing I remembered, don’t ink your drawing if you will be using watercolors on it (this is only if the inks aren’t waterproof). Otherwise they will smudge when painting. Instead, go over the lines by pressing hard on them using a pencil (I mean I know this, I don’t know why I didn’t remember). Then erase everything. If done correctly, the lines will be visible even when painting over them. One you are done painting, the line art process can finally be done. This can be done with ink, color pencils or more watercolors.
I just noticed, but this drawing was done almost a year ago. And it has been painted for almost a couple of weeks now. But I kept pushing it back. Maybe I should upload every day instead of only on weekdays. But I do plan on making videos on things beside the speed paints as well, so I’ll see how my schedule ends up looking before I make a decision.
I went for a flat colring style this time. Hmm… Metal Bat looks a bit like Dracula…
A bit of a late upload. I was planning on uploading some of the work I had lined up but when I was on twitter I noticed that #HowToDrawMangaRedraw was trending. The one being redrawn is from a book done by Katy Coope. But the one I grew up with was by Ryo Toudo. Looking inside the book, the cover artist is Kazuaki Morita. I really love his style. Man, this cover really brings back memories of when I was first getting into anime and was amazed by the selection of media that our local library carried. I won’t lie, I didn’t quite get the contents of the book back in the day. I mainly got it for the cover and tried to draw them. Thinking about it now, I might have that drawing stored in backpack that contains all my old work. If I remember correctly, I put the thumbs in the wrong positions. I’ll upload it tomorrow. There was another cover that I really liked, maybe I’ll give that one a try as well (also tomorrow).
Update (4/9/21) – Couldn’t find that old drawing I was talking about, I did find a lot of rather embarrassing ones though… If I find it though I’ll post it here.
The base colors were painted using Photoshop so that I could separate each color segments so that I can add to them separately in a different layer. This time I used a different brush using Corel Painter. The brush in question is the real tapered wet flat brush. It has the blending abililties of the the oily brush that I tend to use, but it I can also control the brush size depending on the pressure applied. One other aspect of the brush is the bristle effects it leaves behind as I paint. This can come in real handy when I want to make textures. In this case, it was quite handy on the chalkboard. I was contemplating making the text in Japanese, but I really don’t know the correct way to phrase it. My brother suggested writing it in German but I really don’t think she would waste her time writing in German since she knows nobody would understand her. In the end I just decided to keep it in English. Although since I left the text and chalk drawing in a separate layer, I could always add any text or drawing in the future. I used the pastel brush from Photoshop for the writing/drawings by the way. The line art was complimented with some color ones using the digital brush.
To speed up the process of coming up with the colors for the lighter areas and the shadows I used the divide option for the light layer and the multiply option for the shadows layer.
Posing and setting was inspired by Reina Tanaka’s Asuka cosplay done back in Hello Channel.
There are always plenty of reasons to do art of Evangelion. This drawing will actually be part of a set, both of which are now completed. But I will upload them later. This was drawn using my maru pen. I started using my flat pencil again for the rough draft, and it really reminded me of how fluid my lines come out compared to using a thin point like with my mechanical pencils which bring out my bad habit of being too rigid.
I used the pastel brush for the background which gave it quite a bit of texture while still being rather loose. Airi was painted in flat colors using Photoshop before moving over to Corel Painter for the other color layers. I remembered that I had left the logo sections free which prompted me to add Suu-san and an A for Airi. For some reason it takes me longer to paint solid sections more than doing it freestyle using Corel Painter’s Oily Brush. Thinking about it now, it might be easier if I just rework the line art digitally and use the bucket tool like animators do. Aesthetically though, if the drawing itself isn’t good, I guess it won’t work either way. I also wonder if having solid black lines might be too much for this type of paintings. I’ll have to keep experimenting. I really want to do more studies of Airi, there are a couple of photos that I have had in mind.
I had finished a prior version yesterday but decided to give it another look over this morning. I then started playing with the lighting and the background colors. Eventually I started adding textures which eventually reminded me of using Clip Studios burst functions to compliment the ink ones I had drawn beforehand. I then used the hardmix blending mode for my texture layer which gave it some interesting lighting effects that made the the shooting duel pop out that much more.