We are actually still getting snow where I live, so that inspired me to finally give this painting a try before the weather finally changes to a warmer one. I really love the colors of Airi in this cold weather and wanted to give it a try for a while now. It’s also been a while since I did a realistic painting so I opted to go for that. There are so many more photos I want to try painting so we’ll see when I get another chance.
This painting is based on Airi’s digital photobook vol. 92. I only used the real tapered wet flat brush for the whole piece. I like the brush but it can be hard to use because when I try to use the same paint color, I can’t quite get it back using the eyedrop tool since each bristle stroke is different and mixes together. I already have a number of paintings lined up where I kept trying out this brush and a new one that I believe is my new main brush, to be used with the oily bristle and tapered oils brush.
I recently saw an artist that worked with light colors and used that as an aesthetic advantage. Usually when I paint, almost every time it looks really light so I worried whether it would look well to others or not. So this time I have decided to just paint like usual and try to not overwork the painting too much. What I did want to try though is a version where I just painted and let the colors separate the whole piece as a whole. In the second version I added some lighting to the hair, darkened the lips and added some linework. Personally I prefer the original version more although I do like the the linework version as well. I went for a semi realistic/anime style. This mainly entails that one keeps the detail on the face as flat as possible and making the eyes bigger. Of course one can play with the style and how far to push the details which will give different effects. I chose to add a good number of facial details but using very light tonal changes that are noticeable but that are not very abrupt and still keep the coloring style a bit flat. As for the eyes I decided to keep the main shape and colors intact but made them bigger and enlarged the eyelashes a bit.
This study was done using a photo from Momoko Tsugunaga’s last photobook. Happy Birthday Momochi, thank you for everything you have done. Even now your work still makes everyone happy. And this of course includes me. Now that more media is becoming available to us overseas fans and that I can understand a bit more Japanese, I have so much media that I can now enjoy for the first time. It’s a shame my skills were not good enough back when you were still active. Although I love that not only did you have a goal in life (as a teacher), but you accomplished it on top of all your idol activities. The motivation you emanate is absolutely stunning. I truly hope that you are doing well and enjoying life. I can only hope that my art reaches you and makes you even just a fraction of the happiness you have given me.
I named it “Panzadores” because I combined pan (bread) and cazadores (hunters). What if there was a world where a witch put a curse on sweet bread and they came alive. The more delicious the bread, the stronger and more dangerous they are. Thus hunters have to be hired in order to defeat and have a chance to actually taste them?
This is a contest entry for the illustration category of the 2021 Corel Painter Contest. I made it just in time, the deadline is on Feb 19.
This is based on a drawing I did way back in (at least from a quick search) 2016. At the time I was completely new to digital painting or using colors really. I was more into drawing and was really struggling with color. I seriously thought I could bypass that issue by focusing on the values using my pencil and then hoping that Photoshop would deal with the colors on it’s own. Of course, nothing is ever that easy.
I can proudly say I have made some progress in the last 4 years.
I used the line art as a quick map of how I wanted to set up the painting, but overall the line art would be left out. Once I had some reference photos of how castles and the sky could look like I began painting. I started with the castle first and that took me a while since I kept working with the way I believed the shadows would look in my scenario. But I made the mistake of not painting the sky so I could figure out what colors I would eventually end up using. With a bit more experience I should be able to figure this out in a couple of minutes but setting up the lighting for the background took me a couple of hours. Once I was satisfied with what I had, I then began working on Lelouch. But since the colors for the background were dealt with, getting his colors was much easier. Dealing with him did have to be finished today though. I want to be fast enough to paint something like this in at least one day, but for now it is taking about two days. For this painting I decided to use the spray paint for the sun’s lighting and in some sections of the clouds and the castle. I seriously should use it more since it made the effect I wanted much easier.
My brother has recently started watching Code Geass for the first time, so when I asked him for a suggestion of course Code Geass would be the option. I figured that would be a good excuse to retry doing this painting.
Many of the side characters in Captain Tsubasa could’ve been very generic stereotypes but I really do believe almost every single one of the main rivals that Tsubasa encouters are not only very interesting but interesting enough to be main characters in their own series. Truthfully I prefer almost every one of those rival characters to Tsubasa who I find to be really boring (but I guess that is usually the case with most protagonists of shonen series.
In any case, I have said it before and I will say it again. The best character is Hyuga Kojiro who very easily could have been that cool bad character that one loves to hate but is usually very one dimensional for most of the series until they decide to flesh them out. But instead they decided to show just how much of a hard worker Kojiro is and how selfless he is as well right from the start. Aside from his rather combative and harsh personality in the field, he is a person that one could look up to and admire. His life is not easy, as he has to support his family who is struggling financially by both working and taking care of his siblings. He not only does it but he understands the situation and doesn’t hold a grudge against anyone for his predicament. And finally, despite all that going on, he decides to continue doing what he loves and works towards his dream of being a soccer player. He truly is the antithesis of Tsubasa who was born a genius soccer player with a whole family who not only loves him, and has financial security but they also do everything they can to allow Tsubasa to pursue his dream of becoming a pro soccer player. One has everything given to him and the other has to struggle to achieve his goals.
Man, this one is already about a year old now. I was planning on releasing it at some point but it never happened and ultimately I decided to release it when it got hot out again. And seeing as the weather has been getting hot lately (plus I haven’t uploaded in a while) I figure now would be a good time to upload it. The painting of Momoko is the same that was done a year ago but wasn’t pleased with the background so I tried out my new pc upgrades with this piece by painting a new beach background. There is no more stuttering or slowing down anymore (although the temps of the CPU are a bit worrisome). I tried out some of the other brushes that Corel Painter offers and saw no problems at all. Last time I tried it with my old components my pc couldn’t keep up. Although it could handle my favorite oil brush it tended to close up (Corel) on me from time to time. The last time when I was painting the Buono piece I lost half an hour’s worth of work which really sucked. I was going to wait on upgrading for a bit longer but after that happened I decided to pull the trigger. And I’m very happy I did.
I really like Momochii’s Yurushite Nyan pose so I went with that when I first drew her. My thought process at the time was to try out 80s/90s style painting which can look extremely beautiful if done right. But as mentioned when I was looking at the old background it just wasn’t up to par so I made a new one that would fit Momoko.
I’m planning on making more paintings throughout the summer ( I actually have had some ideas floating around for a while now). But work and my decision to make a desk computer will be keeping me busy for a bit longer. Hopefully the extra space in the desk will help cool down my cpu and gpu if not I’m going to have to invest in a new cooler…
It has also been a while since I’ve done some traditional watercolor paintings so I hope to get back into that as well.
I recently bought the Corel Painter 2020 upgrade. After running the brush accelerator but was bummed out that my computers’ cpu was lacking. Despite not being able to use the full potential of the program I did see an improvement. My score happened to be 5111 (if I’m remembering it correctly). Looking at parts to upgrade my pc will come to be quite expensive if I want it to last me a couple of years so that’s probably something I will aim to do next year. Anyway despite that it was definitely smoother. So far I have only tested the oily bristle brush, I know I had problems with watercolors with Corel 2018 so I will try that out next time.
For the first painting I have done with this version of Painter I decided to do another painting of Sayu. Wasn’t too sure what style I would be painting her in but I ended up with this one, somewhat realistic, somewhat animeish. I wanted it to be simplistic and yet have a good amount of color. I also wanted to start off some spring paintings. It’s funny the year I decide to finally star making seasonal painting we all get stuck inside. I used a photo from her instagram as a reference, but I decided to have her pointing Tokyo sky tree.
Was working on this last week but didn’t get to finish the painting process till just now after work. The line work was done using my Stabilo pens. It’s been a while since I last used them. I wanted to see what kind of effect it would have when I underlaid it digital paint. It’s not a bad look, especially in the skin tones but, I think the blue is a little too well blue. I’m thinking using a grey pen on most parts except on the skin tones would work better. But at least now I know. It’s a shame they don’t really work well with watercolors (they smear and bleed). Well at least they work with copics. It’s a shame really because when it comes to traditional painting/coloring I now prefer to use watercolors. As for the digital painting process I tried to replicate the anime coloring style which I just absolutely love. Will definitely try doing it again. I’ll also do try doing this using my traditional paints.
Things have been getting rather hectic lately. Stay safe out there, and never give up.