I was hoping to upload it on the 23rd but sadly things didn’t work out. This will mark the last Summer painting of 2025. Now I’m planning to do some Autumn paintings and also do Inktober again this year.
It’s essentially the end of summer today and tomorrow so I’ll be posting both the background today and hopefully the finished painting tomorrow if all goes well.
The end of summer is finally here. Fall is just around the corner! I wanted to do more summer based art but I was bogged down with other things going on. Maybe next year.
I actually wanted to retry a couple of past paintings but since I ran out of time I will have to end it with Kodachi. This makes the third revision (and probably the last). Although version two wasn’t back I wanted to give it another try. I wonder though if people would even be able to tell the difference? I also edited the background but I kept forgetting that certain details would just get hidden behind Kodachi. With that in mind I decided to also add in the background.
Here is version 2:
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I decided to work on the Nami painting again. But I felt she was too lonely so aside from reworking her and the background I decided to add the other (official) female members of the Strawhats. For some reason I was having trouble with the colors for Robin and Vivi’s hair.
Finally got around to RE:do a painting that I was supposed to have worked on this summer. I’m almost done with the update, but I have to add to it finally.
I think this might be my first Nami drawing and painting. How the heck is that even possible. It only just occurred to me as I’m writing this description. I’m gonna have to remedy that.
After painting Nami I was wondering how I would integrate her to the background. In the beginning I had large splash waves that pretty much covered up the whole background. I contemplated making a matching painting painting with a separate character but decided to focus on coming up with a different way to showcase both the background and Nami. After playing around with the layer effects I ended up using the overlay effect on a separate layer for the splashing and dripping water. This gave my brush strokes a slight transparency depending on how I laid the paint. While I was at it, I also used this layer to add some lighting.
Was planning on having this work with the remake contest on Pixiv but the dates didn’t align. Oh well.
Here is the final piece for this painting. Attached will be the old version. I changed quite a few things and also the posture. I painted based on my current memory. Overall I feel pretty good with the end result. Brute forcing the acquisition of skill takes time, but I’m now finally seeing some of the result of my training. Making colors more vibrant really helps make the painting pop more than just trying to mimic reference photos. I know that’s obvious but I wanted to understand why that is the case.
I used to have a tough time blending colors for the sky but using the blending tool makes that super easy. It’s kind of hilarious it took me this long to figure that out.
I just noticed looking at the old painting and the new one, but I flipped the hand position…
Here is the background for another one of my RE:do paintings. Recently I started implementing a new technique into my paintings. I’m surprised it took me this long to do so though. I’ll speak more about that later. Perhaps adding more details to the sand would’ve added something more to the painting, but with the subject as the focal point that may not be necessary.
It’s Miyabi’s birthday today! Welcome to the 30 year club. I hope this year is more prosperous and filled with happiness, thank you for everything you have given us.
I really liked this photo of her trip to Okinawa. Seen here:
But just making a study is not that special (for birthday purposes) so I modified it a bit by having her bringing her sunglasses down but still having the wind blowing. I was thinking of having Miyabi wink, but the bonus accompanying painting I think fills that aspect perfectly.
The bonus painting is of her dancing with Karin Miyamoto “El Sonidito” Super Mario Bros 3 mix. Seeing Miyabi and Karin dancing Musica Regional from Mexico really made my day. It’s a shame Berryz Koubou never went to Mexico, that would have been a fun thing to watch like when ℃-ute and Juice=Juice did. So this was a nice surprise.