Right now I’m in a Hello Project art mood, I can’t help but want to draw the members whenever I want to try out a new style. But I figured I should try to draw some new subjects, so I was looking through my reference folders and decided on drawing a Honda CR-X which I quite like. Once I had the line art done I decided to try out a new shading style which consists of just laying it down with parallel lines. I quite liked the aesthetic of this style. But once I was done I wasn’t too sure what else I should do with it. Then I started thinking about maybe implementing someone in front of the car. Then it hit me, I could use that Sayu picture I drew where she has short hair. Once I cleaned up the background I resized Sayu so that she would fit the size of the CR-X and well… I really love the way it came out. I guess things were just meant to be. Somehow that short hair and hat make her fit that racer look.
This is a study from Momoko’s photobook Momoko Momochi Zukan. I actually wanted to try something new but ended up trying to do a realistic take by using hatching and cross hatching. I wasn’t satisfied with the way it came out since some lines came out too thick for the shadows. But I figured if I thickened some of the line art and darkened certain areas to change the values and lighten the hatching I made for the shadows. And sure enough it worked. I could push this effect more if I added more shadows around Momochi. Maybe adding interesting hatching would give it a cool aesthetic.
Today was a busy day but I somehow was still be able to draw, ink and edit this piece with photoshop. I wanted to give the ink style of the previously uploaded drawing again. But this time five times. Today (yesterday in Japan) was ℃-ute’s Day. So that is the reason I drew this drawing. Thank you ℃-ute for all the years you’ve given us.
I had drawn this back in I believe June 3rd of this year. Back then I had no idea of how to color it. I did at some point wanted to make it with gray tones but couldn’t figure it out. Today on my Youtube recommended’s list was a video featuring the art of tourniiquet, this one here.
After seeing it I decided to give it another try. I liked the way it turned out but wanted to add more contrast and texture somewhere so I eventually ended up using some paper texture for the background. I really like the way it came out.
Last week I started the line art for this painting (finally had some time to work on it a bit on Monday night and the rest on Tuesday night). I wasn’t too sure what I wanted to do so I was just sketching whatever came out. I then had the idea of having Kenshin look up, which gave him a sorrowful feeling. I then wanted some movement so I made his hair to blow in the wind. I was surprised how quickly the drawing came out, I used to take hours just to draw something even if it was simple line art like this one. From there I was looking at reference pictures of what I could use as the background. I found this really cool one of a shrine (turned out to be one from Nagoya when I researched it) but then I started thinking that a shrine doesn’t mean it’s a graveyard (plus it wasn’t in Kyoto) so once I had to work on the space right behind Kenshin I looked around google and found some references of graveyards. I used the impressionist brush for the texture but it looked really weird compared to everything else. But it turned out to be an easy fix when I started glazing and blending the graveyard pillars and steps. I thought of adding writing on them but that would take too much time to research, come up with and paint the intricacies of the kanji. So I just made some brush strokes that from a distance might look like actual writing but they have no actual meaning, they are just scribbles. The overall look I wanted to go for was the style used in the 90s anime which I believe holds up very well. Specially during the Kyoto arc.
Just as I was about to upload this painting I noticed that I hadn’t painted in Kenshin’s iconic cross shaped scar. Good thing I was too tired yesterday to upload it or he would have gone with out it.
I really like painting Guts. I had another idea of painting him traversing through a forest covered in snow. But that idea might get changed when I work on it once the snowy season starts this year. In it’s stead I decided to work on a piece where Guts is travelling through a forest at night, trying to reach the end and seek the warm safety of the light.
This time I’m working with blue as the background which I have yet to fully understand. All the colors work differently here so I had some setbacks at times. What I did in some cases was putting top layers of different shades of blue and used multiply on guts and some of the surroundings to darken areas around the background. After I felt the colors looked good together I then added some other layers to try and mesh Guts with the background. On top of all of that I then added more paint to add highlights and shadows so that I could try and integrate it more as a whole painting. For the end result I wanted to have it look like it is both painted but still has some aspects of the original manga art style. Hopefully I accomplished that.
While I was looking through some reference pictures last Friday, I came upon a picture of a model that looked a lot like Misato. While I was looking at the source of the photo it seems that the person in the photo is a model by the name Angela Yeung Wing, known as Angelababy. Seems like she is a Hong Kong based model, actor and singer. Here is the reference photo I used: https://www.instagram.com/p/BKQVP9NgAIs/
I was amazed at how fast I was going when I was painting her, but I then struggled with her face and hair. But after giving it a time to step away I noticed that some areas were just not in the right values. What helped was putting away the reference picture and just working with the painting I had. Not only did that help fix the issues but I also worked faster. I should probably try that out more later.
Many of the side characters in Captain Tsubasa could’ve been very generic stereotypes but I really do believe almost every single one of the main rivals that Tsubasa encouters are not only very interesting but interesting enough to be main characters in their own series. Truthfully I prefer almost every one of those rival characters to Tsubasa who I find to be really boring (but I guess that is usually the case with most protagonists of shonen series.
In any case, I have said it before and I will say it again. The best character is Hyuga Kojiro who very easily could have been that cool bad character that one loves to hate but is usually very one dimensional for most of the series until they decide to flesh them out. But instead they decided to show just how much of a hard worker Kojiro is and how selfless he is as well right from the start. Aside from his rather combative and harsh personality in the field, he is a person that one could look up to and admire. His life is not easy, as he has to support his family who is struggling financially by both working and taking care of his siblings. He not only does it but he understands the situation and doesn’t hold a grudge against anyone for his predicament. And finally, despite all that going on, he decides to continue doing what he loves and works towards his dream of being a soccer player. He truly is the antithesis of Tsubasa who was born a genius soccer player with a whole family who not only loves him, and has financial security but they also do everything they can to allow Tsubasa to pursue his dream of becoming a pro soccer player. One has everything given to him and the other has to struggle to achieve his goals.
Seeing as Kill la Kill was influenced by series like Sukeban Deka I wanted to make a painting depicting that connection. I also wanted to make as many summer paintings as I can before the season ends (finally). This is an homage to Yuki Saito’s photo. Which can be seen here.
Using references from the anime it self, I did have to make various changes to the body type and the hair a bit so that it would look more like Ryuko. Seriously, Ryuko has a tiny waist. As for the hair I wasn’t sure if I should have left it down or pull it up into a ponytail like in the reference photo. In the end I decided to try and figure out how it would look if Ryuko decided to put it up.
Hasta la proxima,
SEARCH FOR POSTS OR DRAWINGS HERE
After making arrangements with me about our transaction, you can pay for your artwork here. Or if you like, you can even make a donation.