El Muerto cuando se ponga su camiseta de Creamy Pop.
Hasta la proxima,
-NUBE
El Muerto cuando se ponga su camiseta de Creamy Pop.
Hasta la proxima,
-NUBE
I follow this cosplay photographer’s blog named CosplayJP. In this year’s “WONDER FESTIVAL WINTER 2022”, the photographer got some photos of a Shin Godzilla cosplayer. It’s a gijinka version, so of course the cosplayer had to be creative on how to portray Godzilla’s features. Godzillas tail being also a cape was a really great touch.
Here are the references (sadly the cosplayers name is nowhere to be found, If you know who it is let me know):
I want to do a couple black and white drawings for a while, but this time working with hatching or inking. The line art was done in pencil and darkened digitally after I isolated it from the white background. I was debating whether to hatch it traditionally or digitally. This time I decided to do it digitally using the g pen in Clip Studio Paint. That took a while. I know I can do this digitally but I wanted practice with different textures to differentiate between the clothes, the skin and the hair. It looked good, but I wanted to add a background. I started with the circle and the pattern screentone. But because I isolated the line art, the screentone became visible… So I had to paint it in within the line art. From there I felt it looked good, but I wanted to add a cityscape. I chose Shinjuku. I added a shadow below her to add more feeling. But with the black background, Godzilla blended in a bit too much so I added an outer glow to make her stand out more.
Hasta la proxima,
-NUBE
For the Momochi Pose line art I decided to ink it and hatch it.
Yesterday I went to Meow Wolf. Inside was an art display by Future Fantasy Delight. The black and white art really popped and looked amazing. It was obvious that the artist had a lot of inspiration of anime/manga and Mexican culture (such as with the Mijo Miho character). I really need to make more black and white drawings.
There were a couple of areas that I did have to edit digitally and other areas that I had to clean up. Cheap Paper is cool to practice with, but I should seriously stop using it with my dip pens. The sharp tips lift up a lot of of the paper fibers. The areas that I inked were done using a brush. One thing I don’t like when I scan my artwork is that the light from the scanner exaggerates the dimples/texture in the paper. To the point where it creates blank spots. This happens as well with watercolors. I wonder if this is why some artists prefer to photograph instead of scan.
Hasta la proxima,
-NUBE
I think I drew this on Friday, it was a couple of days ago. I didn’t have a plan in mind really, I just drew and this came out. Then the idea of life punching us at the most random times came to mind. I have an idea of making this into a scene. We’ll see.
Hasta la proxima,
-NUBE
Day 3 of Inktober. For today’s drawing is Ranma wearing some baggy overalls.
Hasta la proxima,
-Nube
I forgot about this drawing until I was cleaning my room today. It was part of a couple of drawings I quickly made in the course of an hour. I had no real goal, I was just drawing.
Hasta la proxima,
-NUBE
Line art can be seen here:
Green and red looks really good on Ranma, so I decided to make the stripes green.
Hasta la proxima,
-Nube
I haven’t really been doing much summer drawings have I. So how about we do a couple. Starting with Ranma in a striped swimsuit.
Hasta la proxima,
-Nube
I wanted to make a Terminator drawing influenced by Akira Toriyama, although I noticed that my take on it is not as round so it doesn’t have that same fun aesthetic. But perhaps that was the best outcome since my take would look to much like Major Metallitron (Metarikku Gunsō) who is obviously inspired by Arnold Schwarzenegger’s Terminator.
Hasta la proxima,
-NUBE
A manga version of the Yamaha scene from Jackie Chan’s Police Story.
Hasta la proxima,
-NUBE