Pokemon Quick artwork

My little brother likes making his own wallets, so this time he asked me if I could design him some Pokemon artwork. He didn’t really have any idea as to what Pokemon he wanted, so I went for the starter Pokemon Fushigidane (Bulbasaur), Zenigame (Squirtle), Hitokage (Charmander) and of course the ever so famous Pikachu.

I started and finished them all yesterday, so I’m actually quite amazed at how much I have improved. Of course these are all simple designs, but they look good despite being drawn and colored in a day.

I tried having them in habitats that they would most likely appear at. Though if I made more time to think and design I would try something a bit more tricky and have some sort of scenario for the artwork, but since I didn’t do that I guess the backgrounds are a bit generic.

Here are the designs:

Pokemon wallet designs resizePokemon wallet designs II resize

Aside from the Pokemon, I tried doing everything without reference and only relied on my mental images of what I think things and places may look like. I’d say it looks good, no? I guess aside from that, I did have to come up with poses for the Pokemon. They actually didn’t take much time at all to think up. Looking at them now, Fushigidane (Bulbasaur) is a bit generic compared to the others. Seeing as he is my favourite, maybe I should have drawn it differently… Oh well. I was thinking of going over it with pens to add more details, but since I have quite a bit of artwork I want to do, I will leave it as is.

Traditional X Digital (Color) III

This is the third try at coloring. This time I will be using an old piece from 2008. This one is from one of my top manga favourites School Rumble. The reference used for this recreation came from Vol. 1 Chapter b01.

Here is the original:

[Yanime] School Rumble b01-02

I remember the first time I saw this page I fell in love with the artwork so much that I just felt compelled to recreate it. I noticed that there isn’t much shading done on my attempt. I wonder if that is because I drew with pencils not much stronger than HB or because it is so old that the graphite has rubbed off? Or maybe this was back when I was still trying to master shading?

In any case here is the piece I used to practice my digital painting:

2008 Yakumo getting ready (768x1024)

I’d say i got rather close, although my lines are quite rough thus showing how much I was struggling making fine lines and making a clean recreation. On top of that the lack of shading does make coloring digitally more difficult. Despite all that, I am quite amazed at how it turned out.

As for my first attempt to color it, here it is:

2008 Yakumo getting ready (768x1024) Single layer

It doesn’t look all that much special does it? Take into account that I did do quite a bit of work on this piece. I also added quite a bit of details with countless layers to add more depth to the drawing, but in the end it still looked rather mediocre.

That’s when I remembered a technique I had been playing around with when I was painting the first Cardcaptor Sakura drawing. And that is to add a duplicate layer of the drawing (specially if the if it lacks shading) so that it can give it more depth and detail. So here’s how it looks after doing just that.

Remember I just duplicated the original drawing layer (the drawing layer is all on it’s own set above all layer, marked as Multiply):

2008 Yakumo getting ready (768x1024) Double layers

Doing something so simple gave it so much depth, and I really didn’t have to change any of the colors to achieve it. It’s quite wondrous how much the drawing and colors changed just by duplicating the original drawing. The hair alone was giving me problems, but this one technique gave me the color and feel I was looking for.

After this I tried adding some more details like a bit of blush and more details around her body:

2008 Yakumo getting ready (768x1024) (COLOR)

After this I just tried playing around to try and create a background from scratch just using my imagination and the tablet. I did ok, and would just need to add a bit more layers of detail on all aspects to truly bring it to life. But in the end I see no need for that since I can do that and more just by doing it traditionally first then applying color later.

In any case here are my unfinished attempts at creating a background:

2008 Yakumo getting ready (768x1024) table2008 Yakumo getting ready (768x1024) Table and Floor2008 Yakumo getting ready (768x1024) Table, Floor and wall

It looks quite out of place next to Yakumo, but making it all fit would require quite a bit of tweaking to make it all cohesive and look good. But I think I should just develop my own style for now and learn how to make art digitally that way and then eventually learn about making all digital work (at least for backgrounds) later on. Though I will just end up integrating those techniques to work along side mostly traditional artwork.

I will stop working on art for a bit so I can work on that Youtube video I mentioned before. I want to try and make something different and that’s also high quality, so that will probably take me a bit to make and edit. Hopefully not too long.

Hasta la proxima,


Traditional X Digital (Color) II

Here is another go at coloring digitally. For this one I will be doing a much more simple drawing with no background. I wanted to use only about two different varieties of the same color to see how simple coloring would look on a drawing. This drawing is again of Cardcaptor Sakura and also from 2006. I know this is a reproduction, but I don’t know where I got the reference from. Most likely it is from one of the volumes of the manga, the things is I just don’t know which volume… So I apologize I can’t show you the original this time.

In any case here is the scanned drawing:

2006 chibi Sakura and Kero (744x1024)

It’s a bit rough, but it will do. It is a very simple drawing that I can just apply color to it.

2006 chibi Sakura and Kero (744x1024)

So for this drawing I tried to use some of my traditional techniques. On top of that I used some the few digital techniques I picked up so far.Not looking too closely, it almost looks like if I colored it using Copics. And that makes me ecstatic. Of course this is still a bit new to me, and I have much more to learn. The road seems to be a long one, but I really hope I can grow exponentially as I go along.

Here’s working towards the best!

Hasta la proxima,


Traditional X Digital (Color) I

A few days ago I said that I was working on a new technique where I digitally colored an old drawing that I had archived and scanned. From there I plugged it into Photoshop and after converting it to a layer and setting it on multiply I placed every other color layer below the scanned picture. What is amazing about doing this is that I get to keep every single detail that I placed on that drawing once I color it in. This is great because I really suck at drawing on the tablet. I prefer traditional. I’ve gotten to the point that I can draw traditionally very good at a really good pace, but when it comes to adding color… I am still learning and that is where most of my time now goes. And since it takes so long, I don’t have time to practice digital art. Doing this will be the best of both worlds! (If you have been reading the past posts you may be wondering why I keep repeating all this. The reason is simple. I am super exited that I can do this and am really looking forward to when I get to master this technique.)

For the first piece I will use to try out this new technique (at least to me anyway), I will give the honor to a drawing of Sakura Kinomoto from Cardcaptor Sakura (one of my all time favourite animes, and a fond childhood memory). This was done at a time when I was still learning how to draw by mimicking my favorite artist (almost all my old drawings are reproductions of one thing or another). This is a drawing I tried to recreate from one of Cardcaptor Sakura artbooks.

This is the piece I’m talking about:


I still couldn’t let go of a lot of my habits from traditional drawing… I will have to try and develop some new ones. The best way is to learn from others that have already learned how use the digital medium, and luckily there is  alot of artists making Youtube videos showcasing their artwork and techniques so really it is just a matter of looking for it.

Anyway, here is the drawing I did when I was around 14 or 15 years old.

2006 Sakura (740x1024)

Now as to why the drawing is inverted is any ones guess (no seriously I really don’t know why, maybe the copy of the artbook I got was inverted because it was Japanese and  they decided to have it open like western books here in the States… thinking about it, that might not be far off.)

Now as for the first piece to go through my fledgling digital abilities, here it is. I will admit, it isn’t the best coloring job ever but I did the best I could with my current digital art level.

2006 Sakura (740x1024) Colored I

It may not look like much to you, but for some reason this did take me quite a few hours to do. Aside from painting it over I was also messing around with my tablet and learning keyboard shortcuts along the way. I actually learned quite a lot from this piece and also configure my tablet’s buttons to do all the shortcuts that I felt I would need the most to move in the most productive way possible. The original scanned drawing doesn’t have much detail or shading so I do wonder what kind of effect it would have on it when I add even the most simple of coloring techniques?

Well this was a quick update on the beginning of my quest to mastering the elusive Digital Artwork!

Hasta la proxima,


Will upload a new Youtube video soon

I have been wanting to revive my channel for a while now, and I will be editing one soon. It will have a different format from other videos before, so hopefully it won’t be too jarring. The videos will focus on the Artist Project that I am implementing and supplement the documentation of my progress. I also want to touch on other subjects like artwork and artists that I like, talking about my artwork a bit and even why I drew that piece in the first place. The whole point is to let people know about my self and my thought process when creating artwork, and hopefully helping other aspiring artists in their own quest to become better or even take the plunge and try and become professional artists as well.

Hasta la proxima,


Training on my digital skills

So for that last days I have been working on my digital skills. And despite all the advantages of being able to go back and redo things infinitely it is still quite tough going from traditional to digital. It’s quite frustrating. But I eventually came to a great discovery after learning that I can use my traditional drawings and color them digitally. I have had the idea of doing this for quite a couple of years but I never really learned how to do it, till now. Turns out it was actually quite a simple thing to do. I just had to create a new layer and make the actual scanned drawing into a layer and then place it on top of the new layer and also change the drawing layer from “Normal” to “Multiply” and I can keep all my outlines and even the shadings intact. And that is exactly what I dreamed of being able to do. For now I will work on an old drawing from 2006.

I’ll keep you guys posted on this. But I will say that this is a dream come true. I can now do digital art, but I will also be able to use my traditional skills as well. This will make the transition much easier and now I have to only focus on coloring.

Things are looking good.

Hasta la proxima,


Human Culture’s Songstress


Here is the final piece, it will be added to the gallery now.

Human Culture’s Songstress resize

Two questions.

What do you guys think of the final piece?


Do you guys know what is on the light panel?

Hasta la proxima,


Mikoto Misakas and Tsuyu Asui Final

Finally done. This piece was done with a combination of both watercolor and Copic markers.

I wanted to make a drawing with a simple background, which I have a really hard time doing. So I want to now focus on these for a while so that I know how to do them. I was annoyed by how much time it took to come up with something. Keep in mind a design like this is quite easy, so finishing it in one day should be absolutely no problem. And yet the amount of time it took me to come up with something is excruciatingly slow. So really, it’s more of my mental capability to make up backgrounds that will need to be strengthened so that I can not only make backgrounds that fit with the drawing but are also interesting to look at.

Since it is done traditionally I have to rely on just my brushes and my markers. This is where I can run into problems if I want to make identical patterns. I could do it the dumb way of drawing it one by one, but that will take too long, it also wont be perfect recreations and really it would be really annoying to do it that way. So the best options are either making stencils or better yet make a stamp. Which is what I ended up doing.

And here it is (it’s made of an old eraser that I cut into shape with an e-xacto knife, sadly the eraser was too soft so it gave me problems when applying tint on it, and to make matters worse it started breaking off in the end):

Gekota stamp

So in the end I came up with a really simple design that was brush painted in a light green. From there I decided to make the Gekota stamp to make reference towards Misaka’s adoration to anything Gekota so that way I can connect why she seems to be entranced by Tsuyu Asui, definitely one of my favorite characters from Boku no Hero Academia.

Now, why are there other Misakas? To be honest my original plan was something a bit different. And that had to do with having the background filled with Misaka imoutos (younger sister, aka Misaka clones). For that idea I was originally thinking of making a stencil with the figure of an imouto, then reproducing it on the background to give it a somewhat cute/creepy mood overall. In the end I opted against it and went for a much simple design which funnily enough took me more time to come up with…

Misaka's dream XI cropped edited resize

In any case along with that idea I wanted to have Last Order the smallest Misaka and Misaka 9982 (the most cheeky of all the Misaka sisters). I remembered Last Order having those goggles so I quickly came up with the scenario where she would have like to make a trade for Tsuyu’s goggles which look quite interesting and of course Misaka 9982 being the voice of reason when it comes to Misaka Mikoto’s obsession with anything Gekota. I also really loved the annoyed facial expression she makes so I really wanted to recreate it.

Now as for Misaka Mikoto I really wanted to capture this catlike expression she makes whenever her curiosity and infatuation comes into play. And of course not wanting to make the drawing too simplistic I also wanted to add some creepy/cute love aura around Misaka. I also thought making Tsuyu look a bit more worried would be a good idea, but I remember that she rarely changed her expression and going back through the manga I was right so I decided to keep this simple expression.

The drawing looking a bit too lonely on the left side I decided to add a speech bubble that emphasizes her worry about the situation. What do you guys think it says? (Hopefully I spelled it right)

Misaka's dream XII FINAL resize

Before I forget I should also give it a title. The title will be: “Misaka Mikoto’s PARADISE and Tsuyu Asui’s Confusion”

It will be up as a print in the gallery.

And that concludes this piece. What do you guys think?

Hasta la proxima,


Mikoto Misakas and Tsuyu Asui

I’m sorry that it is a bit too light but hopefully you can see it.

It took me a while to start this piece due to some things I had to take care of and me actually going out to see Colorado. But now that I have actually finished that I can continue and finally finish it. Here are two updates. Although I plan to make this simple so it shouldn’t take too long to finish it.

Misaka's dream I resizeMisaka's dream II resize