Based on the drawing I made for this year’s Inktober for day 23. Because watercolor lifts the ink and makes the drawing really muddy, I traced it with my lightbox using only my pencil. I actually had to redo it twice because I was trying to erase the lines and graphite smudges before I started painting but then I couldn’t see the lines anymore… Erasing is ok on some papers, but not on the one I was using this time…
Luckily I still managed to finish the painting today despite a couple of setbacks. One of the biggest ones was the fear of messing up. It’s been a while since I last painted traditionally so that’s always a bit intimidating. But it’s always a matter of just starting. I almost messed it up right out of the gate since I didn’t completely clean the main brush I used (it still had some ink in it). The good things was that I could still lift up the affected area (it was the face…).
I really love watercolors. The look it has and versatility are just amazing.
I’ve been wanting to paint Sayu in this outfit ever since it was uploaded. She kind of reminds me of a Team Rocket member.
This is the second Microsoft Surface Pro 5 painting. This time around working with the surface felt a lot smoother. The next test will consist of me working in portrait mode. I know it works since I tried to see what would happen if I tilted the whole screen, although it did make Corel crash… I’ll have to play with it a bit more.
Airi had a recent post where she had a really cute outfit. I just really wanted to draw her in it. The sweater has a lot of details which I wanted to draw. The colors are also really beautiful so I’m really looking forward to painting her sometime in the future.
Watamote has a lot of loveable characters, and Asuka was quick to become one of my favorites. When she was first introduced in chapter 106 I was a bit afraid that she would appear to be stuck up (when she saw Tomoko staring at her through the mirror). But she quickly proved herself to be rather nice and thoughtful. This was seen quite clearly in chapter 193 where she sacrifices herself in order to devour that ramen. I was debating whether to have her look prim and proper or disheveled and defeated after clearing some space… I went with the prim and proper idea.
I was wondering why my artwork was looking a bit blocky when I was resizing it to a smaller size so that I could post it online and just now remembered that I didn’t change my settings that I used for creating pixel art. Changing the resample option to automatic and that did the trick. I think I have about one or two weeks worth of artwork that have been resized using the wrong settings… What’s funny is that I already had a resized version up and ready to post, but I’m glad I forgot.
The line art for this painting is quite old now. Its from way back in June. I remember trying to paint it not long after drawing it but didn’t like what I was coming out with. I decided to go with a Copic/watercolor like style. Using Toko Suzuki’s brush is great since it has both texture and opacity control. I really like the amount of detail and control I can get with it. There’s many ways to paint this Momoko drawing but I have couple others that I can try that out with.
This is a painting of Momochi that I have been working on whenever I had some free time during the weekend. This time I used a couple of oil brushes from my collection. I will probably be making another version where I make it a bit more anime like. But first I wanted to go for a more realistic feel. The reference I used was a screenshot from “Off Momochi in Okinawa”. I think this will give me more options in terms of what I can study and paint as well as look closer at poses with movement. I’ve been wanting to also do some animations so this will really help.
Momochi looks freakin adorable as usual.
I have a couple of momochi ink drawings that I haven’t painted yet, I’ll have to think what coloring style I will use for them.
I’ve been itching to do another Naoko painting lately. While looking through my references I came upon what looks to be a poster that says “[Seikodo] Lady Naoko” (another poster did not have Seikodo on it) and some more text below tI’ve been itching to do another Naoko painting lately (I still am). While looking through my references I came upon what looks to be a poster that says “[Seikodo] Lady Naoko” (another poster did not have Seikodo on it) and some more text below that which I can’t quite read but I believe a part of it has Naoko’s full name. On the top right of the poster is some kanji that I translated as “girls bloom”. On the side is some small text that’s also hard to read (I think it has this text: “夕女は。悪いて大人になる” although the kanji is quite hard to make out since it’s so blurry)If anyone knows what this poster is for, do let me know. Just searching for Lady Naoko yields no results.
I finally finished. I guess because there’s so many details it took quite a bit of time. But overal I like the way it turned out. The Holbein Watercolors do exactly what I want them to do, I don’t think I can go back to any other watercolors at this point. And this is using Master’s Touch watercolor paper which isn’t really that good quality (although I highly recommend it since it’s the best paper at the price range). At some point I should try painting on some higher quality paper which I tend to neglect since they are, you know, quite expensive. But I feel confident enough to try it now. Once I again I am using watered down ink for the outlines which works really good when applying color on top of it since it’s also translucent and reacts with the color one applies on top. This leaves it open to apply more color to the outline or ink to make it darker. Although I did add some shadows to give the background some 3dimentinality, I decided to make Miyabi’s colors flat so as to not overwork the painting which I tend to do. Doing so gives the finished painting a much cleaner look that pops out quite nicely (Thank you Little Thunder for showcasing your artwork! I always learn so much looking at it.).
I really love the colors that Miyabi chose for her kimono and her makeup. They really fit well with the background colors. I was planning to add the color variations to the kimono. But as I was playing around with the way Mars Violet interacted with the yellow mixture I used for the Kimono base color, I decided it would look best as a simple color. Hopefully I managed to replicate Miyabi’s beauty through my brush.
We are well into the New Year now, so I will now focus on some winter drawings/paintings before the season ends.