Happy Halloween everyone! Although by this time it’s pretty much already over. Hopefully you guys had a great time. Today also marks the last day of Inktober. I got out somewhat early today from my other job so I decided to make multiple drawings for this special day. I was having a hard time deciding who to draw for the last day and just decided that there was no reason to just choose one. So I made three instead. I was actually going to make five… but that was pushing it.
For today, I decided to draw Karin Miyamoto in a maid outfit (super cute), Airi in her Sailor Moon cosplay (I’ve been craving to draw her for such a long time now) and Momochi in the outfit she used for the 2016 NTV Halloween Live event.
Didn’t have time to hatch or ink them today but I at least managed to finish the line art.
In terms of Inktober anyway, see you guys next year. Hopefully you guys enjoyed my drawings this month.
This will be the actual entry to the contest, now that it’s completely painted. I debated with going with a more painterly style or a more anime like style. After playing around a bit, I decided to go with the anime style. I tried to keep the same color scheme. I added some static to the background which for some reason intensified when I resized the whole painting to a smaller size. I contemplated whether to add some blood to the piece but decided against it…
For the background, if I remember correctly (I think I learned this in art class when I was in middle school) Van Gogh was a fan of Japan. A bit of an Otaku. So I thought it would be fun to play around with that idea with the paintings in the background.
We are actually still getting snow where I live, so that inspired me to finally give this painting a try before the weather finally changes to a warmer one. I really love the colors of Airi in this cold weather and wanted to give it a try for a while now. It’s also been a while since I did a realistic painting so I opted to go for that. There are so many more photos I want to try painting so we’ll see when I get another chance.
This painting is based on Airi’s digital photobook vol. 92. I only used the real tapered wet flat brush for the whole piece. I like the brush but it can be hard to use because when I try to use the same paint color, I can’t quite get it back using the eyedrop tool since each bristle stroke is different and mixes together. I already have a number of paintings lined up where I kept trying out this brush and a new one that I believe is my new main brush, to be used with the oily bristle and tapered oils brush.
I used the pastel brush for the background which gave it quite a bit of texture while still being rather loose. Airi was painted in flat colors using Photoshop before moving over to Corel Painter for the other color layers. I remembered that I had left the logo sections free which prompted me to add Suu-san and an A for Airi. For some reason it takes me longer to paint solid sections more than doing it freestyle using Corel Painter’s Oily Brush. Thinking about it now, it might be easier if I just rework the line art digitally and use the bucket tool like animators do. Aesthetically though, if the drawing itself isn’t good, I guess it won’t work either way. I also wonder if having solid black lines might be too much for this type of paintings. I’ll have to keep experimenting. I really want to do more studies of Airi, there are a couple of photos that I have had in mind.
The line art was first done for inktober 2020 day 21. This painting was done on Sunday but decided to upload today. For this painting I decided to go for a simpler anime style which can be quite aesthetically pleasing. I wanted to add a good amount of detail but still keep it quite simple and not over work it. I really like this image from Kiss!Kiss!Kiss! I believe this is my second time drawing it but first time painting it. It was a relaxing and pleasant experience.
It’s kind of a shame I didn’t do this one for Airi’s birthday but I was quite busy so it couldn’t be helped. This drawing was done in April 17 of 2019. I tried painting it on the 23rd using the reference picture as a guide for the colors as well. But it didn’t end well. The line art was just not working correctly with the painting. So over all it looked quite unnatural and weird. I then tried again on the 25th after I got frustrated and made the colors simpler and more anime like in an effort to make the lineart work better. But the result wasn’t much better. I just had too much trouble trying to blend them together. Well, after a year of countless hours of painting I decided to give it another try. I won’t lie, I still had that trauma of not being able to paint it correctly but the only way to find out is to just go ahead and do it. Annoyingly I did have some problems when I started painting it. Seeing as the line work was pretty dark and plentiful (when it came to the hatching) it just didn’t look right. I tried flat colors thinking that would work but after three tries I had to stop and rethink everything. The next day though I finally decided to paint it the way I have been painting lately. But this time I decided to make the linework lighter, I left it at around 65% of the darkness. Also, this time I decided to try and not look at the reference photo and just paint it the way I believed would work. Also, since most of my paintings have been coming out quite light (in terms of color and values), I decided to go for a more vibrant and deeper color pallette. And well, I really like the result.
I have noticed I have been working mainly with the warm colors in the yellow and red range, but whenever I try to do another color scheme I mess it up or it just doesn’t look right. I want to try cool colors for my next piece.
I had attempted to draw this and paint this for New Years but I didn’t really like the way it came out. So I attempted it again, but since I had already painted the original lineart I had no choice but to go at it digitally. I would say that the painting process isn’t taking that much time, but getting references does. I decided to use the coloring style from the movie Macross: Do you remember love. Aside from coloring it I also wanted to edit some other parts of the drawing it self. The first part was the mouth and lips. I decided to take out the linework of the upper and lower lip. I would form it wit color instead. Of course this and all the other changes were dictated by the references I got from the movie. For the mouth, I also resized it and made it smaller while also repositioning it. The Eyes were moved down a bit and I erased most of the eyelash strands. Eyelashes were also thined and shortened a bit. To my surprise, when I was screen capturing the final reference shots I came across a scene that is almost the same background like the Airi Suzuki picture that I’m using. I quite like the addition of the shadow. I feel like I could’ve added something on the left side of the painting. But this works. One thing I do know is that it looks quite good using a diluted ink linework so that the color influences it when applied.
I drew another ink drawing. I was looking through Sergey Orlov aka punksy‘s artwork and wanted to do another 80s style drawing. I want to paint it with a simple color scheme. But that will be later. I used both the g pen and the maru pen. I really love the thin lines I get from maru pens. The only reason I hadn’t used them for so long was because the ink didn’t flow out of the pen. But after thinning out the ink with water that solved the problem and man am I glad for that. One thing I wanted to try out was this set of Chinese watercolors, but to my surprise it didn’t contain black. After mixing blue, green and yellow I got an okay looking grey but instead I decided to water down the black ink. I quite like the way it worked out and will experiment with it more next time.