This is the painted version of the drawing I made for Inktober 2021 day 04. I still wonder if I should have changed Chizuru’s expression to that of a more serious one. But surely she has fun playing around with Iori and Kyo.
A redo of painting I did back in March 2020. I only did a couple of touch ups of the background and changed some of the lighting and color. The main changes were made to Terry in terms of the values and hues. The main part I mainly spent repainting were his arms.
The original version was uploaded back in November 2020, but I feel that it was lacking. I now feel a bit more confident to go back to it and update it with my current skills. Not only did I change some colors but I changed the sleeves and chest area. The background was also touched up. The right eye (what appears to us as the left eye) was drawn too far down the face so Athena looked a bit deformed. Aside from that, I also changed the gaze so it appeared that she was looking at us. I should seriously actually render paintings more, I’ve been leaving them too rough.
Original can be seen here:
Aside from seeing the original piece, you can learn what inspired me for this particular painting.
I wanted to make an action piece and after watching some Mr. Karate videos I found the subject. The background is a mixture of Takuma Sakazaki’s dojo and a dojo from the film “Fighter in the Wind” (a movie about Masutatsu Ōyama whom Takuma is based on). Really wanted to recreate the lighting coming from the windows.
Today is day four. While looking through my references I found a cover photo of Nakahara Meiko’s “Yakimochiyaki Rumba Boy”. In it she is wearing a blazer with the imposing shoulder pads which looks amazing. I quite like the style.
Photo of Meiko:
Those shoulder pads reminded me of Chizuru Kagura from the King of Fighters. I really like her style and strong aesthetic. I’m surprised it took me this long to finally draw her.
I didn’t really have any plans when I started painting Terry. I just started painting forms so that I could play with the Real Tapered Wet Flat Brush. Again, I was amazed by how the strokes came out but sampling the colors was a pain. Of course the solution is to have a separate layer with the colors readily available off in some corner. I was thinking of adding some power effects to Terry’s punch but I think keeping it simple this time should be fine. I just wanted to focus on the pose and movement.