Pixiv had the promp to draw yankii’s but I missed it, but I remembered when Miyabi dressed up as one for Halloween.
References used (This was Halloween 2019):
There are a couple of things i have to edit now that I have found some more photos with details that I missed. Second photo is of the sketch.
Hasta la proxima,
-NUBE
This line art was originally drawn for inktober 2021 day 25.
It can be seen here:
There were a couple of things I wanted to fix first before paint it. Mainly it had to do with Misaka’s feet and posture. Misaka just looked awkward so I redrew her legs. Next I moved to her arms to give her a more interesting pose. I also wanted to have her tilting her head in a different way to give her a more confident posture. Aside from Misaka, I also made a few tweaks to Misaki and Mitsuko.
Hasta la proxima,
-Nube
Line art originally drawn on April 7th of this year.
My drawing of Naoko has finally been painted. I went for an 80s anime style. I didn’t quite liked the way the eyes looked so I decided to edit them. I was thinking of adding a fence in the background but I think I’ll leave it like this for now. Maybe I’ll add it at a later date.
Hasta la proxima,
-Nube
I really love the uniform from the music video Dancing Hero. I want to do some more with the whole uniform visible.
Hasta la proxima,
-NUBE
A work in progress of Akemi Homura. The current plan is to make this a set.
Hasta la proxima,
-Nube
A little late to the party, but here’s a fun little drawing of the slap that shook the world. The whole scene gave me strong Jojo vibes.
Hasta la proxima,
-Nube
Just a quick drawing.
Hasta la proxima,
-Nube
I want to draw more of Naoko Kawai.
reference:
Hasta la proxima,
-Nube
The scene of the Majin laughing at Bojji gave me a strong image of the image “Tartini’s Dream”. I’ll talk about it more when I finish this piece. The goal is to draw and shade it all in pencil. but this is the line art and the way the scene is composed. For the final piece I will transfer it to another clean paper (I put too much pressure when I draw).
I’ll leave the description as it is for now, I’ll explain more when I make the finished drawing (although inking it would’ve looked nice too).
Hasta la proxima,
-NUBE
I follow this cosplay photographer’s blog named CosplayJP. In this year’s “WONDER FESTIVAL WINTER 2022”, the photographer got some photos of a Shin Godzilla cosplayer. It’s a gijinka version, so of course the cosplayer had to be creative on how to portray Godzilla’s features. Godzillas tail being also a cape was a really great touch.
Here are the references (sadly the cosplayers name is nowhere to be found, If you know who it is let me know):
I want to do a couple black and white drawings for a while, but this time working with hatching or inking. The line art was done in pencil and darkened digitally after I isolated it from the white background. I was debating whether to hatch it traditionally or digitally. This time I decided to do it digitally using the g pen in Clip Studio Paint. That took a while. I know I can do this digitally but I wanted practice with different textures to differentiate between the clothes, the skin and the hair. It looked good, but I wanted to add a background. I started with the circle and the pattern screentone. But because I isolated the line art, the screentone became visible… So I had to paint it in within the line art. From there I felt it looked good, but I wanted to add a cityscape. I chose Shinjuku. I added a shadow below her to add more feeling. But with the black background, Godzilla blended in a bit too much so I added an outer glow to make her stand out more.
Hasta la proxima,
-NUBE
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