Category: Update

Airi Suzuki 2022 Birthday

Happy Birthday Airi!

I really love her solo music, I’m so glad others agree and her popularity has been increasing.

I’m quite late doing this painting but I have been quite busy lately. I also didn’t want to do a subpar painting either. I used references of her birthday pictures (from her instagram) for this painting. Her photos are always so fun. Surprisingly the balloons were not hard to paint at all. It was Airi that I felt I couldn’t get right.

Hasta la proxima,

-NUBE

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Majin Sonata

I’m pretty sure I mentioned this before, but when I saw the scene with the demon coming out of Bosse. I go this strong resemblance to Tartini’s Dream. A story where he saw and heard the devil composing the most beautiful song he ever heard. With that in mind, I wanted to make a similar scene to that but about Majin laughing at Bojji due to Bosses wish.

This was actually the first time I used tortillones to smooth out the graphite. I really loved the way they work, it was really intuitive.

Hasta la proxima,

-NUBE

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Majin Sonata Line art

The scene of the Majin laughing at Bojji gave me a strong image of the image “Tartini’s Dream”. I’ll talk about it more when I finish this piece. The goal is to draw and shade it all in pencil. but this is the line art and the way the scene is composed. For the final piece I will transfer it to another clean paper (I put too much pressure when I draw).

I’ll leave the description as it is for now, I’ll explain more when I make the finished drawing (although inking it would’ve looked nice too).

Hasta la proxima,

-NUBE

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Gijinka Shin Godzilla

I follow this cosplay photographer’s blog named CosplayJP. In this year’s “WONDER FESTIVAL WINTER 2022”, the photographer got some photos of a Shin Godzilla cosplayer. It’s a gijinka version, so of course the cosplayer had to be creative on how to portray Godzilla’s features. Godzillas tail being also a cape was a really great touch.

Here are the references (sadly the cosplayers name is nowhere to be found, If you know who it is let me know):

WONDER FESTIVAL WINTER 2022 – Shin Godzilla (Anthropomorphic)

I want to do a couple black and white drawings for a while, but this time working with hatching or inking. The line art was done in pencil and darkened digitally after I isolated it from the white background. I was debating whether to hatch it traditionally or digitally. This time I decided to do it digitally using the g pen in Clip Studio Paint. That took a while. I know I can do this digitally but I wanted practice with different textures to differentiate between the clothes, the skin and the hair. It looked good, but I wanted to add a background. I started with the circle and the pattern screentone. But because I isolated the line art, the screentone became visible… So I had to paint it in within the line art. From there I felt it looked good, but I wanted to add a cityscape. I chose Shinjuku. I added a shadow below her to add more feeling. But with the black background, Godzilla blended in a bit too much so I added an outer glow to make her stand out more.

Hasta la proxima,

-NUBE

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Shokuhou Misaki after a workout

Line art from inktober 2021 day 11.

As we learned from chapter 5.5 of Astral Buddy, Misaki exercises (or at least tries to) in her apartment. Alone. For this reason I chose this setting. Just using the basic layout in the manga I decided to go with the point of view of looking towards the window. Although it was a cool idea, I wasn’t really thinking about the window at all.

So as I was painting the floor, and the wall I was feeling really good because I was doing it with no references and just instinct. But when I came to the window it finally hit me. The window has to have a reflection… For that I did have to see references to try and learn how I can make it work. So for that I started working in sections, painting over each section at a time. The base layer was just blue, then I started working with the reflections. I started with the floor then the bed which would be in front of Misaki. The second part was reflecting the rooms walls. For that I used the wall’s colors but mixing them with the blue base to get a translucence look. From there I played with lighter light transfer to emphasize the furthest part of the room to a more solid color of the wall to showcase how close the ceiling is to the window. Looking at the references online, the lights outside (in cityscapes) are quite vibrant and go through the reflections. Looking through the To Aru anime, the window lights (from the skyscrapers) are usually turquoise. The final part of the window reflections were about Misaki Shokuhou, but first I had to paint her.

I didn’t have much of a plan to paint Misaki, so I started painting her exposed body first. Whit the vase idea done, I started working on the sweat beads. Luckily I had an idea of how it looks like on surfaces thanks to the painting I did of Momochi.

That can be seen here:

Style Makeover Momoko Tsugunaga

The second section I painted were the shorts, luckily this was pretty straight forward. I decided to work on the shirt next because I wanted to figure out how to do it. I started with a base light warm gray and started playing around with lighter areas (the folds and shirt bumps), then for the areas that are tight on the body, I made see through to simulate the sweat. In these areas I played with the way light reflects off the wet shirt and the areas that are in the shade.

For the third section I painted the hair. With Misaki mainly painted, I started playing around with the painting and added more sweat around the body.

This time I wanted to try out making the line art more translucent (I think I put it at around 30% opacity) and adding an outline in a layer underneath with colors that correspond to each part of Misaki. I’m going to be playing around with this style more.

Hasta la proxima,

-NUBE

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