Hidden Turtle in Monkey’s Eyes


I don’t know if I have mentioned this before, but I am a big Martial Arts movie fan. More specifically Hong Kong Kung Fu movies from the 80s and 90s. Jackie Chan movies being my favorites. So I wanted to try out making an homage poster like artwork. Now one of the other things I really love is the original Dragon Ball (when he was a kid, I say this because people think I mean Dragon Ball Z which was just ok). I want to talk about these two loves of mine a bit more, but I will have to wait on that because I am planning on covering these topics on future videos.

With that out of the way Inspiration came from the gag character Jacky Chun and my love for old Hong Kong films. I chose one of the first movies where sparks of what Jackie Chan would later present to the world, Drunken Master. A 1978 classic Martial Arts film. And since Dragon Ball has many martial arts influences including Drunken Master it would fit perfectly.

There are many poster variations but I ended up picking this one (which I feel might be the original poster).


I really like these old posters where they hand paint them and have really interesting themes and expressions.

This is the rough draft that I originally made while at an anime convention.

Drunken Master rough draft resize

These two are the basis of what I am working with, and next is the process. First are the pictures I took with my phone.


I used Copic Markers for coloring by the way.






























The title of the movie poster is done with a brush, so I wanted to do it traditonally. I measured the center and spaced out three spaces for the characters.


I also tried to emulate brush strokes for the characters.



And now some scans of the process.

Drunken Jackie Chun I resize

Drunken Jackie Chun II resize

Drunken Jackie Chun III resize

Drunken Jackie Chun IV resize

Drunken Jackie Chun V cropped resize

After painting on the title I was contemplating painting on the rest of the text. And well, I tried but soon realized to instead do it digitally.

Drunken Jackie Chun VI resize

I decided to make the text digitally because it would be alot cleaner, the text would be level and wouldn’t be crooked. On top of that, I was trying to have it ready for Nan Desu Kan.

Here is the original poster again:


And here is my finished version:

Hidden Turtle in Monkey's Eyes rough background resize 1080

I tried to emulate as close as I could all the text around the poster (as well as the background texture), I don’t know Chinese (though I did study a bit of it for a semester once, I obviously am nowhere near at the level where I can say I know a little or any really, just a couple of words and phrases) so I had to guess what each sections of the text would mean. For some of them I just added whatever I thought I could cram with references to me and my work.

Here is what each of the characters I typed means (I used Google translate to come up with the characters so it most likely has a lot of typos and misspelled words and phrases):

Hidden Turtle in Monkey's Eyes Meaning of Characters

That concludes the process for this Dragon Ball piece. Hope you enjoyed it and that it helped you on your art journey if even a little.

Hasta la proxima,


“Academy City’s Railgun”

I mostly finished the Misaka drawing in June 21 then came back to it on August 28 to make some minor changes. Moral of the story, I should have made this post a long time ago… Sorry about that.

The first artwork to get the honor of being the first in being painted with my new P.H. Martin’s paints is I believe Kaleido Star (assuming that the scanned date is correct, which says it was only by two days, weird). In any case, Ph. Martin’s are quite different and since I am still learnint to use watercolors in general they were a quite hard to understand at the point of making this art piece. But after learning a bit more about watercolors in general I should be able to do better next time I use them. (•̀o•́)ง

In any case, from what I have learned going slow is the best strategy when painting. Especially if one is covering large areas such as backgrounds (something I didn’t do). The reason I bring this up is because just like with the Kaleido Star artwork I mixed both traditional and digital. Mainly because I couldn’t get the color right from the beginining and well, ruined it really. Plus, because I didn’t stretch the paper (something I’m barely trying) the paper of course buckled creating even more problems. (*´Д`)=з

After looking around my reference materials for To Aru Majutsu/Kagaku I came upon this cosplayer who did a spot on Misaka while doing a really interesting pose.

This is the cosplayer, which uploads her pictures on Weibo:


I would link the original picture but they get flagged and taken off. So to prepare for that I will upload it to my flickr (I hope that doesn’t become a problem).


Now as for the background I went through the episodes in To Aru Majutsu and screen captured locations of Academy City. I’ll put the screen captures on flickr in case any of you guys need them. But for now, these are the reference pictures I used.



I could have used the background on the cosplayer reference picture, but I wanted to set it in Academy City. Plus I had (at the point of starting this artwork) recently seen To Aru Kagaku no Railgun with my younger brother.

With that said, here is the process.

First Misaka Mikoto:

I’ll start with the rough drawing.

Misaka Mikoto 2017 I resize

Then I define the lines I want.

Misaka Mikoto 2017 II resize

First coats of paint.

Misaka Mikoto 2017 III resize

Adding more details and color to the painting.

Misaka Mikoto 2017 IV resize

Then I try to match the intensity and colors as close as I can with the original painting (the scanner leaves the scanned pictures very dull and lacks the intensity so I have to edit them afterwords). I usually do this edits and then I make another copy and multiply the second copy of the scanned picture to increase the details and colors.


But since the background is blue I tried to change the hues a bit to a cooler color.


With that done I prepare the actual subject (in this case Misaka) so that I can merge it with the background. Of course that means cleaning up and erasing the background. It sure is very time consuming. But it’s worth the effort.

misaka mikoto railgun no background resize

Next I try and match the colors as close as I can so that they merge better and that the subject looks like it actually is in the backgrounds environment. Now, just to make it clear, I made these changes after I merged it with the background.

Misaka Mikoto Final resize

Ok so Misaka is done and ready, now on to the background. Academy City. More especifically the bridge where Misaka and Touma met on very important ocassions (if you’ve seen the series than you’ll know what I’m talking about).

First are the outlines for the bridge and the city scape.


I’m still having a hard time doine dark color so I want to do more of them in order to understand how to use the colors correctly.

I had a good deal of trouble due to my low expertise, though this was a couple of months ago now, and judging by the recent painting I’m currently working on I have gotten better and am understanding the process a bit more. What I did know at this time is that  I had to add layers, though I was going too fast and not doing enough variation in colors.



So this is one of the things I had a lot of problems with, which is caused by adding too much paint. The problem is that the paint starts caking and adds a layer of shiny paint. Not only does it not look good, but it makes adding more layers harder since the paints don’t meld well together at all.





One other thing I wan’t to make a note of is the city scape. My understanding of going from dark to light and vise-versa still perplexed me. So I added colors way to dark and made my work harder when I wanted to add the light haze from the city scape. So because of my inexperience the colors were not coming out like I wanted.





Having the city somewhat done, it’s time to start adding details. Starting with the structure of the bridge.


Then I decided to change the color of the lights and add the rivots of the beams.



And this is how it looks like with all the digital edits and addtitions. Making it truly Traditional x Digital.

Academy city night Final resize

Now that I am satisfied with how it looks, next is merging Misaka with the background.


And to finish it off I added some more blue hues to Misaka so that they merge better.

Academy city's Railgun Final resize 1080

And well that is the process of creating this art piece. Doing them seperate is interesting and gives me the possibility of doing a “2.5D” artwork if I so choose it. But on the other hand it does require more work and also needs a lot of thought, preperation and changes when merging them. I’ll try to do a “2.5D” piece to see if it’s worth it or not. Time will tell…

Bueno, hasta la proxima,



It’s been a stressful week… + NanDesuKan Report

This week has been full of tedious and time consuming obligations. I’m still not done but things have been progressing quite well. Of course I haven’t really stopped working and have some things to show you guys. One other thing to note is that last week was NanDesuKan so I’ll talk a bit about that.

Since I went to two conventions earlier this year I was having convention fatigue. I didn’t really feel like going but I did want to take some artwork for the Art Gallery section of the event. This time I decided to take only some prints so that I could sell them for a lower price in hopes that I could sell them this time. This year I took the piñatas That I made all throughout the end of last year and the beginning of this year. Some have actually sold already, such as the Popplio and Eevee and have been comissioned to make another one. So for NanDesuKan I was offering Pikachu, Rowlette, Litten, Mimikyu, Totoro, Jiji, and I made two new ones for this convention. Goku and Kuririn. I made them as kids wearing their attire from their training days under Muten Roshi (I even decided to make their turtle shells the day before the convention).

Just in case you forgot or haven’t seen them before, here are the piñatas that I took with me.







Here are Goku and Kuriring that I made especifically for NanDesuKan.



The construction of the turtle shells using foam board.






And here they are with them on and painted (painted using spray paint). Tied with some garden ropes to emulate the ones in the series.







This was the piñata side of things. But I prefer drawing more, so of course I took some of the new 2d art that I have been working on this year. Thinking back I was learning more than creating this year. But I feel it was worth it (I still have a ways to go, but I’m starting to understand things a bit more now).

My original plan was to show these pieces on their own and before the convention so that those who take the time to visit this site would get a sneak peak as a sort of special “reward” for visiting the site. But I got really busy preparing for the convention that I didn’t have the time (those two weeks before the convention were also quite stressful). Luckily I did get not only the new piñatas finished, but I also had two new artworks done in those weeks prior.

I took 4 art pieces in total this year.

I made a new piece with the prints of the legendary Pokemon from X/Y.


I dumbly chose to do a Saber piece (from Fate Stay Night, I think). But that series can get rather complicated if you haven’t seen or played any of the games (which I haven’t). (There’s so many Sabers) So I really didn’t know what I was doing at all… This was one of the pieces I was doing right before the convention. Thinking back maybe I should have done something else, but oh well.

Done both traditionally and digitally.


This piece I had been working with during the summer. I took a bit of a break and did some minor tweaks right before the convention though.

It is Misaka Mikoto from the To Aru series (will make a post especifically for it later).


And the last piece that I offered this year is the other drawing that I made right before the convention.

This one is of Goku, Kuririn and Muten Roshi. (I will also make another post just for this one and talk about it more).


So these are the pieces I took this year. Now for the results. Out of all the piñatas, only Rowlette and Mimikyu were sold. And of the 2d art, all of them were sold except for the Saber piece. And out of all the pieces only one went to the live auction, that being the Pokemon X/Y piece.

On top of selling a good amount of them this year, I also won an award again this year.





Seems like I won the 3D category again this year. Plus I also won the Video Game Room Art Show award. Seems like the 3D award was for the piñatas, and the Video Game award was especifically for Rowlette. With that said, I assured another weekend pass for next year.

Not too bad.

Sorry I haven’t really been posting much, but it has gotten a bit stressful these days. And now the future is looking a bit shaky… Heck even the sun and moon were kind of ominous when the outcome of the future was put on jeapardy.



A bit weird but won’t deny, they looked beautiful. (by the way, they look red because of the fires that were burning on the west coast.)

Nothing can be done except go forward I guess… ε- ( ̄、 ̄A) フゥー

That should be all for now, I’ll get back to you guys later.

Hasta la proxima,