It’s been quite a while since I last used Copic markers. There is also a metallic gold pen that I had never tried. In this piece I was contemplating between painting this as either a more realistic style or a stylized one that emulated Buddhist paintings.
Sadly, scanning the finished painting I couldn’t get the color of the gold to pop out correctly. It came out really dark. So I had to edit those golden lines digitally. Which took quite a while… One other problem I ran into was dried up markers. I pushed them to the limit but they did leave streaks on the paper. I decided to leave it as such just to see what kind of effect it would have. Doing large areas is definitely better suited for watercolors.
This is the colored version of the ink drawing I made of Rin Shima which can be seen here.
I decided to do something a bit different in that I wanted to see if I could just modify some reference pictures. I wanted to convey the feeling of accomplishing the goal of reaching a destination and embarking to the next one. As I was painting the raindrops, I decided to add a drop on Shima’s finger which I felt really fit. Because I decided to follow the reference picture a bit too closely, but I guess it was a happy mistake.
I had been reading the manga for a while now, but was surprised to learn just how big Yuru Camp is in Japan. That makes me rather happy. I actually went camping last summer. I couldn’t help but remember Yuru Camp. For my first artwork of this series, I picked Rin Shima. I quite like how dependable and independent she is.
This is a double feature of sorts. I will be doing two types of painting on this drawing of Goku which has been drawn with ink. I first used watercolors to paint Goku and then I painted him again digitally using Corel Painter 2020. The time between each was very noticeable. The traditional painting took and the digital painting took me only . I really have to think about how I advance after every movement. Meanwhile with digital painting, I seem to have more experience and I can make as many mistakes as I want since I can undo right away. But I guess that doesn’t completely transfer over to traditional. Although I can go as detailed as I want, it might be better if I develop a simpler style like Little Thunders which can be so versatile but not overworked.
This painting has made it clear that I should practice more with watercolors. One other thing I remembered, don’t ink your drawing if you will be using watercolors on it (this is only if the inks aren’t waterproof). Otherwise they will smudge when painting. Instead, go over the lines by pressing hard on them using a pencil (I mean I know this, I don’t know why I didn’t remember). Then erase everything. If done correctly, the lines will be visible even when painting over them. One you are done painting, the line art process can finally be done. This can be done with ink, color pencils or more watercolors.
We are actually still getting snow where I live, so that inspired me to finally give this painting a try before the weather finally changes to a warmer one. I really love the colors of Airi in this cold weather and wanted to give it a try for a while now. It’s also been a while since I did a realistic painting so I opted to go for that. There are so many more photos I want to try painting so we’ll see when I get another chance.
This painting is based on Airi’s digital photobook vol. 92. I only used the real tapered wet flat brush for the whole piece. I like the brush but it can be hard to use because when I try to use the same paint color, I can’t quite get it back using the eyedrop tool since each bristle stroke is different and mixes together. I already have a number of paintings lined up where I kept trying out this brush and a new one that I believe is my new main brush, to be used with the oily bristle and tapered oils brush.
I recently saw an artist that worked with light colors and used that as an aesthetic advantage. Usually when I paint, almost every time it looks really light so I worried whether it would look well to others or not. So this time I have decided to just paint like usual and try to not overwork the painting too much. What I did want to try though is a version where I just painted and let the colors separate the whole piece as a whole. In the second version I added some lighting to the hair, darkened the lips and added some linework. Personally I prefer the original version more although I do like the the linework version as well. I went for a semi realistic/anime style. This mainly entails that one keeps the detail on the face as flat as possible and making the eyes bigger. Of course one can play with the style and how far to push the details which will give different effects. I chose to add a good number of facial details but using very light tonal changes that are noticeable but that are not very abrupt and still keep the coloring style a bit flat. As for the eyes I decided to keep the main shape and colors intact but made them bigger and enlarged the eyelashes a bit.
This study was done using a photo from Momoko Tsugunaga’s last photobook. Happy Birthday Momochi, thank you for everything you have done. Even now your work still makes everyone happy. And this of course includes me. Now that more media is becoming available to us overseas fans and that I can understand a bit more Japanese, I have so much media that I can now enjoy for the first time. It’s a shame my skills were not good enough back when you were still active. Although I love that not only did you have a goal in life (as a teacher), but you accomplished it on top of all your idol activities. The motivation you emanate is absolutely stunning. I truly hope that you are doing well and enjoying life. I can only hope that my art reaches you and makes you even just a fraction of the happiness you have given me.
I named it “Panzadores” because I combined pan (bread) and cazadores (hunters). What if there was a world where a witch put a curse on sweet bread and they came alive. The more delicious the bread, the stronger and more dangerous they are. Thus hunters have to be hired in order to defeat and have a chance to actually taste them?
This is a contest entry for the illustration category of the 2021 Corel Painter Contest. I made it just in time, the deadline is on Feb 19.
This is based on a drawing I did way back in (at least from a quick search) 2016. At the time I was completely new to digital painting or using colors really. I was more into drawing and was really struggling with color. I seriously thought I could bypass that issue by focusing on the values using my pencil and then hoping that Photoshop would deal with the colors on it’s own. Of course, nothing is ever that easy.
I can proudly say I have made some progress in the last 4 years.
I used the line art as a quick map of how I wanted to set up the painting, but overall the line art would be left out. Once I had some reference photos of how castles and the sky could look like I began painting. I started with the castle first and that took me a while since I kept working with the way I believed the shadows would look in my scenario. But I made the mistake of not painting the sky so I could figure out what colors I would eventually end up using. With a bit more experience I should be able to figure this out in a couple of minutes but setting up the lighting for the background took me a couple of hours. Once I was satisfied with what I had, I then began working on Lelouch. But since the colors for the background were dealt with, getting his colors was much easier. Dealing with him did have to be finished today though. I want to be fast enough to paint something like this in at least one day, but for now it is taking about two days. For this painting I decided to use the spray paint for the sun’s lighting and in some sections of the clouds and the castle. I seriously should use it more since it made the effect I wanted much easier.
My brother has recently started watching Code Geass for the first time, so when I asked him for a suggestion of course Code Geass would be the option. I figured that would be a good excuse to retry doing this painting.