Just yesterday we had some more snow, although it very well might be the last one of the season. That inspired me to paint who I believe is Asuka from the teaser trailers. Those living in Japan know for sure. I wonder when we’ll get a chance to see it over here in the States. I wonder what the rest of he outfit looks like? Seems like she has some type of a backpack. I quite liked the breath animation so I decided to include it in my painting.
Hasta la proxima,
-NUBE
I have been planning painting the other Eva units when they go berserk. This time though, I went for a complete digital painting. Rewatching the scene when Asuka activates the berserk mode is quite heart wrenching in all aspects. Specially since even then, she was completely overpowered and wrecked. Even now it’s hard watching her suffering that much. The end of Evangelion version is quite different from the rebuilds which I could also paint at some point, Although I would probably opt for a complete body since it has very interesting angles and poses. In this portrayal of the berserk scene in the End of Evangelion, I did a what if Asuka could over power the lance and destroy the mass produced Evas.
This painting was also done using the Real Tapered Wet Flat Brush, just as was done with Airi’s painting. Except for the background which was done using the Tapered Oils brush.
Hasta la proxima,
-NUBE
We are actually still getting snow where I live, so that inspired me to finally give this painting a try before the weather finally changes to a warmer one. I really love the colors of Airi in this cold weather and wanted to give it a try for a while now. It’s also been a while since I did a realistic painting so I opted to go for that. There are so many more photos I want to try painting so we’ll see when I get another chance.
This painting is based on Airi’s digital photobook vol. 92. I only used the real tapered wet flat brush for the whole piece. I like the brush but it can be hard to use because when I try to use the same paint color, I can’t quite get it back using the eyedrop tool since each bristle stroke is different and mixes together. I already have a number of paintings lined up where I kept trying out this brush and a new one that I believe is my new main brush, to be used with the oily bristle and tapered oils brush.
Hasta la proxima,
-NUBE
This piece was much easier to paint now that I had the colors thought out with the Asuka painting. Where applicable I just used the eyedrop tool.
If paired with the previous Asuka piece, than I would think that Rei could care less about Asuka’s provocation and would have her mind in an entirely different place.
Posing and setting was inspired by Momoko Tsugunaga’s Rei cosplay done back in Hello Channel.
I just saw the trailer with Rei planting crops, now all that fan art I saw makes sense. I want to paint her in that scenario as well…
Hasta la proxima,
-NUBE
The base colors were painted using Photoshop so that I could separate each color segments so that I can add to them separately in a different layer. This time I used a different brush using Corel Painter. The brush in question is the real tapered wet flat brush. It has the blending abililties of the the oily brush that I tend to use, but it I can also control the brush size depending on the pressure applied. One other aspect of the brush is the bristle effects it leaves behind as I paint. This can come in real handy when I want to make textures. In this case, it was quite handy on the chalkboard. I was contemplating making the text in Japanese, but I really don’t know the correct way to phrase it. My brother suggested writing it in German but I really don’t think she would waste her time writing in German since she knows nobody would understand her. In the end I just decided to keep it in English. Although since I left the text and chalk drawing in a separate layer, I could always add any text or drawing in the future. I used the pastel brush from Photoshop for the writing/drawings by the way. The line art was complimented with some color ones using the digital brush.
To speed up the process of coming up with the colors for the lighter areas and the shadows I used the divide option for the light layer and the multiply option for the shadows layer.
Posing and setting was inspired by Reina Tanaka’s Asuka cosplay done back in Hello Channel.
Hasta la proxima,
-NUBE
The second line art part to the Evangelion set. This time it’s Rei Ayanami.
Hasta la proxima,
-NUBE
There are always plenty of reasons to do art of Evangelion. This drawing will actually be part of a set, both of which are now completed. But I will upload them later. This was drawn using my maru pen. I started using my flat pencil again for the rough draft, and it really reminded me of how fluid my lines come out compared to using a thin point like with my mechanical pencils which bring out my bad habit of being too rigid.
Hasta la proxima,
-NUBE
I had no actual plan when I started working on this piece. I just started putting things together until I ended up with this. After I added the “Rage” Kanji, I felt it was a bit too empty. I figured I would add words that led to anger. While searching online I came upon the anger iceberg. Humiliation, pain, fear, frustration, and rejection. I don’t think Retsuko suffered too much from rejection, so I focused on the other triggers that lead to anger which she has experienced during the show. The spiral was done using the distort function in Photoshop (by having one half in black and the other in white). This was done using Photoshop, Clip Studio and Corel Painter.
Hasta la proxima,
-NUBE
Originally drawn for inktober 2020 day 08.
It can be found here: https://darkcloudxero.com/2020/10/08/inktober-2020-08-airi-susuki/
I used the pastel brush for the background which gave it quite a bit of texture while still being rather loose. Airi was painted in flat colors using Photoshop before moving over to Corel Painter for the other color layers. I remembered that I had left the logo sections free which prompted me to add Suu-san and an A for Airi. For some reason it takes me longer to paint solid sections more than doing it freestyle using Corel Painter’s Oily Brush. Thinking about it now, it might be easier if I just rework the line art digitally and use the bucket tool like animators do. Aesthetically though, if the drawing itself isn’t good, I guess it won’t work either way. I also wonder if having solid black lines might be too much for this type of paintings. I’ll have to keep experimenting. I really want to do more studies of Airi, there are a couple of photos that I have had in mind.
Hasta la proxima,
-NUBE
Decided to add a spirit gun.
Hasta la proxima,
-NUBE
This is the painted version of the ink drawing I did a couple of days ago.
It can be seen here: https://darkcloudxero.com/2021/03/10/kojiro-vs-nezuko-soccer-battle-ink/
I had finished a prior version yesterday but decided to give it another look over this morning. I then started playing with the lighting and the background colors. Eventually I started adding textures which eventually reminded me of using Clip Studios burst functions to compliment the ink ones I had drawn beforehand. I then used the hardmix blending mode for my texture layer which gave it some interesting lighting effects that made the the shooting duel pop out that much more.
Hasta la proxima,
-NUBE
I didn’t have any image in mind at the beginning but as I kept drawing I ended up with a pose that remind me of the music video for “Fighting Pose wa Date ja nai!”. While I was working on it, I finally remembered that I had turned off the smoothing function since my old computer setup couldn’t keep up. But that no longer is an issue. And it really makes the difference since my paint lines keep wobbling all over.
Hasta la proxima,
-NUBE
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