Akemi Homura before the transformation and after the Madoka tragedy. Haven’t decided how to paint yet.
Hasta la proxima,
-NUBE
"A Hopeless Dream Chaser"
Akemi Homura before the transformation and after the Madoka tragedy. Haven’t decided how to paint yet.
Hasta la proxima,
-NUBE
They finally introduced Suiryu’s sister in Yusuke Murata’s version of One Punch Man. I really hope they take a more important role.
Hasta la proxima,
-NUBE
The rough draft of Fubuki that I’m currently working on.
Hasta la proxima,
-NUBE
I really love the uniform from the music video Dancing Hero. I want to do some more with the whole uniform visible.
Hasta la proxima,
-NUBE
Happy Birthday Airi!
I really love her solo music, I’m so glad others agree and her popularity has been increasing.
I’m quite late doing this painting but I have been quite busy lately. I also didn’t want to do a subpar painting either. I used references of her birthday pictures (from her instagram) for this painting. Her photos are always so fun. Surprisingly the balloons were not hard to paint at all. It was Airi that I felt I couldn’t get right.
Hasta la proxima,
-NUBE
A work in progress of Akemi Homura. The current plan is to make this a set.
Hasta la proxima,
-Nube
A little late to the party, but here’s a fun little drawing of the slap that shook the world. The whole scene gave me strong Jojo vibes.
Hasta la proxima,
-Nube
Just a quick drawing.
Hasta la proxima,
-Nube
I want to draw more of Naoko Kawai.
reference:
Hasta la proxima,
-Nube
I’m pretty sure I mentioned this before, but when I saw the scene with the demon coming out of Bosse. I go this strong resemblance to Tartini’s Dream. A story where he saw and heard the devil composing the most beautiful song he ever heard. With that in mind, I wanted to make a similar scene to that but about Majin laughing at Bojji due to Bosses wish.
This was actually the first time I used tortillones to smooth out the graphite. I really loved the way they work, it was really intuitive.
Hasta la proxima,
-NUBE
The scene of the Majin laughing at Bojji gave me a strong image of the image “Tartini’s Dream”. I’ll talk about it more when I finish this piece. The goal is to draw and shade it all in pencil. but this is the line art and the way the scene is composed. For the final piece I will transfer it to another clean paper (I put too much pressure when I draw).
I’ll leave the description as it is for now, I’ll explain more when I make the finished drawing (although inking it would’ve looked nice too).
Hasta la proxima,
-NUBE
I follow this cosplay photographer’s blog named CosplayJP. In this year’s “WONDER FESTIVAL WINTER 2022”, the photographer got some photos of a Shin Godzilla cosplayer. It’s a gijinka version, so of course the cosplayer had to be creative on how to portray Godzilla’s features. Godzillas tail being also a cape was a really great touch.
Here are the references (sadly the cosplayers name is nowhere to be found, If you know who it is let me know):
I want to do a couple black and white drawings for a while, but this time working with hatching or inking. The line art was done in pencil and darkened digitally after I isolated it from the white background. I was debating whether to hatch it traditionally or digitally. This time I decided to do it digitally using the g pen in Clip Studio Paint. That took a while. I know I can do this digitally but I wanted practice with different textures to differentiate between the clothes, the skin and the hair. It looked good, but I wanted to add a background. I started with the circle and the pattern screentone. But because I isolated the line art, the screentone became visible… So I had to paint it in within the line art. From there I felt it looked good, but I wanted to add a cityscape. I chose Shinjuku. I added a shadow below her to add more feeling. But with the black background, Godzilla blended in a bit too much so I added an outer glow to make her stand out more.
Hasta la proxima,
-NUBE