Originally painted back in 2020 I didn’t quite like the way it looked. This time around I took off the line art and painted over the original piece until I was satisfied. Also, unlike the original I flattened all layers except two (the background and Simone).
Way back in 2018 for Inktober day 11 I drew Athena Asamiya which looked really rough. Here is a RE:do of it. This time I went for a softer more curvy style. I made the shorts a bit smaller than the original design (they pull up higher up to he bellybutton), I fixed that on the digital line art.
Picture below is of the old version, the one above is the new and edited one as of now.
As a bonus here is an almost finished version before I decided to edite Yusuke’s head because I noticed how huge it was in proportion to his body.
I have currently been quite busy with a home project that has been eating up my time as of late so I don’t have as much time to draw or paint currently. But here is an update regarding another painting that I am redoing. There were quite a few problems with the proportions and certain details that I need to add or modify. Unlike most times, the background has not been done first. That will be a future update and in time I will decide on what I will plan to do regarding Yusuke.
Was planning on having this work with the remake contest on Pixiv but the dates didn’t align. Oh well.
Here is the final piece for this painting. Attached will be the old version. I changed quite a few things and also the posture. I painted based on my current memory. Overall I feel pretty good with the end result. Brute forcing the acquisition of skill takes time, but I’m now finally seeing some of the result of my training. Making colors more vibrant really helps make the painting pop more than just trying to mimic reference photos. I know that’s obvious but I wanted to understand why that is the case.
I used to have a tough time blending colors for the sky but using the blending tool makes that super easy. It’s kind of hilarious it took me this long to figure that out.
I just noticed looking at the old painting and the new one, but I flipped the hand position…
Here is the background for another one of my RE:do paintings. Recently I started implementing a new technique into my paintings. I’m surprised it took me this long to do so though. I’ll speak more about that later. Perhaps adding more details to the sand would’ve added something more to the painting, but with the subject as the focal point that may not be necessary.
Here is another Re:do painting. This one was originally done in march 2022 I think. I had it ready for a while now. But a couple of days ago, after working on some other paintings I made some more edits that I think work better. I’m glad I didn’t uploaded it sooner.
If you look at the first version you can tell just how much my line art was holding me back. without them I can blend areas that are supposed to be receiving light with lighter colors. One thing I have been noticing is that adding more color to my lighting and shading adds more to my painting and makes it look less dull over all. Although I want to try working with a pallet that’s softer but that works well together. At some point I’ll upload examples of what I’m talking about.
Have you guys been keeping up with Watamote? It’s amazing. I really do hope they give an anime adaptation another try.
Because of my painting style using my ink line art doesn’t work well together. And because I was trying to work around it, I kept getting the hues and values wrong. Well, that and brute forcing my growth by trying to paint as fast as possible. Color theory is tough. Unless I want to paint in flat colors, keeping my line art was doing me a disservice.
Today’s painting is of Bowsette, originally painted back in 2019. This time I wanted to draw Bowsette’s whole body. I remember skipping her feet because it would have been a bit tougher, so painting them this time would showcase a growth in my skills. Having only Bowsette looked a bit lonely though, so I added Mario in this Re:do. But that also felt a bit lonely so I debated on whether to add some of that fire I had in my original painting. Depending on how much fire I added though I would be covering up some of my background so I was a bit apprehensive. Adding it was the right move though.
It’s annoying because now that I have done a couple of more paintings I see more things I can change and do differently. Maybe some other time.
It’s funny, now that my skills have gotten a bit better I have been going back to old art pieces and see what I can do with them now. And in Pixiv there is currently a contest where they want us to upload redo’s of old artwork to showcase one’s growth. Somehow this all came together at the same time. I’ll be uploading some more artwork throughout April.
Working with blues is still a bit tough for me so I want to do some more later this year.
As for this art piece, I edited the line art to change the proportions and angles. Once I had that edited I came up with the background so I could come up with the color theme of 2B.
I felt it would be a shame if I didn’t have a version without her blindfold.
I wasn’t too happy with the previous version of this line art I made for Inktober 2022 day 17. Although looking at the reference photo I originally used, I now feel I should have exaggerated the angle and the ratio of the head and hips. Because I didn’t, it doesn’t really look like a down to top viewpoint. It’s just slightly implied. But I’ll play with that idea next time.
There are so many drawings that I have left unfinished. This is one of them. The original line art had messy and thick lines that I had to fix. So I just went ahead and redid the whole line art using Clip Studio. There are a few additions and modifications. Next comes the painting process.
Speaking of painting, I feel like there are so many painting that I can redo now. But maybe I will wait it out till I have more skills…
I wasn’t too happy with the first version of my painting of Marin Kitagawa, it just didn’t pop. I wanted Marin to glow because of the sunlight coming from the window. Aside from that, I also added a couple of more details around the whole painting.