Momoko Tsugunaga ink painting colorized

I recently saw a video of this other artist using photoshop’s color balance ability to change the color of a black and white painting. So I wanted to try it out. I’ve been craving to do another Momoko art piece so I used this chance to do so. I first painted Momoko using ink and my brushes. When I was content with the final painting I then went ahead and tried out this method. It definitely works, although maybe my painting wasn’t defined as well since some sections were too light and I had to add some more layers to get the right values. Overall I’m quite impressed, although I much prefer to just paint in colors right from the start so I can learn the process better for when I make future paintings later on. But at least now I know new technique just in case.

You can see both versions if you click on either pixiv or twitter.

Hasta la proxima,

-NUBE

Misaka level 6 shift

I’m currently watching the To Aru Kagaku no Railgun T anime. I’m really pleased with it. Unlike with To Aru majutsu season 3, they didn’t rush the series and the animation looks really beautiful. There were a couple of shots that used cgi that were moving a bit too fast and weird at the beginning but it seems they got used to it in the later episodes.

I really like Sogiita Gunha’s character so seeing him fight right next to Touma is amazing. Because this is one of my favourite scenes I decided to paint it.

Surprisingly this piece only took me three days to do. I guess I have been improving…

Hasta la proxima,

-NUBE

Misaka-Chu

This drawing was done on the 29th day of inktober 2019. I really like Shiho So‘s artwork. I first discovered it when Night Tempo was using it for his cassette releases. With the linework done it was now just a matter of coloring it in. I really like playing around with these bright pastel colors. Although it looked good just painting Misaka, I wanted to make a background for it that fit. After playing around I started to get different ideas like making it like a manga page with panels. Then I thought I would put in a perverse beastly Kuroko ready to attack. And then things started to flow from there. I used Clip Studio for the manga effects like the screentone and effect lines (what were they called again?). Just when I was about to call it finished I decided to write Misakachu with magenta, and luckily it worked out quite well. The painting it self didn’t take too long to do, it was just the small details and ideas that I came up with along the way that added a couple of hours. Still though, overall it was around 5 hours I think. Not bad. Once I have more practice with this style I should be able to work faster. Which I will do at some point since I really like it.

Hasta la proxima,

-NUBE

Suzuki Airi Red Hat Painter 2020

It’s kind of a shame I didn’t do this one for Airi’s birthday but I was quite busy so it couldn’t be helped. This drawing was done in April 17 of 2019. I tried painting it on the 23rd using the reference picture as a guide for the colors as well. But it didn’t end well. The line art was just not working correctly with the painting. So over all it looked quite unnatural and weird. I then tried again on the 25th after I got frustrated and made the colors simpler and more anime like in an effort to make the lineart work better. But the result wasn’t much better. I just had too much trouble trying to blend them together. Well, after a year of countless hours of painting I decided to give it another try. I won’t lie, I still had that trauma of not being able to paint it correctly but the only way to find out is to just go ahead and do it. Annoyingly I did have some problems when I started painting it. Seeing as the line work was pretty dark and plentiful (when it came to the hatching) it just didn’t look right. I tried flat colors thinking that would work but after three tries I had to stop and rethink everything. The next day though I finally decided to paint it the way I have been painting lately. But this time I decided to make the linework lighter, I left it at around 65% of the darkness. Also, this time I decided to try and not look at the reference photo and just paint it the way I believed would work. Also, since most of my paintings have been coming out quite light (in terms of color and values), I decided to go for a more vibrant and deeper color pallette. And well, I really like the result.

I have noticed I have been working mainly with the warm colors in the yellow and red range, but whenever I try to do another color scheme I mess it up or it just doesn’t look right. I want to try cool colors for my next piece.

Hasta la proxima,

-NUBE

Sayu Spring 1st Corel Painter 2020

I recently bought the Corel Painter 2020 upgrade. After running the brush accelerator but was bummed out that my computers’ cpu was lacking. Despite not being able to use the full potential of the program I did see an improvement. My score happened to be 5111 (if I’m remembering it correctly). Looking at parts to upgrade my pc will come to be quite expensive if I want it to last me a couple of years so that’s probably something I will aim to do next year. Anyway despite that it was definitely smoother. So far I have only tested the oily bristle brush, I know I had problems with watercolors with Corel 2018 so I will try that out next time.

For the first painting I have done with this version of Painter I decided to do another painting of Sayu. Wasn’t too sure what style I would be painting her in but I ended up with this one, somewhat realistic, somewhat animeish. I wanted it to be simplistic and yet have a good amount of color. I also wanted to start off some spring paintings. It’s funny the year I decide to finally star making seasonal painting we all get stuck inside. I used a photo from her instagram as a reference, but I decided to have her pointing Tokyo sky tree.

Hasta la proxima,

-NUBE

Emil 10th anniversary Celebration

Me and my brothers were waiting for this moment for a while now, and after ten years a remastered edition has now been confirmed in the Nier 10th anniversary event. So to celebrate I wanted to paint a quick piece. I’ve only drawn Emil once before for the Initial D drawing, but I wanted to do another one. Next time I want to do one of him using his magic or something, we’ll see.

I think this only took me a little over an hour to do. I played around with Photoshops blending brush again.  I really wish Corel Painter wasn’t as clunky and slow, Photoshop is beating it in this way as well. Corel 2020 is supposed to have fixed that but haven’t tried it out yet.

Hasta la proxima,

-NUBE

Nube vs. Corona V.

As the whole world is trying to deal with the Corona Virus pandemic I felt I should at least make one piece about it. I just sketched some ideas and began painting as soon as I felt the idea was close enough. I really wanted to make another piece with ガしガし‘s style again. I was debating whether to make Corona’s image more closely related to the virus itself or make one up based on the name Corona. So I did the latter. Just after finishing it, I decided to add some saliva and dark shadows to Corona V.

Stay inside everyone, let’s end this virus together.

Hasta la proxima,

-NUBE

Lin Lin China dress

I’m amazed at just how much effort Yusuke Murata puts into both the characters created by ONE and the ones coming out (so far) in Murata’s version. One of the characters that really captured my eye is Ring Ring. It’s a shame she only came out for a couple of chapters. I was hoping that she would come out a bit more but the chances of that happening are slim. Maybe she will come back with Suiryu after training to become heroes. One can hope. Another shame is that we didn’t get to see her techniques, she got defeated too quickly… While drawing her I noticed that her design is simple and yet very iconic and cute. The addition of the bells and her hairstyle is a really good touch.

Looking at the One punch man wiki, it seems that Lin Lin was supposed to be Suiryus sister, so I guess there were more plans for her…

Hasta la proxima,

-NUBE

Terry Bogard Hat Salute

This was a piece I started last year around June of 2019. I gave up when I couldn’t work out the background. But after doing a couple of pieces using Ranma’s backgrounds for references, I felt more comfortable. There are still areas in the background that can be made better, and the muscles can be defined more with a mixture of hatching and painting but I wanted to give a simple painting style that can be seen in an old anime from the late 80s or 90s. At first was thinking of putting him in a neighborhood but decided to have him walking on a lone road towards South town. I limited myself to three colors for each section of Terry. I could add more details if I added one more color level but I really wanted to see how it would look if I limited myself to just three.

Let’s keep doing our best guys.

Hasta la proxima,

-NUBE

Suzuki Airi Tirantes 80s Anime D

I had attempted to draw this and paint this for New Years but I didn’t really like the way it came out. So I attempted it again, but since I had already painted the original lineart I had no choice but to go at it digitally. I would say that the painting process isn’t taking that much time, but getting references does. I decided to use the coloring style from the movie Macross: Do you remember love. Aside from coloring it I also wanted to edit some other parts of the drawing it self. The first part was the mouth and lips. I decided to take out the linework of the upper and lower lip. I would form it wit color instead. Of course this and all the other changes were dictated by the references I got from the movie. For the mouth, I also resized it and made it smaller while also repositioning it. The Eyes were moved down a bit and I erased most of the eyelash strands. Eyelashes were also thined and shortened a bit. To my surprise, when I was screen capturing the final reference shots I came across a scene that is almost the same background like the Airi Suzuki picture that I’m using. I quite like the addition of the shadow. I feel like I could’ve added something on the left side of the painting. But this works. One thing I do know is that it looks quite good using a diluted ink linework so that the color influences it when applied.

 

Hasta la proxima,

-NUBE

Ranma thumbs up Don’t give up

Was working on this last week but didn’t get to finish the painting process till just now after work. The line work was done using my Stabilo pens. It’s been a while since I last used them. I wanted to see what kind of effect it would have when I underlaid it digital paint. It’s not a bad look, especially in the skin tones but, I think the blue is a little too well blue. I’m thinking using a grey pen on most parts except on the skin tones would work better. But at least now I know. It’s a shame they don’t really work well with watercolors (they smear and bleed). Well at least they work with copics. It’s a shame really because when it comes to traditional painting/coloring I now prefer to use watercolors. As for the digital painting process I tried to replicate the anime coloring style which I just absolutely love. Will definitely try doing it again. I’ll also do try doing this using my traditional paints.

Things have been getting rather hectic lately. Stay safe out there, and never give up.

Hasta la proxima,

-NUBE

 

Airi Suzuki 80s anime style 02 inked

I drew another ink drawing. I was looking through Sergey Orlov aka punksy‘s artwork and wanted to do another 80s style drawing. I want to paint it with a simple color scheme. But that will be later. I used both the g pen and the maru pen. I really love the thin lines I get from maru pens. The only reason I hadn’t used them for so long was because the ink didn’t flow out of the pen. But after thinning out the ink with water that solved the problem and man am I glad for that. One thing I wanted to try out was this set of Chinese watercolors, but to my surprise it didn’t contain black. After mixing blue, green and yellow I got an okay looking grey but instead I decided to water down the black ink. I quite like the way it worked out and will experiment with it more next time.

Hasta la proxima,

-NUBE

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