5.
Hasta la proxima,
-NUBE
"A Hopeless Dream Chaser"
5.
Hasta la proxima,
-NUBE
Surprisingly, I have amassed a good number of paintings that are ready to be uploaded. But I think it’s best to have too many rather than falling behind. Although I should start working on paintings that take place in Autumn and Halloween before October ends up passing me by. Specially since I will participate in Inktober again this year.
This idea of Android 18 has finally been brought to completion. It was sitting on my do list for at least 1 or 2 years. Painting with red hues and still having her stand out properly was somehow a bit tricky. But I learned a few things doing this painting. I wonder how I will end up going about it next time I work with these hues.
Hasta la proxima,
-NUBE
This has been in the upload waiting list for a while now. Over all I think it looks better than it did before.
You can see it here:
Hasta la proxima,
-NUBE
Attached will also be the process:
This painting is quite rough as it was a spur of the moment to celebrate Mexico’s Independence and the fact that Luffy is Mexican in the live action One Piece. Couple that with Luffy representing freedom and I think this quite fits.
I was planning to just have Luffy and Nami due to the lack of time today. But as a placeholder I titled it “Strawhats in Mexico” and the painting itself looked quite empty as well. So I ended up cramming as many of the Strawhats as I could. Sadly I didn’t have enough room for Jinbei.
You know, Robin was actually dressed like a singer of Grupero music when she was Miss All Sunday. So I thought I would bring that back.
Hope you guys have a great day and weekend.
Hasta la proxima,
-NUBE
I need to catch up the where the manga is currently at. But the last time I was reading we were barely heading to the dark continent. I really like his suit look so I wanted to do a piece with it. Although I also like his traditional outfit. Perhaps I will do a future piece of him wearing it.
For this painting I wanted to practice with a blue setting thus choosing a cityscape at night. There are different ways I could have gone at it, but I ended up going with these colors. I’ll need to study more paintings so that it can become more natural for me. I made two versions, the normal painted version and another with lighting effects in both the silhouette being illuminated by the window and his scarlet eyes glowing.
Hasta la proxima,
-NUBE
Summer is almost over, finally. It’s time for cozy artwork. This background did take me a while. Especially so because I had to plan out the dimensions and furnishings. I would say planning it out took the longest. Despite the large amount of details, such as the bread, once I had it all planned out it moved along quite smoothly.
Hasta la proxima,
-NUBE
The first version I painted back in 2021, so two years ago. I felt it was time I gave it another chance. You can see it here:
2021 version
Here are some pictures of part of the process to start over:
The main idea and composition was there, but I decided to change the background and modify Zoro’s pose a bit lower to the ground. While I was painting this, I was once again re reading the Wano arc. So I decided to use the corresponding outfit. I also changed Shusui to Enma.
In this version of the painting I wanted to play around with the lighting which is why I made two versions, one with light beams on a separate layer and one with my original painting only. I was a bit worried about Zoro’s hair, but I think I made a good balance between how much detail I decided to paint and how much I decided to blend together.
As a side note, I really enjoyed the live action adaptation of One Piece. I really hope they continue making the series. Because of it, I got my dad to get interested in the series and now he’s watching the anime. Now if only my youngest brother would only give it a chance.
Hasta la proxima,
-NUBE
This will be a background for a drawing I did a couple of weeks ago. I wasn’t too sure what I wanted for the background but decided upon this one. I really like the way Dragon Ball makes their landscapes and backgrounds so I tried to emulate that.
Hasta la proxima,
-NUBE
Iko chan has finally been painted. I was thinking of doing a flatter anime style but I noticed that It was a real pain going from layer to layer so that I could control the shadows and the lighting. Then there’s the limitation of staying within the line art which I find to be quite bothersome. I just prefer to paint on one layer per dimension. So when I just started painting, it felt more comfortable and intuitive. Luckily someone uploaded three of the Iko chan movies to the internet archive. This really helped in getting more details of Iko’s uniform. It was during this time that I noticed both smiley faces. They are a good accent to the look.
For the background it might be cool to add some early computer visuals… but we’ll see at a future date.
Hasta la proxima,
-NUBE
This is actually the background for a RE:do piece. It has changed quite a bit from my original try. I wonder if anyone will know what I’m remaking?
Hasta la proxima,
-NUBE
This is the background for a drawing I made last year of Kurapika. To augment the background lighting I had a separate layer with Color dodge that seems to work quite well for both reflections and making light brighter and the surrounding of the lights and still keep the details of the painting.
I wonder how I will develop this technique in the future.
Hasta la proxima,
-NUBE
Back in 2021 for the 13th day of Inktober I drew a picture of Yusuke Urameshi that I wasn’t too happy with. Here is my second attempt.
You can see my old attempt here:
Hasta la proxima,
-NUBE