Ultra Instinct Goku

It’s been two years since we witnessed Goku’s ultra instinct (in animate form). I’m surprised it took me this long to actually make a painting. When it comes to Dragon Ball’s many forms, my favorite is Kaio Ken because it makes the usage of it a gamble and gives it stakes every time Goku uses it. Of course this was later replaced and pretty much forgotten when the Super Saiyan form was introduced. Luckily, during the run of Super it was brought back and paired up with Super Saiyan Blue. (۶ꈨຶꎁꈨຶ )۶ʸᵉᵃʰᵎ

The second form that I really liked was Ultra Instinct. This brought it back more to fighting and not so much who has the most power. It’s a form that requires a state of mind more than anything so that the body can move on experience and instinct during a fight. Plus the mastered form looks really cool.

Reference for the pose and body:

https://mblogthumb-phinf.pstatic.net/MjAxNjExMTRfMjU0/MDAxNDc5MTA0MDg1Mjgz.x_ZelYb6glZ3d3MH7FUH4vZiyc7luUdfZyix80hQtY0g.bGbVQNZcJ7nIOsgQynF5-FpvwNTd71kNQzGiqWLrCWEg.JPEG.zerooh50/02.jpg?type=w800

Hasta la proxima,

-NUBE

Storm Tomoko Tamura

Running a bit late again, but somehow managed to finish. This is the colored version of the ink drawing that I did for day 17 of Inktober 2020.

You can see it here: https://darkcloudxero.com/2020/10/17/inktober-2020-17-storm-tomoko-and-yuri/

While I was painting, I took that opportunity to also fix some issues regarding the sizes of hands, arms and head sizes (among other things). This time I didn’t use a reference for the colors aside from just looking at what the Kuroki residence looks like and modified the colors based on the color theme that I decided to go for. Looking at the cover art for chapter 183, it seems like the typhoon completely soaked Tomoko and Yuri. With that in mind, I decided to make Yuri have wet clothes as well. Rainy season will be starting soon or it has begun in some places, so I think this piece will fit that well.

Hasta la proxima,

-NUBE

Master Asia and Earth-Chan

A painting that I painted last minute. Was a bit busy but I just barely made it. Hope you guys had a great Earth day. Hopefully everyone is still protecting her. I’ve had the idea that Master Asia from G Gundam and Earth chan would pair up nicely (those who have seen G Gundam know why). I don’t blame Master Asia for his decision to execute his plan. I mean, who wouldn’t want to protect her at all costs.

Hasta la proxima,

-NUBE

Momoko Tsugunaga Caligraphy Brush X Digital

It’s been almost a month since I had painted this piece, I can’t believe I have been pushing it back by that much…

The reference comes from Momoko’s final photobook.

The ink painting used can be seen here:

This follows my current practice working with ink brushes, the translucence it contains and the application of paint and how it interacts with it. I have a couple of other pieces that I can use to continue this practice. It’s amazing, but it does have it’s limitations on what can be done (coloring wise). On the other hand, the effects and textures are really unique and interesting.

Hasta la proxima,

-NUBE

Lin Lin China dress Color

The painted version of the inked drawing I made a year ago.

Inked version:

I had two options that I could use to color, the line art or the inked version. In this case, I went for the inked version. Because of this, I decided to go for a more flat style. I decided to have a red background, so the colors were based off of that. While I was painting, I was reminded of a problem that this drawing had. Her right eye (which is on our left). It was misaligned and a bit too low, which I feel was exemplified more when I painted Lin Lin.

Hasta la proxima,

-NUBE

Rei Hino Sweater outfit

I’ve been focusing on just trying to work with color, but it seems that my poses have been a little to stiff and static. This was brought to my attention by my brother. With that in mind, I think it might not be a bad idea to work with poses that are in motion or at the very least interesting. I’ve been having the urge to paint Rei Hino for some time now. So last Friday I finally decided to do so. It snowed quite hard so I chose an outfit fit the weather. Funnily enough, today it started snowing again. I also wanted to try out a more vibrant coloring style for the hair because I really liked the way it looked on this painting of Sayu I made and a reference of Sailor Saturn that was painted by @666pigeon

Pose reference: https://www.pinterest.com/pin/391039180149386519/

Outfit reference: https://www.instagram.com/p/BdE3GOej4iL/

Rei Hino reference: http://www.pianeta-sailor-moon.it/00000mars11.gif

Color reference: https://ar.pinterest.com/pin/531143349785801254/

Hasta la proxima,

-NUBE

The videos for How to Draw Manga Redraw Pen and Tone is live

Main video:

Extended version can be seen here:

On April 8th there was a twitter challenge to redraw the character from a “How to draw Manga” book. The book they were talking about was a different one that I didn’t use my self. When I grew up, I used a the version distributed here in North America by Digital Manga Distribution. I know that the whole point of the challenge was to try and redraw that character, which is… well look at him yourself:

But I was thinking more in terms of retrying to draw a cover that I had once tried to draw when I was a kid. I didn’t quite get the contents of the book themselves, I was more interested in the cover art done by Kazuaki Morita.

In the end, I actually ended up finding that drawing I made years ago:

Man, that reversed hand is just…

Here is the current attempt:

The background music/sounds are from old trailers that I tended to hear from anime that I rented from my local library. People from my generation will know exactly what I’m talking about. Luckily, there are people online that are uploading these now classic anime history. Much like how AnimeCollective is doing. Link to each of the songs used and their respective trailers are below.

“Yumemiru Ai Tenshi” by  by Ai tenshi densetsu Wedding Peach Trailer from ADV Films:

Media Blasters Trailer from Twin Signal:

“Wake Up” by Chisato:

“Treat or Goblins” by Megumi Hayashibara:

“Soramimi Cake” by Oranges & Lemons:

“Yuzurenai Negai” by Naomi Tamura:

“Carnival Babel” Takada Band:

I ended up only watching two of these anime. Blue Seed and Azumanga Daioh. I’m surprised I still haven’t seen Magic Knight Reyearth.

Hasta la proxima,

-NUBE

Sunny Side Egg

Main video:

Extended version:

This was painted a while ago. While I was looking through my references, I noticed that there was a photo of a sunny side egg within Karin Miyamoto’s first Photo book. Since I rarely just do drawings or paintings of objects, I figured that this would be a good subject. While I was working on it, I noticed that it would be a good idea to also paint the process of the cooking stages of the egg. Out of necessity for the video that I made for this painting, I also painted the pan with no egg, and a layer that contained an egg that was in the process of being cracked and un-cracked. Though that is only on the video.

Not all parts of the process will be showed here due to the limitations of posting the link. If interested see the video or check them out on Pixiv.

Hasta la proxima,

-NUBE

Goku Dodging Jump

This is a double feature of sorts. I will be doing two types of painting on this drawing of Goku which has been drawn with ink. I first used watercolors to paint Goku and then I painted him again digitally using Corel Painter 2020. The time between each was very noticeable. The traditional painting took and the digital painting took me only . I really have to think about how I advance after every movement. Meanwhile with digital painting, I seem to have more experience and I can make as many mistakes as I want since I can undo right away. But I guess that doesn’t completely transfer over to traditional. Although I can go as detailed as I want, it might be better if I develop a simpler style like Little Thunders which can be so versatile but not overworked.

This painting has made it clear that I should practice more with watercolors. One other thing I remembered, don’t ink your drawing if you will be using watercolors on it (this is only if the inks aren’t waterproof). Otherwise they will smudge when painting. Instead, go over the lines by pressing hard on them using a pencil (I mean I know this, I don’t know why I didn’t remember). Then erase everything. If done correctly, the lines will be visible even when painting over them. One you are done painting, the line art process can finally be done. This can be done with ink, color pencils or more watercolors.

Hasta la proxima,

-NUBE

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